Five Good Reasons to Hire an Experienced Pro for Product Photography

LexJet’s In Focus newsletter helps professional photographers discover new ways to generate revenues by using wide-format inkjet printers to display their work, promote their businesses, or create new products and services. Our customers like receiving new business ideas because widespread, easy access to more powerful cameras and image-editing software has dramatically altered the traditional markets for photography services. It occurred to us that some current users of photography may not have considered the true value of hiring an experienced professional photographer.  So after featuring the innovative work of commercial photographer David Humphreys in the Printing for Profit section of our In Focus newsletter, we invited him to write a post explaining what marketing managers may be missing when they ask someone on their staff to shoot product photography.

What’s missing, explains David, is the artistry involved in capturing the true essence of a product. As a result, the product’s value or uniqueness can easily get lost among the miasma of similar-looking commercials and marketing campaigns. Here are the five top reasons he would list for hiring an experienced pro to shoot your product photography:

By David Humphreys 

1. A Unique Approach. The first and foremost reason to use an experienced pro is a completely unique and fresh approach to your project or campaign that is 100 percent reflective of your company, your marketing needs, and your brand. Too often, a company’s brand or desired focus gets lost when turning to a staff marketing intern or a stock photography resource.

2. Quality Images with Impact. The experience and expertise of your photographer ultimately shows through on the images of your product or brand. Collaboration with an expert, and the outside perspective they bring, can make a tremendous difference in whether a marketing campaign is memorable for years, or forgettable after a few seconds. Plus, professional photographers have a keen eye for small, even miniscule, details or color issues that can be corrected during printing and production.

3. Long-Term Dividends. Invest now to earn dividends down the road. Yes, adding another team member naturally adds another expense to your campaign, but that amount is a small percentage of the overall cost of product marketing. An expert image produced by an expert pro can make a difference between this quarter’s loss and next quarter’s gain. An expertly crafted image by the right pro has a higher likelihood of making a greater impact on your customers. Plus, the image can be designed to used in multiple forms and media.

4. An Outside Perspective. Having a fresh, outside perspective is always helpful when considering the overall sales effort for any product or the branding campaign for a company. Often times, executing a project entirely with in-house staff can dilute the power of the final campaign or make it bland. And these days, bland doesn’t draw the attention of consumers, nor does it make them want to buy.
 Finally, while new innovations in digital technology have brought photography to almost anyone interested, only professional photographers will bring thousands (or hundreds of thousands) of dollars in equipment to capture the myriad technical details involved in crafting an artistically great photograph. While often unnoticed in the 30-second window we have to make an impact on our consumers’ minds, these technical differences and creativity are often the precise factors that draw viewers to an image in the first place. In essence, equipment and technique matter, just like expertise, creativity and a new perspective.

 
 
 
 

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Based in Baton Rouge, La., David Humphreys’ studio includes equipment for shooting high-end digital as well as 35 mm, 2-1/4 in., 4 x 5 in., and 8 x10 in. film. He also has a state-of-the-art suite for image retouching, digital enhancement, and high-end color printing for art, décor prints and display graphics.

 

5. Equipment and Technique. Finally, while new innovations in digital technology have brought photography to almost anyone interested, only professional photographers will bring thousands (or hundreds of thousands) of dollars in equipment to capture the myriad technical details involved in crafting an artistically great photograph. While often unnoticed in the 30-second window we have to make an impact on our consumers’ minds, these technical differences and creativity are often the precise factors that draw viewers to an image in the first place. In essence, equipment and technique matter, just like expertise, creativity and a new perspective.

 HumphreysHeadShotDavid Humphreys has been a professional photographer for more than 30 years—photographing people, products and places around the world. He has been recognized for his work by many organizations, winning such awards as, most recently, a national ADDY for black and white photography from the American Advertising Federation,  the Photo District News Award from Nikon, the Communications Arts Award for advertising, and the Pete Goldsby Award. (www.fabphotos.com)

Tips for Applying Hahnemuhle Protective Spray to Inkjet Prints

HahnemuhleProtectiveSprayHahnemuhle Protective Spray is a non-toxic, spray-on coating that is particularly well-suited for photographers and artists who need to protect small quantities of prints produced on desktop photo printers. The spray seals the print surface and protects it from dirt, fingerprints, moisture, and other environmental hazards. While the spray makes prints more resistant to water, scratches, and the damaging effects of UV light, it is completely transparent and doesn’t influence the colors on the paper.

