Prints That Win: Solitary Journey

Plano, Texas photographer Brooke Kasper jumped into photography in the most unusual way. With a background in painting, she was spending her days working as a graphic artist. That is until her mother died. “I quit cold turkey and picked up a camera. It will be 15 years on Dec. 4,” Kasper says. “To heal, I went out and shot everything I could with the camera. It was an inauspicious start to a photography career.”

Her work often conveys a heavy message through symbolism and the somber technique known as low-key photography. “I use ropes a lot in my imagery,” Kasper says. “They represent the ties that bind.”

Kasper’s photograph “Solitary Journey” won the Southwest PPA District and placed 3rd in the National competition held this summer. Her award-winning image is rife with symbolism. “We all have our own personal stories, and this one represents how I’m charting my course,” she says. “We may feel abandoned and alone at times, but we are surrounded by so many wonderful memories of people and things that have given us strength, even in solitude.”

Kasper adds personal and tangible items to her photoshoots. “If it’s not on the set, it doesn’t get added,” she says. “The lantern is in the center and represents God, who is an important light at the center of my life. My mother’s picture is also in it, as are other things that are important to me.”

Studying the image closely, the story begins to unfold of just how lonely the journey of life can be. “Above my mom’s photo is her old bible and a compass that is pointing to true north, which is what God represents to me,” Kasper says. “Then you have the ropes. I put in the mouse as an homage to my husband. There’s another lantern but the light is out. There’s only one light that guides me ever since my mom died.”

Many photographers may find it unnerving to enter such a personal piece into a competition. For Kasper, it was about healing and finding peace. “You can’t always verbalize your woes, but you can find an outlet, and that’s what I’ve done,” she says. “The greatest honor is when someone wants to know the story behind the image, and they are moved when they see it. If I’ve reached someone, what better compliment is there?”

Jumping into photography like she did, Kasper relies on the Dallas PPA and Professional Photographers of America (PPA), as well as her mentors for support and guidance. Her merits and degrees include Certified Professional Photographer (CPP), Master of Photography, and Photographic Craftsman.

Through it all, she’s been inspired by – and learned from – David Edmondson. “David is a good friend and one of the most phenomenal people, inside and out. He has taught me how to be an artist and keep those characteristics in my life. That’s the most important thing to me,” she says. “There were times when I wanted to quit, but David is the one who encouraged me to go on. We share a strong faith and it means so much to know he has my back.”

Kasper is adamant that all photos should be physical, not just an image on a computer screen. “I don’t think it’s really completed until you print it,” she says. For her low-key images, Kasper prefers a satin photo paper, like Sunset Photo eSatin 300g, to ensure the fine details are captured with every print.

The popularity of local, state and national PPA competitions isn’t slowing down and Kasper believes that is because photographers are pushed to be better. “You have to keep moving forward, keep reinventing yourself. If you’re not getting better, you’re stagnant.”

Prints That Win: Mother

When Shayna Lohmann first started experimenting with photography as a middle school student, she didn’t expect it to become a possible career option. “I was kind of bad at it when I was in middle school,” she says. “But as soon as I got my first roll of film developed, and it came out perfect, I thought that this is meant to be.”

Lohmann studies photography at the Antonelli Institute in Erdenheim, PA.  Recently, she won the Sunset Print Award for her winning portrait in the Contemporary Portrait category for the Antonelli Institute Print Competition.  Her portrait named “Mother” depicts her own mother looking intently into the lens.

“My mom was sitting there and I thought the whole composition was great in that moment, so I took the shot,” she explains. “It was so raw and powerful, and I think the judges felt that way, too.”

During the summer, Lohmann likes to experiment with different styles and approaches saying, “I have been asking my friends and family to model for me and I pick out the outfits I want them to wear.”

She finds inspiration for her work in vintage fashion magazines and photographs. One of her favorite photographers is Helmut Newton, a successful fashion photographer born in Germany in 1920. “His photos were so stark, but had movement in them,” she says. “They were very natural.”  His work has inspired Lohmann to pursue fashion photography in the future.

“Once I graduate, I want to be a portrait photographer or a fashion photographer,” Lohmann says. “I really like looking through magazines and seeing all of the portraits; I think there’s something that’s special about photographs of people compared to other forms of photography. The emotion you can capture is crazy and amazing.”

Lohmann’s experiences with submitting her work in competitions has been overwhelmingly positive. “I learned that anything is possible,” she says. “You should never doubt yourself or compare yours to other prints because you don’t know what will happen.”

