Pittsburgh in Inkjet-Printed Multi-Media Relief

Fine Art Triptych by Hudson Valley Giclee and Bruce Bleach

This corporate fine art triptych is another colorful collaboration between Jeff Fina of Hudson Valley Giclee and abstract fine artist Bruce Bleach. The pair often team up to bring unique fine art to corporate and other environments.

In this case, Bleach created the overall design, which Fina tweaked in Photoshop and prepared for printing. Fina printed the image on LexJet Sunset Select Matte Canvas and coated it with Sunset Satin Coating.

Fine Art Canvas Printing“Red and blue are very hard to reproduce, but the red on this canvas is as deep a red as you can get. You typically can’t hit colors like that with canvas since it doesn’t have as wide a color gamut as Sunset photo papers, but the combination of this canvas with the coating really brought out the richness of the colors,” says Fina. “I like LexJet Sunset Canvas much better than any other canvas. It’s easier to work with, easier to wrap and the color gamut is better.”

Once printed and coated, the piece was glued to wood and Bleach cut it out along the lines that Fina included when he prepared the file for print. Bleach also added scored and colored pieces of metal that give the piece more shine and relief, complementing the overall look of the design.

“A lot of artists, and especially Bruce, want to experiment beyond just printing, so Sunset Select Matte Canvas is a really good medium to meet their need to experiment because it’s also durable and easy to finish, especially with the Sunset Coating,” says Fina. “I know someone who left his canvas with the Sunset coating in the snow. I’m not sure why or how it got there, but the canvas was still perfect after that and he never thought in his wildest dreams that would ever happen. So, when you cut around the canvas, there’s no damage to it at all because of the quality of the canvas and the coating.”

Lady Liberty Lights the Way with an Inkjet Printed Wall Mural

Inkjet Printed Custom Wall MuralCohesive collaboration is often the key to creating a successful project. An excellent case in point is the collaboration between fine art print expert Jeff Fina of Hudson Valley Giclee and abstract fine artist Bruce Bleach.

The pair has been collaborating for the past six years or so on a variety of multi-media projects for corporations and other organizations that are dynamic and detailed. One of their latest creations was a 9′ x 13′ wall mural of Lady Liberty for a corporate client.

A seemingly simple image to re-create, Bleach provided subtle touches that both preserve the integrity of the American icon while giving it a distinctive look.

“We first enlarged and sharpened the photography, and then did some Photoshop work to it where we colored the torch and rendered the rest of the image in black and white. We were able to take a fine art aesthetic and apply it to this project,” explains Fina.

Once the image was perfected it was on to printing and applying the giant piece. After consulting with his LexJet customer specialist, Joshua Mott, Fina decided to use Photo Tex repositionable fabric instead of a wallpaper-like material or an adhesive-backed vinyl.

Applying a Large Wall Mural“I watched application videos at LexJet’s YouTube channel, and it seemed pretty easy. We did some overlap, cut between the overlap and then peeled away the excess and it was seamless. The magic of the material is that it is so easy to work with. We made a couple of mistakes during application where the material stuck to itself, but it’s so tough and repositionable you just pull it out and re-apply it,” says Fina. “It makes it a lot easier to price out these projects when you know you don’t have to account for 20 percent extra for difficulties during installation.”

Fina also wanted to ensure the fidelity of the blacks and gradients since those can be difficult to hit with a fabric material. Ultimately, says Fina, he was able to maximize the image potential by adjusting various settings in the driver of his Epson Stylus Pro 9800. Fina printed the piece in 32″‘ x 60″ panels, which were applied with the aforementioned overlap to ensure perfect registration.

“We planned it so that we applied the whole left side from top to bottom. When we did the middle section, we started at the center as an anchor; if there was a mistake we could make up for it from top to bottom,” says Fina.

The results speak for themselves and Fina credits Bleach’s long history in the art market, as well as the personal attention he received from LexJet, for making this project work and work well.

“Bruce has been in the industry longer than I’ve been alive and we’re able to combine our strengths on the projects we work on together. Plus, LexJet has allowed me to go crazy so that there are no real boundaries for what we can do artistically,” adds Fina.