Product literature that Hahnemuhle distributed at their booth at the PhotoPlus Expo show in October included some practical advice for using the spray:

•         Spray the coating directly onto the image and allow it to air dry.

•         To ensure that the print is fully protected, apply three light coats: one vertical, one horizontal, and one corner to corner.

•         To provide maximum protection to prints that won’t be mounted or framed, apply the coating to both the front and back of the paper.

•         Use the spray to protect both glossy and matte prints. The finish of the spray mimics the base media, meaning that a gloss or luster paper will remain glossy or lustrous even after it has been sprayed. A matte paper or fine-art media will absorb the spray into the surface, retaining the non-reflective finish of the surface.

According to Hahnemuhle, each 400-ml aerosol can will provide two to three protective coats on up to twenty 8.5 x 11-in. images.

At LexJet, we encourage customers to apply the coatng in a well-ventilated area. We also recommend spraying a light coat on some small test prints first to get a feel for how much you should apply and how much time it takes each coat to dry.  

You can order Hahnemuhle Protective Spray from LexJet or through the accessories section in the online store on the www.hahnemuhledirect.com website.

If you need to protect a higher volume of larger prints, including prints on canvas, ask a LexJet account specialist to tell you more about liquid clearcoats such as Sunset Gloss and Sunset Satin coatings. These coatings can either be brushed on, rolled on with a high-density foam roller, or applied with a spray gun. Because the coatings are self-leveling, the applied coatings have a uniform thickness and appearance, without visible strokes from the roller or brushes.

Call 800-453-9538 and we’ll be happy to answer any specific questions you may have about Hahnemuhle Protective Spray or the Sunset Coatings.

Read more about Sunset Coatings in the post entitled Clearcoating Inkjet Photo and Art Prints

Printing Photos and Art for Outdoor Display

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This photo-banner project started with a NASA public domain file that normally would have been suitable for printing at around 16 x16 inches. Using onOne’s Genuine Fractals software, Joe Menth of Fine Balance Imaging Studios enlarged the image to 9 x 9 ft. and output it in three 3-ft. wide sections on LexJet’s TOUGHcoat Water-Resistant polypropylene film. www.fbistudios.com

To most people, the term outdoor photography means photographs taken outdoors. But with pro-model pigment-ink wide-format inkjet printers and banner materials from LexJet, the term outdoor photography can also mean photographs displayed outdoors.

For example, check out this triptych photo banner that Joe Menth of Fine Balance Imaging Studios in Langely, WA, created using LexJet’s TOUGHcoat Water-Resistant polypropylene film on an Epson Stylus Pro 9800 with UltraChrome pigment inks and ImagePrint RIP software.

Polypropylene film is a bright white, tear-resistant alternative to photo paper that produces outstanding image quality. Yet it’s durable enough to hang outside for several weeks or months without lamination.  

Menth originally created this banner to celebrate Earth Day. But it looked so nice, and called attention to their studio’s second-floor location that they kept it hanging for a couple of months afterwards. Plus, the entire building is constructed from reclaimed and recycled materials, so the Earth banner went nicely with the sustainability theme of the building.  

 “One reason the banner is in three pieces is that we wanted a way to hang it out our windows, and be able to remove it or change it out easily,” explains Menth. “And because we don’t have any way to weld the panels together, we decided to just put it up as a triptych.” The banner could be seen from many blocks away.

For photographs and art that will be displayed outdoors for longer periods of time, you would probably need to find a service bureau equipped with a printer that uses low-solvent, solvent, or UV-curable inks instead of the aqueous  inks used in popular, wide-gramut photographic printers.  

LexJet works with thousands of services bureaus nationwide that use solvent and UV-curable printers and can recommend a printing firm in your area that can help you.

To learn more about different materials and options available for producing and displaying photographs outdoors, call a LexJet account specialist at 800-453-9538.

