Photographers for Charity: A New Way to Make a Difference

In the late 1990s, then Professional Photographers Association president Bert Behnke created PPA Charities. “It was a way for photographers to work together and make a difference. People are impressed when someone gives a big check, but so many of us can only give $5 or $10 at a time,” he says. “PPA Charities was a way people bonded together to show how our industry helped people.”

After 20 years of coordinating charitable activities and organizations, PPA Charities was shuttered in 2018. Behnke felt there was more the industry had to offer to the organizations that received donations and assistance from the original program and Photographers for Charity was born.

“Last summer, we finally got all the paperwork completed,” he says. “In fact, PPA was generous enough to give us a $2,000 donation – our first – to help us get started.” Currently, it’s just Behnke and his son, Al, putting things together. “This program just started. We officially launched at Imaging USA [in January 2020],” Behnke says.

Right now, they are slowly exposing the organization to the industry. “We will have a small presence at PhotoPro Expo in Covington, Ky., and we have some other marketing programs with Marathon Press,” Behnke says. “We hope to reincarnate Celebration of Smiles, an event PPA Charities held where photographers offer a mini session and a print for a $25 donation. We want to launch that in May, but we’d like to have a little more participation.”

Some of the organizations that will benefit from the generous donations of time, talent and money include:

Behnke is partnering with a former PPA Charities trustee to bring in more groups and plans to hold a charitable marketing conference sometime in 2021.

If you are interested in becoming a member, there are three donation levels: $250, $500, and $1,000, or you can pledge monthly $25, $50, $100 for a year. To help create excitement for P4C, Behnke is offering charter memberships, which recognizes donors as founding members, and they are part of the “Honor Wall.” The wall will be limited to 200 members and will be part of a 10 ft. x 8 ft. backdrop for P4C tradeshows and events.

“We are still in our infancy, so we’re still finding our way around,” Behnke says. “The website isn’t complete, but our Facebook page is active.”  If you are interested in charter memberships, the Honor Wall or to learn about upcoming projects and missions, you can email Behnke for more information.

Capturing and Printing Wildlife for Charity

Limited edition coffee table book
This photo, featured in Brian Hampton's book, Captured I: Africa, was the 2008 Grand Prize winner of the annual Nature's Best Photography Windland Smith Rice International Award. Book photo by Nels Akerlund Photography.

Brian Hampton’s coffee table books are much more than just coffee table books; they’re works of art that benefit four worthy charities: the Rochester, Minn. chapter of the Ronald McDonald House; Carpenter’s Place in Rockford, Ill.; the Salvation Army; and Audubon’s Corkscrew Swamp Sanctuary in the Everglades.

The books – Captured I: Africa and Captured II: Everglades – are the culmination of Hampton’s global wildlife photography, meticulously captured, printed on LexJet Sunset Photo eSatin Paper, bound and packaged.

Both are available in 12″ x 12″ and 18″ x 18″ sizes, which retail for $1,895 and $2,500 respectively. There are only 15 copies of the 18″ x 18″ version available.

Printing a coffee table book
Brian Hampton prints the coffee table book's pages three-up on LexJet Sunset Photo eSatin Paper.

“I don’t make a profit on the books, nor do I want to: 40 percent goes to the causes and the rest goes toward helping me recover my costs on the project. I want to raise as much money as I can for those organizations,” explains Hampton. “The books are printed using the highest quality printers, either a Canon iPF8300 or an Epson 9900 through ImagePrint RIP software, on Sunset Photo eSatin Paper. I like detail. For that reason a glossy paper would be my favorite for detail, but it falls short because it’s generally too touchy; it can show a dimple or wrinkle so you have to be very careful handling it. Sunset Photo eSatin shows very good detail, and it’s a friendlier to handle.”

Everglades coffee table bookHampton prints the pages and sends them to Mel Englander, Englander Studios in Fort Lauderdale, Fla., to be bound and packaged. The books come in a velvet case inside a black box, to which Hampton applies the book cover image, printed on Photo Tex from LexJet.

A successful entrepreneur and corporate turn-around artist who has been CEO of five companies over the past 40 years, his success in business allowed him to pursue two of his favorite pastimes – photography and philanthropy – and then blend both with the creation of his wildlife photography books.

“When I first started shooting I began with an area in the Everglades where we have a home. I bought a digital camera and started taking pictures of wildlife, mostly birds at first. Six years later I had a little over 20,000 images, and in between that time my wife and I took several trips to Africa. I got more involved in wildlife photography and my wife got into HD video production,” explains Hampton. “I produced the Africa book first and then began working on the Everglades book. At the same time I began thinking about ways to raise money for non-profit organizations.”

Africa coffee table bookOne of Hampton’s shots from Africa, which captures a lioness charging through the water on its way to a kill, was the 2008 Grand Prize winner of the annual Nature’s Best Photography Windland Smith Rice International Awards, for which it was featured in a special exhibition at the Smithsonian’s National Museum of Natural History in Washington, D.C. that same year.

Hampton is working on a third book based on his travels to Alaska. Hampton says he has 50-60 images that are “book-worthy,” and he would like to take a photography trip in the winter to capture the unique snow-covered beauty of Alaska and its wildlife that time of year.

Alaska coffee table book
Brian Hampton is working on a third book documenting his trips to Alaska.

Hampton adds that perhaps the most difficult aspect of producing the books was choosing from the literally tens of thousands of images he’s captured over the years. When Hampton is out in the field, he shoots with a Canon 1-series professional camera with “L” glass. As he puts it: “I only shoot with the best possible equipment from the best possible locations. The nature of photography, especially wildlife photography, is that you have very little time to capture the perfect moment so you had better be prepared.”

For more information about the limited-edition, custom books and the charities they support, go to store.brianhamptonphotography.com.