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Prints That Win: From the Ashes

The portrayal of a Phoenix rising from the ashes is not only a Sunset Print Award winner for Enid, Okla., photographer Dawn Muncy, it’s also an indication of the state of her career: on fire. A member of the high school yearbook staff, Muncy says that’s where the decision was made to work in photography. “I got to see life differently, looking through the lens. Not to mention, the darkroom was an escape for me,” she says. Out of high school, Muncy attended the Colorado Institute of Art for a year, but she didn’t feel at home. “Initially I wanted to be a commercial photographer, and they did allow me to focus on that,” she says. “However, after I photographed the same cereal box for weeks, I realized I needed people. I needed conversation. Commercial photography wasn’t for me.” After leaving the art institute, Muncy decided she was going to take it upon herself to learn about photographing people, so she started doing photography on the side. She says it was her marriage that really...

Prints That Win: Back Alley Beauty

When Chicago, Ill.-based photographer Michael Novo attended a destination wedding as a guest several years ago in Monte Carlo, he captured a brilliant shot of the bride on the stairs with a point-n-shoot camera. Everything was perfect: the lighting, the composition, the ambiance and of course, the bride. Excited about his newly discovered talent, Novo came home from Monte Carlo and immediately purchased nicer equipment. However, as he started delving deeper into the world of photography, he realized that perfect shots don’t just happen.

Prints that Win: Photography in the Twilight Zone

Michael Zerivitz, DDS is a Deltona, Fla.-based dentist who’s had a lifelong fascination with photography. Though his photography is a sideline to his successful practice, Zerivitz has been practicing photography since high school. That continual practice, plus the help of his professional photographer friends in the Orlando area, helped make Dr. Zerivitz a distinguished award-winning photographer. “I set photography aside after college while I raised a family and started a practice. Then I went to back to school at Daytona State College, which has a great photography program, and started getting together with mentors in the Orlando area,” says Zerivitz. “I have some really good professional photographer friends who have a group called the Portrait Artists Group and I was fortunate enough to be invited to join them. I have to give credit to my friends and mentors in the Orlando area who have helped me become a better photographer.” Zerivitz was recently honored with a Distinguished...

Prints that Win: Bridging the Realism Gap

Ann Naugher, owner of Hopkins Fine Portraits in Tulsa, is sought after far and wide for her artistic portraits of children. They bridge the gap between the realism of photography and what can be the surrealism of painting.

Prints that Win: Something Old, Something New

It’s rare to find someone from the next generation of photographers who prefers to shoot film over digital. This year’s LexJet Sunset Award winner for Best Quality Print and Presentation at the Plymouth Center for the Arts competition and exhibition, The Fine Art of Photography, is more than just a throwback to traditional photography.

Prints that Win: Bridge over Water

Award-winning photography is often a fortuitous combination of skill and luck as was the first-place winner of the Commercial division and LexJet Sunset Award winner at the 2012 Professional Photographers of North Carolina print completion, Gregory Georges.

Prints that Win: Walking the Lonely Street

One of the great ironies of photography is that you can turn a certain weakness in the original capture into a strength that sets the tone and separates it from the usual. Such is the case with Bob Klein’s LexJet Sunset Award-winning image at the Photo NorthEast competition called Walking the Lonely Street, which was captured in a village near Vienna. The image has just the right elements that evoke an Old World scene. Or, as Klein puts it, “You can project yourself walking down the street in this scene.” Perhaps that’s what caught the judges’ eyes, but much of the beauty of portrait – aside from the framing of the street, the lone figure with an umbrella slightly off center walking away from the camera and the way the buildings come to a satisfying point on the horizon – is in its weakness. Klein explains, “It was overcast with poor light and light rain, but I loved the way it looked. At the time I considered it unfortunate, but in retrospect it was fortunate. That camera I used...