You can read more about Fine Balance Imaging Studios in the July issue (Vol. 4, No. 7) of LexJet’s In Focus Newsletter or in the Studio LexJet posts:  Deskfront Displays for Photo,Art, and Promotional Prints. Or visit their website: www.fbistudios.com

New Videos Explain Why Photographers Like Epson Stylus Pro 900 Series Printers

By Eileen Fritsch
Editor, LexJet In Focus Newsletter

When I visit the Epson, Canon, and HP booths at photography-industry trade shows, I not only like to see what new products are being previewed or promoted but also how they are being promoted. That’s because press releases, tech data sheets, and brochures are often so dense with numbers, charts, statistics, and buzzwords that the practical, real-world value of the new products aren’t fully conveyed.

Certainly, facts, figures, engineering data, and gamut maps can help substantiate claims that a product is improved. But it can be extremely valuable to see new products being demonstrated or discussed from the perspective of the end user.

One of Epson’s goals at PDN PhotoPlus Expo this year was to visually document some of the benefits of their Epson Stylus Pro 900 series printers and UltraChrome HDR ink technology. They did this in two very creative ways:  1) through a new series of online videos, and 2) with an in-booth print-comparison display that also highlighted their newest art papers.

EpsonScreenCapture500pNew Videos: On the day the PPE show opened, Epson announced the addition of seven new videos to their Focal Points website. In these videos, well-known photographers Bambi Cantrell, John Paul Caponigro, Douglas Dubler, Greg Gorman, Jay Maisel, Steve McCurry, and Jeff Schewe talk about the value of printing in general and the importance of printing big.

Their comments underscore a theme that resonated at PPE this year: Prints are the ultimate expression of a photographer’s vision and can provide a lasting legacy of a photographer’s career. 

Another benefit some of the photographers talk about in the videos on Epson’s website is how well the UltraChrome HDR inks can print details and flesh tones even on matte papers.

One Portrait-Five Different Media Types: To illustrate the capabilities of UltraChrome HDR inks, Epson’s booth at PhotoPlus Expo displayed five identical portraits side by side. Each portrait had been printed on a different type of media. Four were printed on Epson’s new art papers (Cold Press Bright, Cold Press Natural, Hot Press Bright, and Hot Press Natural) and one was printed on Epson Exhibition Fiber paper for photography.  

The portrait depicted an elderly gentleman, with a deeply wrinkled face, twinkly blue eyes and a healthy thatch of snowy white hair. He was wearing a comfy-looking black fleece pullover that draped in soft folds around his neck and shoulders. This particular image proved to be a visually powerful way to demonstrate how well the wide gamut of the UltraChrome HDR inks and Epson print technology could reproduce black, shadow detail, highlight detail, and fleshtones on five noticeably different media types. 

If you haven’t visited Epson’s Focal Points website lately, check it out and take a few minutes to watch the videos. When the practical benefits of advances in technology are explained from the point of view of top artists, it’s much easier to understand the real-world value of the technical breakthroughs that get the product managers and engineers so pumped up.       

If you’re interested in buying a 24-in. Epson Stylus Pro 7900 or 44-in. Epson Stylus Pro 9900 series printer, call one of the friendly account specialists at LexJet (800-453-9538). They can answer any questions you may have and tell you more about the many different ways LexJet customers are using these printers.

 In future posts about what I learned at PhotoPlus Expo, I’ll talk about an eye-opening HP-hosted event (New Ideas, New Beginnings) and a fascinating software demonstration I saw in Canon’s booth.

Why and How Pro Photographers Are Using Twitter

By Eileen Fritsch

PPElogo_mainAt PhotoPlus Expo today, I attended a fabulous session entitled The Twitter Revolution: Changing the Photographic World 140 Characters at a Time. It was a panel discussion, in which Jack Hollingsworth, Seshu Badrinath, Taylor Davidson, Jim Goldstein, and Rosh Sillars talked about why Twitter is such a powerful marketing tool for photographers and how it has changed the ways they think about branding and self-promotion. (I know this topic isn’t directly related to printing, but knowing how to connect to customers in different markets is important for photographers who want to get the most revenue from their wide-format inkjet printers.)

