Epson’s New SureColor T Series and Setup Videos

Setting up Epson inkjet printers for technical and GIS printingEpson America recently introduced a new line of large-format color plotters designed to meet the specific requirements of today’s engineering and scientific professionals – the Epson SureColor T3000 (24″ wide), T5000 (36″ wide) and T7000 (44″ wide).

The T Series marks Epson’s entry into the technical printing market, giving architects, engineers and GIS professionals a powerful combination of precision, performance and value.

Built from the ground up using all-Epson engineering, and incorporating the latest in printing technology, the Epson SureColor T-Series delivers extreme line accuracy with resolutions up to 2880 x 1440 dpi at some of the fastest speeds in its class – producing a presentation quality D-size plot in as little as 25 seconds and up to 110 per hour.

For added performance, the SureColor T-Series plotters feature a convenient output stacking basket that organizes up to 20 A1/D- or A0/E-sized plain paper plots for quick retrieval and to reduce sorting time.

 The SureColor T-Series also features Epson’s latest ink technology, Epson UltraChrome XD pigment ink, delivering crisp lines, brilliant color and photographic quality on virtually any paper type for accurate prints that are truly archival and extremely smudge and water-resistant.

For added flexibility, the T-Series Cyan, Magenta, Yellow, Photo Black and Matte Black ink cartridges are available in 110 ml, 350 ml, as well as a high-capacity 700 ml size to lower overall printing costs and to accommodate a range of printing tasks.

Like any other printer, a little bit of help with printer setup can go a long way in getting your new printer up and running in a short amount of time. While the setup guide and quick reference guide that accompany the Epson SureColor T-Series printers are invaluable, sometimes seeing how everything comes together can be even better.

Embedded below, in the order shown, are the Epson SureColor T-Series Printer Setup Videos: Printer Stand Assembly, Paper Basket Assembly and Installing Ink Cartridges.

Check back next week to learn how to load roll paper in this printer and to get a peek at the various options on the printer’s front panel (printer LCD).

Making a Difference with Metallic

C2 Reprographics prints this flyer on Sunset Photo Metallic Paper to highlight the pearlescent qualities that make a distinct difference on high-contrast, high-end images.

In its quest for a competitive edge, C2 Reprographics in Costa Mesa, Calif., was one of the first companies to try LexJet’s Sunset Metallic Photo Paper after it was introduced this summer. C2 Reprographics’ marketing director, Eric Monroe, says the company has been on the lookout for a way to replicate the unique pearlescent qualities of a paper that had previously been available only for chemical process, continuous-tone printing systems like the LightJet.

“I was dying to get this paper because we often compete with companies that have LightJets. We were looking for an inkjet version of that look so that we could compete in that space,” says Monroe.

Now that an inkjet version is available, C2 Reprographics can use its battery of HP Z6100s to produce a similar effect without having to spend hundreds of thousands of dollars on a photographic system. For C2 Reprographics, the paper has made the biggest impact in the architectural market.

“When architects create 3D renderings and modeling for their presentations, you’re seeing a lot of vibrant images, like the colors they use in the buildings, trees and sky. We have one architect who uses it exclusively. At first, I wasn’t thinking of my architect clientele as the main market for this paper, but they really like it,” says Monroe.

Monroe says that making a presentation splash has become increasingly important for architects who have been competing in smaller niche markets in response to the tighter economy of recent years. He says the paper gives the presentations a higher-end, more professional look that makes a difference.

Monroe adds that you should choose images with a lot of contrast to bring out the qualities of the paper that cause it to stand out from the crowd. “I purposely pick images I know will play well with the paper, like the flyer we printed on Sunset Metallic that shows a nighttime cityscape with lots of darks contrasting against reflections and light. If it’s a sterile image on a white background you probably won’t notice the difference, so you should just use a less-expensive paper for those applications,” says Monroe. “We charge more per square foot for prints on Sunset Metallic, and so far that’s flown. No one has said, ‘Wow, that’s too expensive.’ Instead they say, ‘I want to try that, because it gives me a distinctive look.’”