Lightning does strike twice, or at least the LexJet Sunset Award for outstanding photography did. Ann Naugher was honored earlier this year with a LexJet Sunset Award at PPA’s Southeast District competition for her portrait entitled Windswept, and most recently added another to her collection with another portrait entitled Monet’s Garden at the PPA’s Southwest District competition.

Perfect natural lighting for photography can be like a box of chocolates: you never know what you’re going to get. If you see it coming, however, you better wait for it. At least that’s the way Terry Blain of Terry Blain Master Photography, Carlisle, Pa., approached this award-winning shot.

Ghost Town in the Sky, located above Maggie Valley, N.C., is a themed amusement park that’s preparing to re-open to the public. As part of that, the “ghost town” needed some publicity shots and turned to veteran photographer Jeff Gulle.

David Jeffery’s eye for photography comes naturally. Having grown up in a creative, artistic environment (his father was a painter, his mother a musician) he was naturally drawn to the arts. Jeffery’s creative outlet is photography and the artistic ethos he absorbed growing up shows in his award-winning work.

Andrew Jenkins’ The Man in the Mirror has all the elements of award-winning photography: A compelling and unique design that tells a story and draws viewers into the scene, capped by Michael Timmons’ renowned printing expertise. Timmons used Sunset Photo eSatin Paper to print The Man in the Mirror, laminated with LexJet 3 Mil Gloss UV Premium Low Melt laminate. Timmons and his wife Tina own and operate The Portrait Gallery in Vasser, Mich. The Portrait Gallery’s printing has become a mainstay of competitions across the U.S. “Sunset Photo eSatin is our print material of choice for competitions; it’s a stronger, more durable paper and the colors, tones and hues reproduce much better than most other materials,” says Timmons. “The print is mounted to foam board and then laminated with the LexJet gloss laminate to give it more pop at competition. The high gloss laminate really adds a three-dimensional look to the image. It’s completely amazing when it’s all finished.” Obviously,...

Good portrait photography captures the essence of the subject’s personality, and that’s what Gretchen Carter aims for in her senior portraits. Carter is a portrait photographer at Newbrough Photo, a studio that’s been an anchor in the town of Weirton, W.V. for more than 60 years.

Michael Timmons of The Portrait Gallery in Vasser, Mich., gets around. As noted in a yesterday’s post about Duncan MacNab’s award winning image, Timmons printed Duncan MacNab’s award-winning print on LexJet Sunset Photo eSatin. For Andrew Jenkins’ LexJet Sunset Award and Best Color Portrait winner at the PPA Northeast District competition, Timmons printed The Curator on Sunset Photo eSatin as well. “The print was incredible. I don’t think there’s anyone in the country printing better images on eSatin than Michael,” says Jenkins. The Curator himself is Warren Motts, who runs the Motts Military Museum in Groveport, Ohio, which houses the largest privately owned collection of military memorabilia in the United States. Motts is also a past president of the Professional Photographers of America (PPA). “Warren is an incredible man and I wanted to take a portrait of him in his environment. I took a road trip with my father, spent the day at the museum and created the portrait at the end...

A great print can make all the difference at photography competitions. It’s certainly not the only difference, but it can provide that little extra boost that makes judges take notice. Take, for instance, Duncan MacNab’s entry, End of the Line, which won a LexJet Sunset Award for Excellence in Image Quality at the 2011 PPA Western District Competition.

Actually, the title of John Gladman’s LexJet Sunset Award and best Electronic Imaging prize at the PPA North Central District photography competition is Morning Rounds. While quite appropriate for the image, it evokes a simpler and more rustic time in the past, though the main landscape image was taken near Lawrence, Kansas quite recently. Gladman stitched together a panoramic shot of a spot near the river and just around the corner from his studio. He took out the modern distractions, power lines and whatnot, and added the horse and carriage. The result is a story, and “story” is a crucial element in an award-winning image. “I’m big on taking an image and trying to tell a story with it, so whatever I need to do to tell the story I’ll do it. I come at it from an artistic standpoint; I’m trying to create a piece of art from the things I find in life,” explains Gladman. “I’ve been entering competitions for 25 years and I’ve been a judge myself. I’ve learned that you have to create...