Hollingsworth noted that pro photographers can attract Twitter followers like rock stars because so many people are fascinated with photography. But he cautioned that you shouldn’t join the Twitter conversation” until you have a clear strategy in mind for what you’d like to accomplish. When you write your bio for your Twitter account, word it carefully so you’ll attract the type of followers you want. Consider your bio like a unique selling proposition, in which you define what makes you different.     

Here are some other tips the panelists provided:  

Twitter isn’t what you think it is. It’s not a time-sucking tool for mindless chatter, but rather a new media platform. If you like being on top of the latest news, trends, and ideas, tune into Twitter. It’s actually an enormous, searchable database, through which you are showing other people who you are. It’s also a database through which you can learn a great deal about what’s happening in the world and new markets you want to enter. As with any database, you can control what type of information you’d like to extract and use. For example, if you are an architectural photographer and want to learn more about how about architects think and what’s important to them, you can use search tools to find and follow architects on Twitter. (Then, when you see an opportunity to offer some advice and introduce yourself, you can do so.)

Use Twitter as a soft marketing tool to get referrals. Before you even get around to showing a client your work, you can use Twitter to let someone know who you are and how you think. Once you establish credibility, trust, and rapport, potential clients will invite you to show you them your work. But don’t overmarket and use Twitter simply to promote yourself. The more helpful you are to others and the more good information you provide, the more you’ll get noticed and trusted. One reason Twitter is so popular is because it humanizes communications and provides an escape from a world in which we’re constantly bombarded with marketing messages.  

Twitter creates an intimacy that doesn’t exist in direct mail. And it can be far more productive than making multiple phone calls to multiple prospects. Some photo buyers in the seminar audience said that they hate being interrupted during the day by phone calls from photographers and vendors. But since they’re toiling away at their computers anyway, they don’t mind interacting with photography pros through Twitter.

Use your real name instead of some sort of funky made-up name, because your name is your brand. Then, make sure that every tweet reflects how you want to be known. With social networking, a brand isn’t what you say about yourself, but what others say about you. Would you rather be known for continually making comments that are snide, hyper-promotional or self involved? Or would you rather earn a reputation as an expert who is helpful and generous with their knowledge?

You’re creating opportunities for the right people to find you. Even if you only have a few followers, you can potentially reach millions of people if your tweets are remarkable enough to be re-tweeted again and again. Plus, hashtags make it easy for non-followers to find your comments through searches. Major corporations and media organizations are following Twitter to find new sources of information and expertise about various topics.  

In effect, Twitter provides a platform through which you can connect with lots of other people and subtly give them reasons to buy from you. It allows your work to reach people who should know what you’re doing. One of the panelists observed that great work spreads better, faster, and cheaper than great marketing. But that doesn’t mean you should be posting your images on Twitter, because Twitter is actually more about your personality than your portfolio.   

I have lots more to report from PhotoPlus Expo, including news from HP, Canon and Epson and some interesting new suppliers of print-finishing services and equipment. I’ll be writing a complete wrap-up in the next issue of LexJet’s In Focus newsletter.

Learn How to Get More From Your Wide-Format Inkjet Printer

By Eileen Fritsch

Décor Photography: Because photographing food is one of Humphreys’ specialties as a commercial photographer, he offers many artistic images of fresh fruits and vegetables in The Carlysle Collection, his online site for décor photography. Many of his images are ideal for the walls of restaurants, kitchens, or food stores. Humphreys will make prints of any of the images in the collection in sizes ranging from 8 x 10 in. up to 30 x 40 in. Typically, he uses either LexJet’s Sunset Select Canvas or Sunset Photo eSatin Paper. To see more of Humphreys’ décor photography, visit www.thecarlyslecollection.com

Décor Photography: Because food is one of Humphreys’ specialties as a commercial photographer, he offers artistic images of fresh fruits and vegetables in The Carlysle Collection, his online site for décor photography. Humphreys will make prints of any image in the collection in sizes ranging from 8 x 10 in. up to 30 x 40 in. Photo ©David Humphreys

At PhotoPlus Expo, which opens Oct. 22 in New York, many sessions will help photography professionals adapt to the changing economics of the photography business. Some sessions will explain how to branch out into new fields such as weddings, portraiture, cinematography, or fine-art photography. Other sessions will talk about different marketing channels and techniques, including websites, social networks, personal branding, photo books, and selling stock direct.  It will be a very timely conference, and I expect to return with many new ideas and sources of helpful information.

