LexJet Sunset Production eSatin 20% off through March 31

Sunset Production eSatin Promotion

LexJet’s new Sunset Production eSatin 250g is a high-quality photo paper designed for higher production runs. Save even more on this already-economical photo paper when you call in or purchase the new papers online with Promo Code: LJSPS20.

This offer is good through March 31, and the Promo Code can only be used once. There is no limit to your order, and you can purchase this product in any combination of sizes.

Manufactured to the high standards of the award-winning Sunset line of photo papers, fine art papers and canvas, Sunset Production eSatin provides the traditional satin e-surface that end-use customers demand.

“As a production coordinator I need to know my products and my output. I have been waiting for an answer for this type of photo paper, and this is it,” says Robert Dean of Great American Art, Stoughton, Mass. “On our initial trials it held its own when we did our side-by-side comparisons with a similar photo paper, and we like the Sunset Production eSatin better. The paper is brighter and just as durable and so far has proven to be a winner.”

Highly scratch-resistant and instant-dry, the new photo paper is perfect for production runs of posters, photography, corporate displays, retail graphics, décor and other applications where image quality at an economical price is crucial.

For more information about Sunset Production eSatin 250g and this promotion, or give us a call at 800-453-9538.

LexJet Introduces Economical, High-Quality Inkjet Photo Paper

LexJet Sunset Production eSatin
Get pinpoint accuracy and color reproduction in a production-oriented photo paper with Sunset Production eSatin. Photo courtesy Great American Art, Stoughton, Mass.

 

Print shops, fine art reproduction companies, professional photographers and other imaging companies looking for an economical photo paper for higher production runs now have a high-quality option for their photographic output: LexJet Sunset Production eSatin 250g.

Designed to maximize the enhanced output provided by the latest generation of aqueous inkjet printers from Canon, Epson and HP, the new photo paper is a lighter-weight version of Sunset Photo eSatin 300g, which has become the industry standard for reproducing high-end custom photographic, fine art and display work.

Manufactured to the high standards of the award-winning Sunset line of photo papers, fine art papers and canvas, Sunset Production eSatin provides the traditional satin e-surface that end-use customers demand.

“As a production coordinator I need to know my products and my output. I have been waiting for an answer for this type of photo paper, and this is it,” says Robert Dean of Great American Art, Stoughton, Mass. “On our initial trials it held its own when we did our side-by-side comparisons with a similar photo paper, and we like the Sunset Production eSatin better. The paper is brighter and just as durable and so far has proven to be a winner.”

Highly scratch-resistant and instant-dry, the new photo paper is perfect for production runs of posters, photography, corporate displays, retail graphics, décor and other applications where image quality at an economical price is crucial.

“Our goal was to exceed the quality of similar photo papers on the market while providing a better price point,” says Jaimie Mask, LexJet’s product manager. “Early feedback from our customers shows that we hit the target, particularly given the larger color gamut and pin-sharp detail the paper provides.”

Sunset Production eSatin is available for next-day delivery in most of the U.S. from one of LexJet’s nationwide distribution centers, and comes in 17-in., 24-in., 36-in., 44-in., 50-in., and 60-in. widths. As with all LexJet products they come with a 30-day money-back guarantee.

Chris Dunker Uses Sunset Photo Metallic Paper for Gallery Show of Classic Car Art

When Chris Dunker of Dunker Imaging Services, Inc. in Logan, UT first learned that LexJet was planning to introduce Sunset Photo Metallic paper, he immediately knew it was a product he wanted to try. He was preparing to produce a series of prints of classic cars and motorcycles for an art-gallery exhibition and thought Sunset Photo Metallic might provide the ideal surface for showcasing the highly polished, meticulously photographed vehicles as works of art.

The showcard features a 2005 Harley-Davidson Softail Night Train FXSTB photographed by Chris Dunker.

Dunker, who is known for his artistry in photographing industrial architecture and machinery, was already using a somewhat unorthodox method of finishing and displaying limited-edition prints. After outputting his images on a smooth, matte watercolor paper on his Epson Stylus Pro 9800, he would then mount the prints to sheets of aluminum, using a cold-roll laminator and an acid-free mounting adhesive. Then, he would take the mounted prints to a friend’s auto-body shop and have them sprayed with a high-gloss, polyurethane coating.

Although the matte art paper produced prints with a subdued color gamut, the polyurethane dramatically increased the color saturation and contrast. The coating really made the colors snap and gave each print a distinctive look. Dunker wondered if the Sunset Photo Metallic paper would help him achieve the same type of look without the need to apply the polyurethane coating.

Joe Baraban Uses Sunset Photo eSatin for Museum Prints

After 40 years of success shooting corporate and advertising photography, Joe Baraban has submerged himself in the world of contemporary art photography. For the past two years, he has traveled throughout Texas documenting old windows. “I photograph the windows as they exist today, and use virtually no help from Photoshop,” says Baraban.

Following a one-man show of his Windows series in Houston and Austin, TX, his work is now represented by the Bering & James gallery in Houston.

