Prints That Win: Solitary Journey

Plano, Texas photographer Brooke Kasper jumped into photography in the most unusual way. With a background in painting, she was spending her days working as a graphic artist. That is until her mother died. “I quit cold turkey and picked up a camera. It will be 15 years on Dec. 4,” Kasper says. “To heal, I went out and shot everything I could with the camera. It was an inauspicious start to a photography career.”

Her work often conveys a heavy message through symbolism and the somber technique known as low-key photography. “I use ropes a lot in my imagery,” Kasper says. “They represent the ties that bind.”

Kasper’s photograph “Solitary Journey” won the Southwest PPA District and placed 3rd in the National competition held this summer. Her award-winning image is rife with symbolism. “We all have our own personal stories, and this one represents how I’m charting my course,” she says. “We may feel abandoned and alone at times, but we are surrounded by so many wonderful memories of people and things that have given us strength, even in solitude.”

Kasper adds personal and tangible items to her photoshoots. “If it’s not on the set, it doesn’t get added,” she says. “The lantern is in the center and represents God, who is an important light at the center of my life. My mother’s picture is also in it, as are other things that are important to me.”

Studying the image closely, the story begins to unfold of just how lonely the journey of life can be. “Above my mom’s photo is her old bible and a compass that is pointing to true north, which is what God represents to me,” Kasper says. “Then you have the ropes. I put in the mouse as an homage to my husband. There’s another lantern but the light is out. There’s only one light that guides me ever since my mom died.”

Many photographers may find it unnerving to enter such a personal piece into a competition. For Kasper, it was about healing and finding peace. “You can’t always verbalize your woes, but you can find an outlet, and that’s what I’ve done,” she says. “The greatest honor is when someone wants to know the story behind the image, and they are moved when they see it. If I’ve reached someone, what better compliment is there?”

Jumping into photography like she did, Kasper relies on the Dallas PPA and Professional Photographers of America (PPA), as well as her mentors for support and guidance. Her merits and degrees include Certified Professional Photographer (CPP), Master of Photography, and Photographic Craftsman.

Through it all, she’s been inspired by – and learned from – David Edmondson. “David is a good friend and one of the most phenomenal people, inside and out. He has taught me how to be an artist and keep those characteristics in my life. That’s the most important thing to me,” she says. “There were times when I wanted to quit, but David is the one who encouraged me to go on. We share a strong faith and it means so much to know he has my back.”

Kasper is adamant that all photos should be physical, not just an image on a computer screen. “I don’t think it’s really completed until you print it,” she says. For her low-key images, Kasper prefers a satin photo paper, like Sunset Photo eSatin 300g, to ensure the fine details are captured with every print.

The popularity of local, state and national PPA competitions isn’t slowing down and Kasper believes that is because photographers are pushed to be better. “You have to keep moving forward, keep reinventing yourself. If you’re not getting better, you’re stagnant.”