LexJet brandUP: Boosting the Bit of Hope Ranch Image

Suzanne Park spends her time at Bit of Hope Ranch rescuing horses and training kids how to care for the animals and work the ranch. While she certainly knows the value of branding, logos and marketing items, it’s easy to see how these things aren’t necessarily at the top of her list.

Bit of Hope Ranch is a non-profit organization in Englewood, Fla., that rescues and rehabilitates horses from a variety of backgrounds and offers them for adoption. They offer low-cost riding programs, school visits and more while offering kids the chance to gain volunteer hours by working with the horses and learning respect and responsibility. The group often attends community and horsing events to raise awareness about their program20150907_113639.

Beyond Branding with Perforated Window Vinyl

Window Graphics Legacy Nissan

Legacy Nissan in London, Ky., has been effectively branding itself with larger-than-life brand murals applied to both its exterior-facing and interior windows.

Mobile Advertising with LexJet Perforated Window VinylThough it continues to emphasize the Nissan brand, Legacy Nissan is also emphasizing specific services and promotions that help set it apart from other dealerships using LexJet Aqueous Perforated Vinyl (70/30) printed with an Epson Stylus Pro 9900.

Pictured here is Legacy Nissan’s most recent campaign, highlighting the fact that its salespeople aren’t driven by commission using a simple, direct approach: No Sales Commission. How Refreshing.

Vehicle Window GraphicsThis is the message now front and center across its storefront windows, and displayed on the road with perforated window vinyl applied to the windows of the Sentra the dealership uses for official business around town.

Tied into other marketing media, like social media and printed collateral, the new campaign is already paying dividends, says Legacy Nissan’s Missy Reid.

“Signage is an important part of our marketing campaigns, so in addition to using the window vinyl we’re also printing banners with LexJet TOUGHcoat Blockout Scrim Banner,” explains Reid. “We’re doing some shorter-term campaigns now and these are very effective methods to get the word out, particularly when you combine the big graphics on the window with supporting graphics inside the showroom, and the mobile advertising.”

Art at the Point of Sale with Inkjet Printed Canvas

Blue Moon Beer on Canvas by AW Artworks

Each brand has its own aesthetic. The advertising that surrounds that aesthetic should be consistent and appropriate to the brand. In the case of Blue Moon craft beer, the advertising focuses on the craft element, emphasizing a hand-painted rendering of the Blue Moon logo and artwork.

Inkjet Printed CanvasWhat better medium, then, than gallery-wrapped canvas? Tyler Peters, distributor beer merchant for Tenth and Blake Beer Company, the craft and import division of MillerCoors, found the canvas craftsman he was looking for in Andy Wredberg, owner of AW Artworks in Sun Prairie, Wis.

Peters is based in Madison, and wanted point of sale artwork that not only in tune with the Blue Moon aesthetic, but was also in tune with the downtown Madison vibe.

“We wanted to create something a lot different than a standard neon sign or banner; something that conveys what we should see in the Madison market,” says Peters. “The artwork ties into a food festival we have here in Madison called Isthmus a la Carts. We had an interactive Blue Moon mural at the event that consumers – over 21, of course – could paint and enjoy some Blue Moon beer, too.”

Blue Moon Mural
The Blue Moon canvas wraps printed by AW Artworks on Sunset Production Matte Canvas were based on this mural painted by attendees of the Isthmus a la Carts food festival in Madison, Wis.

It was a version of this mural that was sent to Wredberg to print and build the 2′ x 3′ canvas gallery wraps. Wredberg used LexJet Sunset Production Matte Canvas to produce the prints on his Canon iPF8300 44″ inkjet printer.

“They printed beautifully; I was very happy with the look and color saturation of the Sunset Production canvas,” says Wredberg. “They had a pretty tight budget, so I checked on the Sunset Production canvas since I felt it would allow us to get closer to their budget and since it was a longer production run for us.”

Wredberg tweaked the design he received from agency a bit to ensure it fit in the gallery wrap format and wrapped the canvas around 1 1/2″ stretcher bars. Now the 50 canvas gallery wraps are ready to be distributed to various bars in downtown Madison.

Wredberg will also print 50 more canvas gallery wraps to promote Batch 19, a pre-Prohibition style lager. Check back here for photos of the gallery wraps in their environment.

Bold, Bright Suite Graphics Light up an Arena

Wall Graphics for Branding and Advertising

Competing for the consumer’s attention is especially intense at public venues like sports arenas and stadiums. Inundated with advertising messages, not to mention the game or event at hand, it can be difficult to stand out and grab someone’s attention.

Coca-Cola Bottling Co. High Country in Rapid City, S.D., found a solution to this vexing challenge at the Rushmore Plaza Civic Center in Rapid City: a full wrap of its corporate suite in bold Coca-Cola red.

Inkjet Printed Wall Murals“When we got the suite in January of 2012 we wanted to do something dynamic that would stand out and make it obvious we were in there,” explains Holly LaGrande, marketing manager for Coca-Cola Bottling Co. High Country. “Because we were the first to wrap the inside of one of the suites it was very visible, not only because it was the first one, but because it was so bright and so red. It’s very vibrant, and I was even worried that we overdid it. However, the people at the arena like it and were looking forward to someone doing it because no one had to that point, and the beer companies followed up with their own wraps.”