Many of the business diversification and marketing themes at PhotoPlus Expo dovetail nicely with the content I’m developing for future issues of LexJet’s In Focus newsletter. If you’re not familiar with In Focus, check out the current issue and explore the archives.

One of the main editorial goals of In Focus is to help photography professionals find ways to generate new revenues, especially by doing more with the pro-model Canon, Epson, and HP printers they purchase from LexJet.

For example, for the most recent issue of In Focus, I profiled David Humphreys an accomplished, Addy-award-winning commercial photographer who runs the Fabphotos studio in Baton Rouge, LA.  He owns both an HP Designjet Z3100 and an Epson Stylus Pro 9900 and uses a variety of materials from LexJet, including LexJet Sunset Select Canvas, Sunset Coatings, and Sunset Photo eSatin Paper.

His primary business is high-end product photography for corporate clients, publications, and organizations. But he also markets décor prints online through The Carlysle Collection and creates one-of-a-kind, photo-collage prints that he sells through fine-art galleries.  And with connections he made through the gallery, he has started making prints and limited-edition reproductions for artists and other photographers.

Although this diversification has helped his photography business, Humphreys says it does require almost constant attention to marketing, including learning more about new markets for your work, finding ways to differentiate yourself, and producing and promoting high-quality work that people will gravitate to.

During the transition from film to digital photography, Humphreys says he invested a lot of time and money in researching and buying new equipment. Now he is focusing on generating more revenues with the equipment he already owns—including his printers.

“I used to send all my work to a lab,” says Humphreys. “But now I not only print 95% of my own work, but I also do high-end printing for other photographers and artists.” When he shoots products for commercial clients, he will sometimes print banners and displays for them as well.

Humphreys uses different signature photos in his e-mails, depending on whether he is corresponding with clients for his editorial, fine-art, or decor photography.

Humphreys uses different signature photos in his e-mails, depending on whether he is corresponding with clients for his editorial, fine-art, or decor photography.

As printing has become a more important part of his business, Humphreys relies on LexJet for continuing advice and support (which is partly why we publish In Focus).

 “I feel like I can call my rep Darren Vena any time, ask him questions, and have him research different types of materials for me,” says Humphreys. “The information LexJet shares with its customers is a wonderful thing.”

If you’d like to learn more about how to get more from your printer, call a LexJet account specialist for more details at 800-453-9538 or subscribe to LexJet’s In Focus newsletter.

In addition to the In Focus article, Finding New Markets for Photography Talents, you may also be interested in the article that describes Fantastic Deals on New Printers Through Oct. 31.

Tip: Protecting Your Inkjet Printer from Static Electricity and Clogging

By Bill Weiser

SolutionsSignSmHave you ever been shocked when touching your inkjet printer?  Most likely this occurs in the winter months when you are running your heater and the humidity is low.  Other than being an annoyance, this is potentially dangerous for your printer.

Depending on the level of the static electricity being discharged, and the place where the discharge enters the printer, this little spark could disable a printhead or fry the motherboard.  In addition to the possible damage to your hardware, static electricity can also cause dust to collect on your paper that will create flakes and white spots on your prints.

To prevent static electricity from interfering with your workflow, you can do a few very simple things:

Run a humidifier near your printer and keep the setting at 50% relative humidity.  This will dampen the effects of static electricity, as well as keep your ink cartridges from drying out and clogging. (You may have noticed that you get more clogged nozzles in the winter than any other time)

Don’t place your printer on a carpeted surface.  If you can’t avoid this, place the printer on a rubber mat with enough  surface space for you to stand on while operating the printer.

Use the Static Elastic™ cord across your media to prevent static build up.

Use an anti-static glove, brush or cloth when working with static-sensitive materials such as polyester films.

