Prints That Win: Morning on Mormon Row

A few quiet days alone in Grand Teton National Park was highly worthwhile for Sunset Print Award winning photographer, Jaki Miller. Although she is no stranger to the beauty of Mormon Row, an early morning sunrise gave her an entirely new perspective.

“I got there about a half hour before it was even light enough to see and before anyone even got there. I just didn’t want to miss it.” She set up her Fuji X-T1 on a tripod and began to capture the simplistic beauty as the sun started to rise.

The early sunlight was breathtaking, turning the mountains shades of pink and purple. Miller, however, wanted the rustic barn to be the star. She converted the picture to black and white using the Nik Silver Efex Pro and allowed the scene’s true beauty to shine through.

Prints That Win: Retreat

Christine Cook Retreat

Famous photographer Ansel Adams once said, “A great photograph is one that fully expresses what one feels, in the deepest sense, about what is being photographed.”

For Christine Cook, that is exactly what she had in mind while creating her 2016 Sunset Award winner, “Retreat,” pictured at left.

“As I was wandering through various options in my creative exploration, I felt myself going inside deeper and deeper — inside the shell and inside my own ethereal being” she says.

Prints That Win: You Light Up My Life

Photographer Tim Shaffer has been behind the lens at many a wedding. In fact, he shot his first nuptial event when he was 17, before embarking on a career as a newspaper photographer. Later, in 1991, he opened his professional studio, and hasn’t looked back. Today, he and his wife, Dana, run The Classic Image photography studio in Fort Plain, NY, where they specialize in weddings, senior portraits, family photos and more.

Prints That Win: The Boxer

Photographer Ben Tanzer may have left a theater degree behind, but he certainly kept his flair for the dramatic. In his “Identity Series,” he transforms himself into iconic characters, for self-portraits like “The Boxer,” a grungy interpretation with 1920’s style that recently won the Sunset Print Award at the Plymouth Center for the Arts Fine Art of Photography.

Tanzer_Ben_TheBoxerThe conceptualized image is a clear shout out to Cindy Sherman-esque photo and editing work. “I’ve always been drawn to Cindy Sherman — she was one of my first crushes ever, as a photographer,” Tanzer says. “The Boxer was my first piece for the Identity Series … I just became really interested in what it means to be human … and how we define ourselves by what it is that we do.”

For the competition print, Tanzer did some Photoshop work with overlays and brushes to create the gritty look, but says, “I don’t do a lot of what I call ‘liposuction editing.’ Just dodging and burning to emphasize certain areas.”

Tanzer_Ben_The_LadyIt’s a technique that he perfected in the second of the Identity Series in which he portrays a female karaoke singer in a low-cut, cleavage-bearing red dress.

The final competition print of “The Boxer” was a 9-by-9-inch square “Instagram cut,” as he calls it, that fit the mood of his self-portraits, thanks to the self-involved, “selfie” flavor the crop provided. The image was printed on Epson Cold Press Bright White 100% cotton rag paper.

While Tanzer, currently a production assistant for a Texas animation studio, has participated in photography shows for eight years, he’s been entering print competitions for just two years, and is looking to do more.

“There are a whole bunch of competitions out there,” he says. “And there are a lot of people around the country who care about this as much as I do.”

Guest Blog: One Thing Winning Images Have in Common

One of the most beneficial things a photographer can do as an artist is enter print competition. Not for the sake of winning awards, but to grow, learn and improve. If you look at some of the general rules that have been applied with success to images in print competition over the years, you can find some great composition and presentation lessons that make for better images.

By Pete Wright
By Pete Wright

Let’s look at using compositional cues to make sure you drive your audience to look at the part of the image that is the most important to relay the message you are trying to get across.

Compositionally the two most common placements of a subject in an image are based on the rule of thirds or bulls-eye. The rule of thirds, the most popular, would be like placing a tic-tac-toe game over your image, as shown above.

LexJet Welcomes National Sunset Print Award Winner Kari Douma

LexJet’s headquarters in Sarasota, Fla., welcomed 2015 National Sunset Print Award Winner, Kari Douma, to our offices and home town as part of her first place prize for her image, “Aged Gracefully.”

The Grandville, Mich., photographer posed with her husband, Vince, pictured in center above, with LexJet’s Tom Gruss and Rachel Gamberg.