LaGrande used Photo Tex PSA Fabric – Aqueous Printers from LexJet and printed the wrap in 60″ x 144″ panels. The panels were installed in the suite in two four-hour sessions, which LaGrande did by herself. She says it would have been nearly impossible to apply the graphics by herself with an adhesive-backed vinyl since Photo Tex is repositionable and thus extremely easy to apply and re-apply if necessary.

Adding Graphics to Walls
Before: What a difference a wall mural makes, as you can see in the “after” pictures above.

“First, I had to take out all the light fixtures, door stops and electrical outlets and strip everything out. Then, I started at the top on the far left and applied each panel across. I was able to pull it apart and get it re-applied easily when it bunched up,” says LaGrande.

LaGrande plans to update the graphics for the 2013-2014 hockey season in late summer or early fall and says she’s looking forward to printing the project on the new Canon iPF9400 she picked up from LexJet earlier this year.

WPPI Announces Speaker Lineup for WPPI U

Wedding & Portrait Photographers International (WPPI) announced today its speaker and instructor line-up for WPPI U, taking place Friday, March 8 and Saturday, March 9 at WPPI 2013 in Las Vegas. This university-style, two-day workshop provides the fundamentals of photography to help today’s up-and-coming photographers strengthen their shooting skills and learn how to be successful in their business and marketing practices, according to WPPI.

Educational seminars for professional photographersScheduled to teach at WPPI U are renowned professional photographers Jerry Ghionis, Kevin Kubota,  Henk Van Kooten, Doug Gordon, Moshe Zusman, Lindsey Adler, JP Elario, Jared Platt, Tim Meyer and many more.

All WPPI 2013 classes, events and trade show will take place at the MGM Grand in Las Vegas from March 7-14.

WPPI U classes will include topics such as:

  • Lighting and Posing
  • Business and Branding
  • Marketing
  • Postproduction (Lightroom and Photoshop)
  • Social Media
  • Weddings, Portraits, and Seniors

Each class is two hours and a Portfolio Review and Reception for participants will be hosted at the conclusion of the first day. Attendees will receive a certificate of completion from WPPI and a WPPI U T-shirt. The advance-purchase price for WPPI U is $125 for the two-day program if purchased online by March 6. The onsite price is $150. WPPI U sponsors include: Graphistudio, Bay Photo, Sigma, Millers, Adobe and more.

Registration (Http://registration3.experientevent.com/ShowWPP131/?flowcode=ATT) for WPPI 2013 and is open now. Registration rates are $275 for WPPI members and $399 for non-members. These rates include one free guest, all Platform classes, special events and a three-day pass to WPPI.

For more information about WPPI 2013 and all of its workshops and events, go to: www.wppionline.com/wppi-show.shtml

Creating and Applying Bowl-Worthy Graphics that Stick

Applying graphics to a stadium

The AT&T Cotton Bowl Classic has a storied history in the annals of college football. For most of its 77-year history, this big game used to be played in the actual Cotton Bowl Stadium at Fair Park in Dallas, but is now played at the state-of-the-art Cowboys Stadium in Arlington.

Wall graphics for a football gameThe new venue requires an equally state-of-the-art approach to the myriad of graphics that cover the stadium to promote the big game, recognizing the teams and branding the bowl, and that’s where E.H. Teasley & Co. steps in.

E.H. Teasley & Co., based in Dallas, has been producing and installing the graphics for the Cotton Bowl for the past 18 years – the last four at Cowboys Stadium. The difficult and time-consuming task of wall graphics installations at Cowboys Stadium has been much easier with the use of Photo Tex Repositionable Fabric.

Applying graphics to elevator doors“We spent the first two years trying to find something that would adhere to the concrete walls. We tested a material during the summer before the initial opening of the stadium and that material seemed to work perfectly, but when we applied the vinyl a week before the game, in the winter months, the ambient temperature of the concrete had dropped considerably. The next day, we received a call from the Cotton Bowl folks telling us that a majority of our stickers had fallen off the walls. After all of our testing we were very surprised. We found a way to fix the signs that failed, but it made the project much more difficult and time-consuming,” says Jeff Teasley, owner of E.H. Teasley & Co. “In 2011 we were lucky to find PhotoTex. It’s a lighter weight material, and the adhesion properties are so much better than what we used for the prior game. To make sure we were on the right track before the game installation, we took it to a business near us with stucco-type walls. The graphic stayed up there for months in all of the outdoor elements. Seeing this, we felt confident that Photo Tex would do the job. Now we could sleep at night.”

Branding a hotel lobby with large signsThe graphics were printed on the company’s superwide solvent printers, which included a quantity of 352 four foot by four foot die-cut helmets and logos cut on a Zund cutter. These graphics lined the various levels of the stadium, the tunnels where the teams enter the field, as well as the lobbies of the host hotels. The hotel elevators were also branded with Photo Tex graphics.

“The elevator graphics were a lot better with the Photo Tex product. With the vinyl we were using before, people would tend to pick at it because it was thicker, where the Photo Tex is thinner and appeared to be painted on the door. Not one of the Photo Tex Graphics peeled off of any of the elevators. We used the EX version in a couple of places where we thought it might need a little more adhesion, and overall it went very smoothly this year and we were extremely pleased,” adds Teasley.