If you have any questions about any of these tips, call me or any other LexJet account specialist. We will be happy to help you. Call 800-453-9538.

Small-Class, Hands-On Training for New Portrait Photographers

KAPA classes are kept small so there is plenty of opportunity for personalized advice.

KAPA classes are kept small so there is plenty of opportunity for personalized advice.

If you’re serious about getting into the portrait photography business, having a good camera and a passion for photography are important. But there’s so much more that must be learned. For example, in order to sell enough work to make a decent living, you should know how to pose and light your clients in the most flattering way, efficiently manage your workflow and costs, and market your services to different groups of clients.   

Although some of this knowledge can be acquired by reading books, joining online forums, and attending national and regional conferences, long-time portrait photographer Alan Davis recognized a need for more intensive, personalized instruction. So, he and his wife Saundra and their business partner Bob Rabold opened the Kentucky Academy of Photographic Arts (KAPA) in Bowling Green, KY and started offering hands-on instruction during one-, two-, and three-day classes.

“Almost anyone can make a perfectly exposed digital image,” says Davis. “But not everyone knows about composition, or how to use posing and lighting to emphasize the subject’s good features and de-emphasize the bad features.” He acknowledges there is room for experimentation in portrait photography, but says at the end of the day, “People really want portraits they can feel good about showing to their friends and families.”

Learn with Your Own Equipment: KAPA classes are held on the second floor of the historic building in which his own studio, Alan Davis Photography, is located. Attendees bring their own cameras and laptops so they can apply what they’ve learned using the equipment they use every day. Images shot during each class can be output on either the Epson Stylus Pro 9900 or Epson Stylus Pro 4880 that Davis uses to print his own photography. Class sizes are limited to 20 participants, allowing plenty of time for one-on-one advice and critiques.

 Classes are held on the second floor of the historic building that houses the Alan Davis Photography studio.

Classes are held on the second floor of the historic building that houses the Alan Davis Photography studio.

Classes have been taught by a variety of accomplished photographers, including Jen Hillenga, Fuzzy Duenkle, Beth Forrester, Jane Conner Ziser, Mike Fulton, Shawn Wright, and Gary and Pam Box. So far, sessions have focused primarily on lighting and posing techniques related to senior, family, and wedding photography.

In 2010, Davis is planning to branch out a bit and offer sessions on baby and children’s portraits, website design and SEO marketing.

Course on Profitable In-Studio Printing: Davis is also considering teaching a course on profitable workflows for in-studio printing because “We started doing all our own printing in-house about six months ago.” He calls it one of the best decisions they’ve made for their business in recent years. He uses the Epson 9900 and LexJet Sunset Select Gloss Canvas to produce enlargements on canvas and an Epson Stylus Pro 4880, the ImagePrint RIP, and LexJet Sunset Photo eSatin paper to output all of the studio’s 16 x 20 and smaller-size portraits.

Printing your own photos in-house isn’t for everyone, Davis acknowledges: “There is a learning curve, and you have to enjoy figuring things out and setting up a workflow that will be profitable for you.” But Davis loves having total control over every step of the process.  

KAPA is located in Bowling Green, about 60 miles north of Nashville, Tennessee in the gently rolling hills, and “cave country” of central Kentucky. According to Davis, KAPA has attracted students from as far away as Detroit. But most people who have attended KAPA classes are photographers who want to set up portrait-photography businesses in nearby states such as Tennessee, Missouri, Mississippi, North Carolina, Ohio, and Illinois.  

While Davis is a proud and active member of the PPA and a Master Photographer, he notes that KAPA is an independent, privately owned business, and isn’t affiliated with the KPPA (Kentucky Professional Photographers Association) or any other regional or national association. 

For more information about KAPA and classes being planned for 2010, visit www.kapaclasses.com. You can also connect with Alan Davis online. He contributes regularly to pro photography forums such as www.pro4um.com and the forum at Luminous Landscape.

X-Rite Says Show Us Your Color Munki and Win Big!

