Visit Our Redesigned Sunset Print Awards Website

The next time you log on to the Sunset Print Awards website, you’ll notice some changes. The sleek new appearance makes it easier for photographers to learn about the prestigious Sunset Print Awards as well as local print competitions offering the award.

Other updates include:

  • Easier navigation
  • Better views of past winners
  • Easy access to the blog for all the latest Sunset news
  • Interviews with winners
  • Recommended Sunset branded media

What hasn’t changed are the benefits to district and local winners or the top three prizes awarded at the International Photographic Competition. Each winner receives a customized crystal trophy, a lapel pin, and a free pack or roll of Sunset Media, while the three IPC finalists receive engraved trophies and cash prizes.

If you are involved in a local PPA group, camera club or other photography organization that has a minimum of 150 printed entries and would like to include the Sunset Print Award in your competition, have your chairperson register today.

This year, we will be presenting awards to the 2019 IPC winners at Imaging USA in Nashville. If you are attending later this month, be sure to stop by the IPC Display and pick up some information about the 2020 Sunset Print Awards.

Prints That Win: Sins Broken Chains

Last year, Kingsport, Tenn., photographer Brian Castle not only won a PPA Southeast District award for his portrait “Heaven’s Hands of Hope,” but he also took third place in the 2018 IPC awards, in which he saw stiff competition from all of the District PPA Sunset Print Award winners. Because he had such a personal connection to his 2018 award-winning image, Castle wasn’t sure if he could surpass it in 2019.

As it turns out, he not only exceeded his 2018 accomplishments, he blew them out of the water. He once again took home a Sunset Print Award for PPA Southeast District Portrait with “Sins Broken Chains” and, after the judging was finished at the 2019 IPC, it was revealed that Castle would take first place in this year’s competition.

“I was a handler at this year’s competition, so I put each of the competition images on the turntables for the judges,” he says. “It was a neat experience to see the live judging, especially since my image received a ‘Unanimous Loan’ from all five judges.”

Like his previous image, “Sins Broken Chains” came to him in a dream. “In the dream, I was in a dungeon with a family member who couldn’t get free of the shackles,” he says. “I dropped to my knees and prayed, this light came from above and Archangel Michael came and loaned me his wings to rip the chains apart so we could ascend to Heaven.”

To recreate the dream for his photo shoot, he knew it was going to take the right setting, light, staging and props. The day of the shoot was a true family affair. “My whole family was helping: my wife, my mom and dad,” Castle says. “My dad taught me how to shoot on a film camera, so who better to have on-site than someone who has experience and who can set up the lights.”

Castle says the actual shoot took about nine hours from setting up to costuming and makeup, as well as additional action shots to get the chains breaking. “We rented the basement of an abandoned department store, originally built in the 1920s,” he says. “I borrowed the pants from a local theater group, I bought a brand-new white t-shirt, ripped it with a razor and dyed it with teabags. I took theater makeup and smudged it all over to give me a dirty look.”

As he was shackled for the shoot, Castle had an unexpected emotional reaction. “I had these big logging chains attached to me and I had this quarter-inch plate shackle around my wrist, all I could think was ‘What did people go through back in Biblical days when they were chained like this?’ I teared up, it was emotional, I couldn’t hold it back,” he says. “The chains were so heavy, and they wore my arms and shoulders out. I felt the pain a little bit.”

One thing Castle has learned over the years is that it’s important to get every angle, light setting or version of a shot while the scene is set. “For example, to capture the broken chain, my dad whipped the chains and I photographed it several different ways to make sure I had enough for the image,” Castle says. “Newer photographers don’t know to get those extra shots. Through competitions, I’ve learned to think about editing before I’m through shooting, that way if I missed something, I can get it then and won’t need to redo it, later.”

Castle has accomplished quite a few things in 2019. Not only did he receive the top prize in the Sunset Print Awards competition for the first time, but he also completed his first two photography degrees: Master of Photography and Photographic Craftsman. “Now I am going for the Master Artist degree,” he says.

Castle says he uses the Sunset Bright Velvet Rag on his Canon PRO-4000 because the paper came highly recommended by fellow Sunset winner Kimberly Smith. “Kim told me about it, and I want every piece to be printed on Velvet Rag; I love it. I will never go to another fine art paper,” he says. “I know LexJet sells other brands, but that Velvet Rag produces more accurate colors, and it’s not as expensive.”