©Joe Baraban

When the Museum of Fine Arts in Houston recently added three of the images from the Windows series to their permanent photography collection, Baraban crafted the prints himself, using LexJet Sunset Photo eSatin 300g photo paper on the Epson Stylus Pro 7880 he had previously bought from LexJet.

LexJet Sunset Photo eSatin has the same finish as the luster photo paper he had been using for his everyday work, but feels more substantial. That’s because it is 11 mils thick and weighs 300 gsm, compared to 10-mil, 250-gsm paper he had been using. On a spec sheet, these may not seem like big differences, but most photographers and print buyers can immediately sense that Sunset Photo eSatin is something special.

According to Baraban, the extra thickness makes big prints easier to handle and exhibition prints less susceptible to dings and creases.  He points out that “No one is likely to pay hundreds of dollars for a print with visible dings.” He recalls having to reprint one exhibition print that had been sold because it got damaged on the way to the frame shop.

Baraban has started using the paper in his everyday work and gladly recommends LexJet Sunset Photo eSatin Paper to the many other photographers he meets at camera clubs, exhibitions, or in the many workshops he has taught in Maine, Santa Fe, California, Canada, Florida, and Texas. Joe is also an instructor in the online Picture Perfect School of Photography.

In fact, it was Baraban’s active involvement in the photography community that led to his images being accepted into the permanent collection of the Museum of Fine Arts in Houston. As an accomplished commercial photographer who had won dozens of awards during his long career, Baraban had been invited to judge the spring exhibition of the Woodlands Photography Club in Woodlands, TX. One of the fellow judges was Natalie Zelt the assistant curator of the photography collection at the Museum of Fine Arts in Houston.  After he showed her his Windows series, Zelt called them to the attention of the museum’s internationally known photography curator Anne Tucker, who selected three of the images for the permanent collection.

©Joe Baraban

“I started my series of windows quite by accident,” explains Baraban. On a road trip to Nashville, he decided to take some extra time photographing the countryside. As he was leaving small town in Mississippi, he noticed an old deserted building with an interesting front door.

“Halfway through my setup, I became bored with the light since the door was in shadow,” says Baraban. “So I walked around to the side of the building where I saw several old and interesting windows that were in bright sunlight. I settled on one particular window, and even though it had weathered poorly through the years, there was something almost mystical about it. Father Time, aided by the elements, had transformed the windows and the surrounding brick walls into a cacophony of colors, shapes, and textures. The contrast, from the bright sunny day, had rendered the various hues to the point of being surreal and exaggerated.” 

The effect was so amazing that he didn’t feel it necessary look for a unique angle or height from which to take the shot: “Something was telling me not to distort the integrity of these amazing windows.”

Now as he goes “window shopping” throughout the state of Texas, he tries to imagine what the windows he photographs would tell him if they could speak.

“Most of the structures have long since been abandoned, and I can only wonder who the last person was to look out this particular window, and what they might have seen and thought before they left for good.”

To see more images from Baraban’s Windows collections visit his website: www.joebaraban.com.

For more information about LexJet Sunset Photo eSatin, visit LexJet’s website, or call an account specialist at 800-453-9538.

©Joe Baraban

Hahnemühle Discusses Their ‘Green’ Production Processes

LexJet is a proud reseller of Hahnemühle FineArt papers for inkjet photo and fine-art printing. So we are pleased to share this paper that Hahnemϋhle recently released describing the environmentally friendly production processes used in their papermaking.

Hahnemühle FineArt GmbH located in Dassel, Germany celebrated its 425th anniversary this year, making it one of the world’s oldest continuously trading paper mills. Throughout its history, Hahnemühle has been uniquely sensitive to environmental issues in an industry that is notorious for its exploitation of the natural world. Today Hahnemühle continues to lead with its innovative and infinitely sustainable production processes.

Joerg Adomat, Hahenmuhle CEO
Joerg Adomat, Hahnemuhle CEO

Joerg Adomat, Hahnemühle CEO, states, “The green rooster, the brother of the Hahnemühle red rooster, was created to show that we care about the environment. Caring means offering environmentally sound products, using green power production and sponsoring environmental initiatives. In doing so, last year we saved 3000 tons of carbon dioxide, introduced bamboo fiber and sugar cane waste- based papers and donated more than $100,000 to environmental initiatives.”

The main resources necessary for the production of paper are water, pulp and a tremendous amount of electrical energy. Hahnemühle has addressed all of these from a product quality and sustainability perspective:

Water: The Hahnemühle paper mill was originally established on the banks of the pure, spring-fed Ilme river near the town of Dassel in the beautiful Solling region of Lower Saxony, Germany. Today this region has been designated as a Nature Protection Area by a European Flora Fauna Habitat directive. As a resident of this beautiful area, Hahnemühle has adapted sustainable fresh water and contaminant-free sewage recycling programs that exceed even the most stringent FFH directives. Now, 425 years later, the water of the Ilme is still classified as “drinking quality”!

Pulp: The Hahnemühle product portfolio encompasses more than 500 different types of fine art, filter and technical papers, many of which are used in precision industrial and medical applications that require the highest degree of purity. Since many of these applications rule out the use of recycled paper fibers, the importance of using sustainable forest resources becomes paramount to our green initiatives.