Brand_CMPhotoIf you’ve had some fun monkeying around with your ColorMunki, X-Rite wants the world to know about it! From October through March, X-Rite will award monthly cash prizes to ColorMunki users who make funny, entertaining videos using a ColorMunki as a prominent character then post the videos on the X-Rite channel on YouTube.

 Every month, X-Rite will award cash prizes of $50, $150, and $500 to the creators of the videos that attract the most views.

ColorMunki Photo can be used to calibrate your monitor.

ColorMunki Photo can be used to calibrate your monitor.

All monthly winners will be eligible for the $2,500 grand prize that will be awarded at the end of the contest in March.

“Color Munki was designed to appeal to the most creative people on the planet—those who want to obtain accurate color from screen to print in the easiest way possible,” says Iris Mangelschots, X-Rite’s Sr. VP of sales and marketing. “We are looking forward to seeing a wide variety of funny Munki videos.

If you don’t own a ColorMunki yet, you can buy one from LexJet and get helpful, personalized advice on how to use it.  Developed with input from wedding, portrait, and event photographers, ColorMunki Photo is an innovative all-in-one color-measurement tool that allows you to get accurate color on your monitor and create custom profiles for whatever type of inkjet media you want to use on whatever model printer you use. You can also use ColorMunki to get accurate color on your projector, grab colors from your image library, and preview how the colors on your palette will look under different light sources.

ColorMunki can also be used to create profiles for whatever media and printer you choose to use to print photos.

ColorMunki can also be used to create profiles for whatever media and printer you use to print your photos.

For more information about the contest, visit www.ShowUsYourMunki.com

Ten Warning Signs of an Inferior Giclee

In an article in the Art World News, Gary Kerr of Fine Art Impressions provides excellent advice for Choosing the Right Fine Art Giclée Printmaker. He cautions that finding the right printmaking requires artists to do some research because “The quality of giclée printmaking varies as much as the art itself.”

Fine Art Impressions is so committed to quality in every step of the process that they can truthfully promote their work as museum-quality giclées. They have done work for the Louvre in Paris, and often make prints for artists who have sold originals for $50,000 and more. The most expensive original Fine Art Impressions has reproduced to date was valued at $800,000.

In his article on choosing the right printmaker, Kerr emphasizes that “First and foremost, the shop you choose should handle the digitizing of your art in-house, offering specific expertise in techniques for lighting and capturing original art properly. The accuracy of the process to digitize your art will determine 90% of the quality achieved in the final print.”

In a sidebar, he lists the 10 warning signs of an inferior giclée.

  • Blurred or soft image focus.
  • Poor image delineation or sharpness.
  • Overexposed highlight detail or underexposed shadow detail.
  • Pixel artifacts: jpeg compression, poor scan quality, pixel noise.
  • “Halo” outlines or improper/excessive image sharpening.
  • Poor color rendition or “fake” looking colors, flat, or lifeless colors.
  • Printer malfunctions: banding, streaking, or other misprint patterns.
  • No texture, detail, or nuance in the print.
  • Lack of a UV coating on canvas prints.
  • Color cast, poor gray balance, or odd tint.
To digitize artwork, Fine Art Impressions uses a high-resolution Better Light camera back mated to a Sinar 4x5 studio view camera. The studio's HID lighting doesn't subject the artwork to undue heat or UV rays.

Fine Art Impressions uses a high-resolution Better Light camera back with a 4x5 studio view camera. The studio's HID lighting doesn't subject the artwork to undue heat or UV rays.

In a story to be published in the next issue of LexJet’s In Focus newsletter, Kerr says “Fine Art Impressions is here to replicate art so accurately that no one knows that it isn’t the original. We want to enable the joy of owning art without the financial commitment or in-depth knowledge involved with collecting original art.”

He uses a music analogy to remind artists that not everyone with access to better cameras and printers is equally skilled at the craft of printmaking: “Remember, the music is in the pianist, not the piano.” He takes great pride in the craftsmanship of the work at Fine Art Impressions and is committed to client satisfaction: “We invest the time it takes to make the best possible print for our artists.”

You can read more about Fine Art Impressions by visiting: www.fineartgiclee.com. A copy of Gary Kerr’s article on Choosing the Right Fine Art Printmaker can be downloaded from that site.