He also travels around the country for speaking engagements where he shares his experiences and success stories. “I travel from Memphis to Atlanta and from Florida to Virginia and I always mention LexJet and the papers,” he says. “I tell them ‘when you buy from LexJet, you’re not just buying the printer and the paper, you’re buying their customer service, too.’”

With another Sunset Print Award-winning image and a first-place finish in 2019, it seems that Brian Castle’s work really is the stuff of dreams.

Prints That Win: Owl Always Kneed You

Muskogee, Okla., photographer Kimberly Smith is no stranger to the Sunset Print Awards. 2019 saw Smith win back-to-back-to-back awards during the PPA SW competition. “I printed everything that I entered this year on Sunset Bright Velvet Rag, even the album that I created,” she says.

“Owl Always Kneed You” by Kimberly Smith

Having previously scored wins with portraits, this year, Smith’s image “Owl Always Kneed You” was tops in the Artist category and won second place during IPC. According to IPC rules, the purpose of this (Artist) competition is to allow the entrant to demonstrate his or her artistic skills.

Drawing inspiration from the most unusual of sources, the idea for Smith’s award-winning image came to her after a routine medical procedure. “I had to have a knee MRI and they sent me home with the disk,” she says. “As I’m going through them, I noticed one of them looked like an owl.” She combined an image of a tree from a previous photography session and the base image from the MRI into an artistic image of an owl and her owlet.

Not content to have seven individual prints in the competition, Smith also created an album, complete with a leather cover, a satin ribbon, and 10 lay-flat images, all printed on her favorite Sunset media, Bright Velvet Rag.

“The story was inspired by my daughter and our dog, Sophie, who’s nine now. One day, I noticed she looked so old,” she says. “I knew that I had pictures of Sophie from when she was a puppy and my youngest daughter went off to college last year. I was sobbing putting the album together. That’s my dog and my baby.”

Smith’s works continue to garner praise at the highest levels of competition. Some of her other awards include the ASP Gold Medallion, which is presented to the American Society of Photographers Loan entry, judged by a separate panel of jurors to be the very best image in exhibition. PPA has awarded her the Gold Medal and named her a Diamond Artist.

Between competitions, Smith continues to teach at the Texas School as well as conducting workshops at her studio in Oklahoma or traveling across the country. “I’ve had people fly me in to teach in private workshops,” she says.

With such an eventful 2019, what does Smith expect out of 2020? “I’m excited,” she says. “I think it will be a great year.”

Get Your Photos Ready for the International Photographic Competition

 

Images declared merit-worthy at the IPC then get a chance to earn a spot in the Loan Collection book. The 2013 cover features the work of Sunset Print Award winner Ann Naugher, M. Photog., CP.
Images declared merit-worthy at the IPC then get a chance to earn a spot in the Loan Collection book. The 2013 cover features the work of Sunset Print Award winner Ann Naugher, M. Photog., CP.

Professional Photographers of America (PPA) announced that it will begin accepting entries for the International Photographic Competition (IPC) on May 26. Entries for the annual competition will be due by July 10, though you get a break on the entry fee if you enter by June 26.

The judging will take place at Gwinnett Technical College in Lawrenceville, Ga., August 4-7. Judging is open to the public and there is no RSVP or no cost to attend. Photographers are encouraged to attend since the judging is an excellent learning opportunity so you can find out how to maximize your chances of understanding and processing successfully the criteria evaluated during the competition.

At IPC photographers may submit individual prints or digital images, and/or physical or digital photo albums. The judging panels are made up of experienced and qualified experts who undergo a rigorous and methodical training. IPC offers participants the possibility to enter their work in up to four image categories: Portrait, Illustrative, Event Album and Non-Event Album.

Submissions are judged against PPA’s industry-wide recognized standard of excellence using the 12 Elements of a Merit Image. The 12 elements are: Impact, Technical Excellence, Creativity, Style, Composition, Presentation, Color Balance, Center of Interest, Lighting, Subject Matter Technique and Story Telling.

Images that score high in all 12 elements are declared merit-worthy and will move on to a second round of judging, for a chance to earn a place in the PPA Loan Collection. These images are published in the Loan Collection book published by Marathon Press and are also exhibited in print and on screen at Imaging USA, PPA’s annual photography convention and expo, which will be held Feb. 1-3, 2015, in Nashville.

The cost to enter is $95 for PPA members who register before midnight on June 26, and $160 for non-members. For PPA members who register through midnight on July 10, it’s $130 and $220 for non-members. No registrations will be accepted after July 10. For rules and complete details go to ppa.com/ipc.