Welcome to our inspiring blog series, Beyond the Lens, where we delve into the inspiring journeys of award-winning professional photographers who have not only mastered their craft but have also ventured into the world of professional printing. These talented individuals have transcended the realm of simply capturing moments to investing in their own professional printers, a decision that has propelled their businesses to new heights.

When Shayna Lohmann first started experimenting with photography as a middle school student, she didn’t expect it to become a possible career option. “I was kind of bad at it when I was in middle school,” she says. “But as soon as I got my first roll of film developed, and it came out perfect, I thought that this is meant to be.

With his portrait photography work, Shelby, N.C., photographer Randy McNeilly is no stranger to delivering images with deep storytelling. Case in point: “The Colonel in Twilight,” above, a stunning portrait of a Vietnamese military man that won not only the Sunset Print Award and Best of Show at the PPA Southeast District print competition with a perfect 100 score, but was also awarded third place in the National Sunset Print Award last month.

Each portrait Kristi Elias creates is a unique work of art that is relevant and appropriate to its subject. Last year, Elias won a Sunset Print Award at the Professional Photographers of California state competition for You Won’t Bully Me, a grungy portrait of a young martial arts competitor.

In a print competition, the print itself should have some say in who wins the top award. At the Professional Photographers of Idaho competition, The Economic Recovery, created by Nick Jones, made it to the finish line for the coveted Sunset Print Award, but it was the print that took it over the top.

Psychology plays a big role in photography, especially portrait photography, as the psychology of the photographer, the subject and the viewer all come into play.

Simple and clean is the philosophy that has been the cornerstone of award-winning veteran photographer Tim Kelly’s success. Kelly’s philosophy is perfectly illustrated with this Sunset Print Award-winner, a portrait of up and coming singer/songwriter musician Billy Wright.

Award-winning prints are subject to any number of objective criteria, such as composition and color balance, but there is often a subtle and subjective emotional element that resonates with the judges, even if they can’t quite put their finger on the story behind that emotional element. For the Sunset Print Award winner at the Professional Photographers Association of Massachusetts (PPAM) convention, Cathy Broderick, her award-winning print, entitled A Slow Decline, had great emotional significance. Broderick, who owns Cathleen Broderick Photography in Whitman, Mass., captured this wilting flower in her studio while her mother was in the hospital with a terminal illness. “I had been fooling around with flowers in the studio before my mother went into the hospital, trying to come up with something apart from my usual portraiture. When she got sick I left the studio and forgot about them,” recalls Broderick. “A few days later I came back to the studio to take care of some details in...

Kenny and Debra King help rescue dogs. That’s not all they do with their stellar portrait photography, but they’ve honed their process for animal photography to the big benefit of a local animal shelter, and particularly the animals themselves.

Sometimes the key to award-winning photography is not to shoot with a competition in mind. In the case of this Sunset Print Award winner at the recent Twin Cities Professional Photographers Association competition, this image evolved into an award-winner. Rod Oman, who owns The Imagery Photography Gallery with his wife, Stephanie, was working at the Commemorative Air Force Minnesota Wing as part of a fundraiser for the organization. Oman was joined by other photographers, makeup artists and models as they created scenes focusing on vintage WWII aircraft. “We were shooting the exterior of one of the airplanes, and someone suggested we shoot inside the plane. I shot away with the model, Elizabeth Noir, looked at the images in the camera back and thought it might be cool to work up,” recalls Oman. “It was really a simple shot with natural light, but the post-processing is what makes it different.” Here’s Oman’s original capture before he applied some magic in post-processing. ...