Getting a Consistent Look from Paper to Canvas

Professional photographers know the importance of creating a signature look with their photography and editing skills, but another way to create a look that clients remember is through the choice of paper and canvas used for the finished piece.

Portrait photographer Tom Milne, based in Fresno, Calif., started with LexJet Sunset Photo eSatin Paper 300g several years ago, thanks to its excellent reproduction, durability and weight, and ability to handle a good, dynamic range of colors. The eSatin is an ideal choice for single prints and framed portraits.

Prints That Win: The Colonel in Twilight

With his portrait photography work, Shelby, N.C., photographer Randy McNeilly is no stranger to delivering images with deep storytelling. Case in point: “The Colonel in Twilight,” above, a stunning portrait of a Vietnamese military man that won not only the Sunset Print Award and Best of Show at the PPA Southeast District print competition with a perfect 100 score, but was also awarded third place in the National Sunset Print Award last month.

For Peters Photography Studio, Kodak’s Dry Lab Paper Delivers

Photo by Peters Photography; London, Ohio
Photo by Peters Photography; London, Ohio

 

Last summer, when Peters Photography Studio lab manager Matt Baxter could no longer count on the delivery time frame and quality of the photo paper he’d been using, he turned to a name he’d trusted for years: Kodak.

His former supplier had become unreliable, so he switched to Kodak’s PROFESSIONAL Inkjet Photo Dry Lab Paper with a lustre finish.

Photo by Peters Photography, London, Ohio
Photo by Peters Photography; London, Ohio

“We’d always used Kodak when we had a wet lab,” Baxter says. “I was used to Kodak from way back.”

As the photography industry has evolved from film and chemical photo development to digital images and inkjet printing, Kodak has created resin-coated paper with an e-surface finish, ideal for the type of rich, detailed portrait work Baxter polishes up at the London, Ohio-based studio.

“I touch every single image that comes through here,” says Baxter, who’s been with Peters for 15 years. “All of the color correction, processing, digital image prepping … and printing is included in that.”

He runs the Kodak dry lab paper on an Epson SureLab printer, which is an ideal match, he says. Working with 8-inch and 12-inch rolls, he explains that the paper calibrated easily and “fell right into place really quickly. There were no big adjustments to make.” The paper also works well with Peters’ signature linen-like textured coating that sets the studio’s prints apart.

peters new 3
A look inside Peters Photography’s gallery, showcasing Kodak PROFESSIONAL Inkjet Photo Dry Lab Paper, lustre finish. Photo by Peters Photography; London, Ohio

Kodak’s logo, printed on the back of the paper, adds an immediately recognized symbol of the long-trusted brand. “We like it,” Baxter says. “We were used to having that for all those years. Now, it feels like we’re printing on quality … it makes it feel like we’re doing it the right way.”

And because Baxter orders paper as needed, rather than storing a lot of inventory, he says he’s pleased to get delivery just a day or two after he places his order with his LexJet sales rep. “With our other supplier, we never knew when we were going to get it,” he says. “But now we get it right away. We order as we need it. I don’t give myself much leeway, and LexJet makes it so I can do that.”

Prints that Win: Waiting for You

Waiting for You

Each portrait Kristi Elias creates is a unique work of art that is relevant and appropriate to its subject. Last year, Elias won a Sunset Print Award at the Professional Photographers of California state competition for You Won’t Bully Me, a grungy portrait of a young martial arts competitor.

Elias followed up this year, taking home another Sunset Print Award at the California competition for a decidedly different subject, entitled Waiting for You. This portrait purposely evokes Renaissance art.

“I wanted a painterly feel with a lot of detail in the props, like the bottle. There’s note in the bottle, and you can see the contours and the detail. There was a lot of time put into those details of the portrait. You can see even the music on the floor, and all the shading and detail in it. I did it just like it would have been as a Renaissance painting, and how they paid so much attention to detail on all the props,” explains Elias.

The portrait of her client, who also poses for Elias to spark modeling ideas, was captured in the studio. Elias purchased a custom dress from Bulgaria for an authentic touch.

Elias added a new background, a photo she took of a Gothic cathedral in Tuscany. She used Photoshop, Nik Software and Alien Skin to edit the image.

“When I edit I don’t use the same actions every time. I look at each portrait as its own piece of art. Some of it is my own custom actions, and some of it is edited with Nik Software to bring out the detail in the shadows. I like to put a lot of detail in the shadow for that hopeless romantic look. I took any painterly effect off of her skin so there’s no texture on the skin, because that doesn’t go well with judging,” says Elias.

Master printer Jonathan Penney, Center Moriches, N.Y., printed the image on a fibre-based paper to complete the beautiful, Renaissance-style portrait.