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Prints That Win: Homestead

Veteran Michigan photographer, Kari Douma, has paid many visits to the winner’s circle at print competitions. Ever since her first competition in 2007, she has been capturing numerous show-stopping photographs that catch the judge’s eyes.

Prints That Win: You Light Up My Life

Photographer Tim Shaffer has been behind the lens at many a wedding. In fact, he shot his first nuptial event when he was 17, before embarking on a career as a newspaper photographer. Later, in 1991, he opened his professional studio, and hasn’t looked back. Today, he and his wife, Dana, run The Classic Image photography studio in Fort Plain, NY, where they specialize in weddings, senior portraits, family photos and more.

Prints That Win: The Boxer

Photographer Ben Tanzer may have left a theater degree behind, but he certainly kept his flair for the dramatic. In his “Identity Series,” he transforms himself into iconic characters, for self-portraits like “The Boxer,” a grungy interpretation with 1920’s style that recently won the Sunset Print Award at the Plymouth Center for the Arts Fine Art of Photography. The conceptualized image is a clear shout out to Cindy Sherman-esque photo and editing work. “I’ve always been drawn to Cindy Sherman — she was one of my first crushes ever, as a photographer,” Tanzer says. “The Boxer was my first piece for the Identity Series … I just became really interested in what it means to be human … and how we define ourselves by what it is that we do.” For the competition print, Tanzer did some Photoshop work with overlays and brushes to create the gritty look, but says, “I don’t do a lot of what I call ‘liposuction editing.’ Just dodging and burning to emphasize certain areas.” It’s a technique...

Prints That Win: The Colonel in Twilight

With his portrait photography work, Shelby, N.C., photographer Randy McNeilly is no stranger to delivering images with deep storytelling. Case in point: “The Colonel in Twilight,” above, a stunning portrait of a Vietnamese military man that won not only the Sunset Print Award and Best of Show at the PPA Southeast District print competition with a perfect 100 score, but was also awarded third place in the National Sunset Print Award last month.

Prints That Win: Hare Apparent

It’s not hard to tell where master photographer Kelly Schulze’s heart resides … she signs off email correspondence with a “Peace, Purrs, and Tail Wags,” and she owns Mountain Dog Photography in Monkton, Vermont. Yes, she loves all things furry or scaly, and has dedicated her business to capturing their personalities in portraits. Case in point: Ivory, the albino rabbit she photographed at the Humane Society of Chittenden County, where she has volunteered her photography skills for several years. Ivory’s red eyes and bright pink skin were shot against a blue background, which Schulze says may have seemed “creepy” to some viewers. At a friend’s suggestion, she changed the image to black-and-white and suddenly had an award winner on her hands. She won the Sunset Print Award at the Vermont Professional Photographers competition for this image, titled Hare Apparent. “I’ve always been into animals, and I started photography as a kid,” she says. “After college, I figured out how to put...

Prints That Win: Upstairs Downstairs

Sometimes the most dramatic photographs can be made in the blink of an eye. When North Carolina portrait, landscape and architectural photographer Gordon Kreplin toured a local Parade of Homes event, he set up a few lights and took one shot while the hallway was clear. That one shot, named “Upstairs Downstairs,” won Kreplin the 2015 Virginia Professional Photographers Association‘s print competition. “I probably shot 15 houses that day, and this was the last one,” Kreplin says. “I loved the composition and entry into the rooms as well as the architectural lines.” To evolve the photo from a straight-forward architectural shot to something a bit more moody, he created a faux high-dynamic range (HDR) in Photoshop. He printed the image on Sunset Fibre Elite, available from LexJet, and mounted it on a 16-x-20-inch black gator board. “I don’t typically finish the print at all by putting a lacquer on it,” he says. “It can make it look milky in the light and it dulls the blacks.” A concert...