The paper you choose for printing your art or photography is more than a surface—it's a vital element that can enhance or diminish your work's impact. Each piece of art deserves media that brings out its unique qualities, whether through texture, tone, or finish. Understanding the wide range of papers available can help ensure your prints shine in the best light.

Sacramento, Calif., photographer James Trapp decided to follow his heart and leave the safety of a corporate job to pursue something different about 20 years ago. “At some point, I said things have got to change, and I need to follow my heart rather than my head,” he says. “I found a small photography company that was looking for a studio manager, but at the time, I’d only ever had Photography 101.”

Grandville, Mich., photographer Kari Douma can take ordinary moments and turn them into extraordinary images. Photographers know that capturing an award-winning moment means timing is critical and perfect timing is prevalent in much of Douma’s work. Last year, she captured a wintry Michigan sunrise – with just a hint of pink – over a blanket of freshly fallen snow and turned it into “Winter Pastel,” one of her two 2018 winning images. “Many times, you have one shot to get a picture,” Douma says. That was especially true for her 2019 PPA Northeast winning photo “Just Around the River Bend,” which she printed using LexJet Sunset Photo eSatin Paper to help provide depth to her image. While vacationing in the Porcupine Mountains in the Upper Peninsula of Michigan (UP), Douma and her family were hiking along the river when she spotted holes in the riverbed. “I took one look at it and absolutely loved how it looked. We went back at sunset and I photographed it,” she says. “There are so...

The portrayal of a Phoenix rising from the ashes is not only a Sunset Print Award winner for Enid, Okla., photographer Dawn Muncy, it’s also an indication of the state of her career: on fire. A member of the high school yearbook staff, Muncy says that’s where the decision was made to work in photography. “I got to see life differently, looking through the lens. Not to mention, the darkroom was an escape for me,” she says. Out of high school, Muncy attended the Colorado Institute of Art for a year, but she didn’t feel at home. “Initially I wanted to be a commercial photographer, and they did allow me to focus on that,” she says. “However, after I photographed the same cereal box for weeks, I realized I needed people. I needed conversation. Commercial photography wasn’t for me.” After leaving the art institute, Muncy decided she was going to take it upon herself to learn about photographing people, so she started doing photography on the side. She says it was her marriage that really...

When Chicago, Ill.-based photographer Michael Novo attended a destination wedding as a guest several years ago in Monte Carlo, he captured a brilliant shot of the bride on the stairs with a point-n-shoot camera. Everything was perfect: the lighting, the composition, the ambiance and of course, the bride. Excited about his newly discovered talent, Novo came home from Monte Carlo and immediately purchased nicer equipment. However, as he started delving deeper into the world of photography, he realized that perfect shots don’t just happen.

As a child, Billy Dzwonkowski would take pictures of trains, but the Bradenton, Fla., artist didn’t realize then that he would one day be a preeminent photographer. “I liked taking pictures, but I had no idea I wanted to make a living doing that. I wasn’t on the yearbook staff in high school and when I went on a trip to London, I didn’t even take a camera,” Dzwonkowski says. Later in high school, fate stepped in and subtly guided Dzwonkowski to a world behind the lens. He was in marching band with photographer Al Gordon’s son. He was the unofficial marching band photographer and would often suggest that Dzwonkowski come by the studio so he could teach him the art of taking pictures. It wasn’t until two years later – on his 20th birthday – that he took Gordon up on his offer, and he hasn’t looked back since. “I’ve been doing this for 10 years now, and it never gets old,” he said. When discussing his Sunset Award-winning print “Vigilante,” Dzwonkowski says it was a case of right...

Prints That Win: The Beauty of Innocence For photographic craftsman Kimberly Smith of Muskogee, Okla., a hobby that started as a way to document the growth of her family through scrapbooking turned into a full-blown career. “I really was looking for a better camera to take better pictures of my kids. It turns out, not only did I find a better camera, I also found my passion,” she says. Once Smith decided to pursue photography, she began looking for classes or other educational opportunities. A friend of hers suggested she reach out to Shannon Ledford of Broken Arrow, so that’s just what she did. “When I showed her my work, she said she could tell that I had a good eye,” Smith says. “She was so encouraging to me and my craft.” The two women bonded over photography and became fast friends, with Ledford inviting her to conventions, to her studio and into the lab for experience and training. Nowadays, Smith has embodied the role of mentor to up-and-coming local photographers,...

Award-winning master photographer Terry Blain was not always telling her story from behind the camera. She spent the past two decades traveling all over the country looking for interesting people to capture; however, in her early days as a model, she was the one who was captured on film. One day, after a particularly uninspired photo shoot, she realized that she would have set up the shots differently, had she been the one taking the pictures.

Last November, photographers Kathryn and Gary Meek were vacationing in China, when one misty morning, they spied a junk boat moored to just a little wisp of a dock on the Yangtze River. Even though it was at rest, Kathryn Meek said she was struck by the serenity of the scene. She pulled out her camera and started shooting. One of the images she captured would later become “Misty Morning,” winner of the Sunset Print Award – Illustrative category in the PPA Southwest District. “It is one of my favorite shots. The trip was a cool experience and I was able to get a really cool shot,” she says. To properly convey the ethereal feeling of the scene for the print, she used LexJet Sunset Photo Metallic Paper. “It really made the image pop,” she said of the award-winning paper. The Meek duo decided to quit their full-time jobs in 1977 and start learning about photography. Wondering if it was possible to start their careers over doing something they both loved, they bought a low-end 35mm...

“Breathtaking” is a fitting description for the image “City by the Sea” by Kathryn Meek, a photographer and winner of the Sunset Print Award at the APPA competition in Arkansas.