HahnemuhleFineArtGreenRoosterWe use pulp from 20 different deciduous and conifer tree species worldwide and insist that our suppliers be certified for sustainable forestry practices that meet or exceed the equivalent of Forest Stewardship Council directives.

In addition to wood pulp, we also use six different types of cotton linters and rags made from the super-soft, non-aging fibers of totally renewable cotton plant seed vessels. In recent years Hahnemühle has developed two new “green” papers that have been added to the Digital FineArt Collection. The first was Bamboo 290gsm made from the fast growing fibers of the bamboo plant. The latest is Sugar Cane 300gsm, 75% of which is made from bagasse fibers, a by-product of sugar cane processing that would otherwise be burned. Cotton fibers gleaned from recycling our own paper waste make up the remaining 25%.

Electricity: The production of paper is an energy-intensive process; most of which is electrical. In January of 2009, Hahnemühle switched to one of Europe’s most eco-friendly electrical energy providers called LichtBlick. The power provided by this company is generated entirely from easily sustainable power sources. No atomic, coal, gas or petroleum fuels are used. This will allow us to eliminate approximately 3,000 tons of CO2 emissions annually, a figure that roughly equals our total paper production for a year!

Recycling: Whenever possible, we process our own paper trimming waste and return it directly into the production cycle. The excess waste trimmings that we cannot use are accumulated and forwarded to other fabricators, effectively eliminating virtually all our mill waste. Finally, all Hahnemühle packaging is made from fully recyclable materials. For more information visit www.green-rooster.com or www.hahnemuhledirect.com.

LexJet sells two Hahnemühle canvases (in sheets and rolls) and 22 different types of papers from the Hahnemühle Digital FineArt collection, including Hahnemühle’s environmentally friendly Bamboo 290 g and Sugar Cane 300 g papers.

Call a LexJet account specialist at 800-453-9538 for personalized assistance in selecting the right Hahnemuhle materials for your printmaking requirements and fast, economical delivery of your order.

Catalog Showcases Materials for Inkjet Photo and Art Printing

SLJCatCover09LRMany posts on this blog showcase some of the creative ways that photographers and artists are using some of the materials they have purchased from LexJet, including Water-Resistant Satin Cloth, Absolute Backlit Film, and Sunset Photo eSatin Paper 300g.

You can see additional examples of how photographers and artists are using LexJet materials by downloading a copy of the 2009 Edition of the The LexJet Catalog for the Professional Photographer and Fine-Art Printmaker 

The 28-page catalog also lists roll size, sheet size, and pricing details about many of the inkjet-printable materials available from LexJet, including:

  • LexJet Sunset Photo Paper
  • LexJet Sunset Fibre-Based Paper
  • LexJet Sunset Fine Art Paper
  • LexJet  Sunset Select Gloss and Matte Canvases
  • LexJet Instant-Dry Satin Canvas
  • LexJet Inkjet Paper
  • Hahnemuhle Fine Art Paper
  • EPSON Professional Media

 The catalog also highlights:

  •  LexJet Specialty Films
  • LexJet Adhesive-Backed Media (including Photo Tex PSA)
  • LexJet Banner Media, (including Water-Resistant Satin Cloth
  • 3P Inkjet Textiles
  • Pigment Inks for Epson, Canon and HP Printers
  • Hahnemuhle Standard and PRO Galerie Wrap Stretcher Bars
  • LexJet I-Banner Spring Back Banner Stands
  • Banner Finishing Accessories
  • Sunset Coating

Most of the materials in the catalog are designed for use on the Canon imagePROGRAF, HP Designjet, and Epson Stylus Pro  inkjet printers that use aqueous dye or pigment inks. However, the catalog also features LexJet papers, canvases, banner materials, adhesive-backed media, and specialty films that are used by higher-volume printmakers who use the Epson Stylus Pro GS6000 and other printers that use solvent or UV-curable (SUV) inks.

The catalog lists only some of the products LexJet carries and more products are being added all the time. As the imaging business continues to evolve, LexJet can provide the equipment, supplies, and knowledge you need to adapt.

Over the past 15 years, LexJet account specialists have helped thousands of photography studios, fine-art printmakers, service bureaus, and printing companies discover new ways to profit from printing. We can help your imaging business too!  To learn more, visit www.lexjet.com or call an account specialist at 800-453-9538.

Along with traditional photo and art papers, LexJet sells materials that can be used to print promotional graphics. For example, Picture This Photography in Avon, IN used AquaVinyl adhesive-backed vinyl from LexJet to print these graphics for the vehicles the studio uses to store and haul props. LexJet account specialists can provide tips on how to produce, apply and remove these types of graphics, which can be a cost-effective way to promote your studio wherever you go.
Along with traditional photo and art papers, LexJet sells materials that can be used to print promotional graphics. For example, Picture This Photography in Avon, IN used AquaVinyl adhesive-backed vinyl from LexJet to print these graphics for the vehicles the studio uses to store and haul props. LexJet account specialists can provide tips on how to produce, apply and remove these types of graphics, which can be a cost-effective way to promote your studio wherever you go.