The Next Phase in Canvas Printing for Industry Veteran Louis Brevetti

Canvas printing website

Louis Brevetti, owner of printmyphotooncanvas.com based in Wolcott, Conn., estimates that he’s produced more than 1.5 million canvas prints during his career as an art publisher and as an art print provider for big box retailers.

Printing wedding photos on canvasNow, Brevetti aims to continue that production rate but with a different focus and a new online business. The strategy is simple: provide high-quality canvas prints at an affordable price with free value-added services to boot (color adjustments, red eye elimination and touching up minor blemishes).

Over the years Brevetti has learned through trial and error how to keep quality up and production costs down. What he found was that with the right printer, inkjet media and finishing methods it was possible to do it and keep materials and production in-house and in the U.S.

“We came up with a method to produce and finish canvas that allowed us a fantastic production rate, but the quality of our images was just okay. That’s how I found Dustin Flowers at LexJet. I asked Dustin to print a sample for me and I was very impressed with what he came up with,” says Brevetti. “My son Dan stretches the canvas with our special stretching technique that we guard very closely because it shaves off about 40 percent of production time. I have a Canon iPF8300 12-color printer and we print to Sunset Reserve Bright Matte Canvas. The difference in quality between what we were using before is like night and day. Dustin knew exactly what I was looking for, and everyone who has looked at our work has been very impressed.”

Brevetti adds that though the business is conducted almost exclusively on the Internet, he plans to open a storefront in Wolcott (Connecticut) as well. The website is set up to complete the canvas order in three simple steps. Brevetti says it was important to ensure the image travels from step to step exactly as it was in the previous set. For instance, in Step 2 users can crop their own photos as they like and their work will remain throughout the process.

Printing your own photos on canvas“Every image we receive will be set on quality settings that maximize the art. If you send an image at 300 dpi we’ll print it at the highest quality setting. If you send an image that’s 100 dpi, we’ll print it in an 8-bit color format because it doesn’t do any good to print it on anything higher. If you send giclee quality we’ll print it at a giclee quality print setting at no extra charge. The quality of the image will dictate the print quality setting,” explains Brevetti. “For the stretcher bars we use mortised corners and put nails and brads in each corner so that the canvas will never come unfastened.”

With more than a million canvas prints behind him and what Brevetti hopes are a million more, he adds: “The most important thing I’ve learned over the years is that the customer has to feel that they received more than what they paid for. If they don’t feel that way they always wonder if they got what they could have gotten for their dollar.”

For more information, to see how it works and what you get, go to printmyphotooncanvas.com.

Printing the American Flag in all its Glory

Printing an exhibit for a museum

“It looks like the American flag exploded in this room,” says Molly Engquist, curator of exhibits for the Siouxland Heritage Museums in Sioux Falls, S.D. But that’s the point of the exhibit now on display at the Old Courthouse Museum, which is one of two museums the Siouxland Heritage Museums operates (the other is the Pettigrew Home & Museum).

Museum exhibit signs and graphicsThe backbone of the display, which is a visually-intensive fact-filled exploration of the history of the American flag, are two pop-up display booths printed on LexJet 10 Mil Opaque Display Film and finished with a 10 mil textured matte laminate.

Our department tries to make history pretty so that it’s more fun to learn. The display was so crisp and clear, even though we used a matte laminate because of the gallery lights. Everyone who’s seen it so far has been very pleased with it,” says Engquist. “We found LexJet when we were looking for the right print material to use on the pop-up booth. Erin Krcmar [Engquist’s customer specialist] has been very helpful.”

The prints were applied to the display booths with magnets in five vertical panels, three in the middle and two end caps. Lamination was done by Express Copy and Printing in Sioux Falls since Engquist doesn’t have a laminator. The fact that both the printable material and the laminate are 10 mils each helps guard against de-lamination for a more durable display.

Creating graphics for museumsThe two main pop-up booth displays are flanked by a combination of retractable banner stand graphics and framed information panels.

Durability and portability were two of the most important qualities Engquist was looking for in the print materials and hardware used for the exhibit. When the exhibit has run its course at the Old Courthouse Museum it will be sent to county libraries and smaller museums that don’t have the budget or resources to create their own exhibits.

The exhibit opened on Flag Day, appropriately enough, and is called Symbol of Freedom: The American Flag. The museum received a grant from the Daughters of the American Revolution to create the exhibit, which will make a lasting impression at the Old Courthouse Museum and throughout Minnehaha County.

Inkjet Printed Wall Murals Communicate and Create Ambience

Printing wallpaper with an inkjet printerUnlike signs and other forms of commercial advertising, museum exhibit graphics serve various functions beyond simple promotion and must work on multiple levels to be effective… They support the purpose of the exhibit, communicate its message, create an environment consistent with the subject and draw people in to take a closer look.

Take, for instance, two wall murals San Francisco-based The Blow Up Lab printed for the Contemporary Jewish Museum’s summer exhibition of Seeing Gertrude Stein: Five Stories, which runs through Sept. 6 at the museum.

One mural is a reproduction of a pattern that would serve as a wallpaper-like background, while the other is an 8 ft. x 12 ft. reproduction of a photograph taken of Stein in the 1930s. The Blow Up Lab was responsible for not just simply reproducing images, but ensuring that they coalesced and conformed with the exhibit to create a cohesive whole.

Printing wall murals for exhibits with a large format inkjet printer“With the photo reproduction, Gertrude Stein was in the center with the door behind her. Off to the right, from the viewer’s perspective, the image faded out and was very distracting. We spent some time working on the detail and where we couldn’t get details where it was blown out, we cloned in details,” explains Frank McGrath, owner of The Blow Up Lab. “We basically reconstructed the picture. We lightened the center and did a vignette in that area so that your eye would not be distracted to the side, but focused on the subject. The original photo was somewhere in the 2 MB range and it was a grayscale image, so we brought the resolution up in Genuine Fractals so that the print was as sharp as possible.”

Both murals were printed on LexJet Velvet WallPro SUV on The Blow Up Lab’s 72-inch Roland SOLJET low-solvent printer. The wallpaper mural was a different story. The image was in the multi-gigabyte range and spliced it into six sections. Each section was printed separately on WallPro and installed as a 9 ft. x 20 ft. background.

“The museum was very happy with the material. It’s low glare, totally scratch resistant, and was easy for our professional paper hangers to install. The color spectrum we’re able to get out of the combination of the WallPro and our printer is fantastic,” adds McGrath.