Why Hiring Uncle Joe to Photograph Your Wedding Isn’t Worth the Savings

By Sean McGettigan

Norman Gilbert has more than 15 years of wedding photography experience.
Norman Gilbert has more than 15 years of wedding photography experience.

When I was talking to one of my customers, wedding photographer Norman Gilbert in Memphis, TN, he told me about an article  he had written for brides, suggesting some things they should consider before hiring a relative or friend to shoot their wedding instead of an experienced professional.

I know many professional wedding photographers will heartily agree with some points Norm raises in his article entitled Using ‘Uncle Joe’ to Photograph Your Wedding is Not Worth the Savings. (Uncle Joe is the name Norm affectionately gives to the family member or friend who offers to photograph your wedding for free or at a substantially reduced cost.) Here are three key points Norm emphasizes:

Photography is one item in your wedding budget where you really get what you pay for. While Uncle Joe may have good intentions, most likely he isn’t equipped or experienced enough to capture a wedding properly—something you will only discover after it is too late.

What’s the back-up plan if things go wrong? Even many professional photographers don’t shoot weddings because it can be too difficult, too stressful, and the risk of having things go wrong can be overwhelming. What will Uncle Joe do if his camera dies or just isn’t working right that day? What will he do if he realizes that he has bitten off more than he can chew after the day begins?  If you have watched someone who makes it look easy, that’s usually because they have been shooting weddings for some time and have the experience to work through any issues that come up. 

Photographing weddings requires a high level of technical proficiency. Most wedding environments have complicated lighting situations. For photos during the ceremony, will Uncle Joe be able to take photos without a flash (which is a standard is most churches)? And if he can shoot without flash, can his camera create an acceptable image? Many non-professional camera models don’t work as well in lower-light situations. Plus, simply shooting images in the camera’s “Portrait” mode can’t duplicate the kind of vision and experience required to compose emotionally powerful, memorable images.

Norman Gilbert advises brides to “Look for someone with experience, a creative vision, and the ability to capture those iconic shots that will live on forever as a history of your wedding day.” He notes that years after the wedding, you probably won’t remember how much money you saved, but you will remember the experience every time you see your photos. Don’t risk having a bad experience with your photographer. Choose wisely.

Click here to download the full article: Using ‘Uncle Joe’ to Photograph Your Wedding is Not Worth the Savings

As a service to brides, Norman Gilbert has also compiled a helpful checklist of 30 good questions to ask any photographer you are considering hiring. Along with questions about pricing, he suggests questions related to wedding photography experience, specific experience at your wedding/reception location, photography training, assistants and back-up support, equipment, albums, and file archiving.  

Click here to download the document: 30 Questions to Ask Any Potential Wedding Photographers.

To see samples of Norman Gilbert’s wedding photography, visit www.photonorm.com

Why a Rising Young Photography Star Prints Her Own Work

By Eileen Fritsch

Catherine Hall
Catherine Hall

For the May/June issue of LexJet’s Great Output magazine, I interviewed Catherine Hall, the extremely talented and personable young photographer who operates Catherine Hall Studios in New York and the San Francisco Bay area. I wanted to find out more about some of the ideas she discussed during her outstanding presentation on Modern-Day Marketing Methods at the 2009 WPPI Conference.

The conference classroom in which Catherine Hall spoke was packed with photographers under the age of 30 who were just starting out. Many of them had never attended a national photography conference before. But there’s a strong possibility that many of the photographers in the room had already seen some of Hall’s images in photo-industry publications such as Rangefinder, PDN, American Photo, and Camera Arts or in the Epson booth at the WPPI Show. Many of the aspiring young photographers seemed eager to learn how someone close to their own age had already achieved such an extraordinary level of success and national recognition.

After gathering the details I needed for the marketing article, I told Catherine that I was happy to see that she actively promoted the importance of in-studio printing during her WPPI presentation. It is the same message that the enthusiastic digital-photography team at LexJet has been promoting ever since Epson introduced their first generation of Stylus Pro printers with UltraChrome pigment inks.

Catherine said she agreed with my perception that newcomers to the wedding and portrait photography business are being encouraged to let labs do all of their printing work for them so they can concentrate on shooting more images. While this advice might make sense in some scenarios, photographers who open their own studios and aspire to sell to more upscale clients probably need to know how to print more of their images themselves. She said that being able to control your vision from capture to final product can help set apart from the pack in a very competitive business.

Catherine Hall is proud to have her images featured in the Epson booth at a photo-industry trade show
Catherine Hall is proud to have her images featured in the Epson booth at a photo-industry trade show

Hall believes that knowing how to print is crucial to being able to present clients with her best work. She uses the Epson Stylus Pro 3800 in her studio for all prints bigger than 5 x 7. She especially likes using Epson Exhibition Fiber Paper so she can craft wedding prints that her clients immediately recognize as something distinctive.

Although Catherine agrees studios will always need to outsource some functions, printing shouldn’t automatically be one of them. “Sometimes when you get something back from the lab, you see things you wish you had done a little differently,” she told me. “And sometimes, when you print an 11 x 14, you’ll notice things you didn’t see on monitor. Having a printer in your studio lets you fix these things immediately.”

Hall was quick to point out that she would much rather do work that she is consistently proud of rather than simply shooting bunches of lesser-quality images.  She says printing images herself gives her ultimate control over how her artistic vision will be rendered: “There is no way to compare something I print for myself to what I get when I allow someone else to print my work.”

If you’re interested in learning more about how to print high-quality images that will dazzle your customers, call one of the helpful account specialists or technical support people on LexJet’s digital-photography team. If you call during regular business hours, you will always reach a live person who can answer questions about inkjet photo printing, whether you use an Epson, Canon, or HP printer.

If you weren’t able to see Catherine Hall’s outstanding presentation at WPPI, you can read many of the tips she presented in her Self-Promotion Resource Guide for photography professionals. It includes practical information on entering print competitions; publishing a blog; e-mail marketing; writing and submitting press releases; writing you bio; and social networking. The guide also includes a list of all of the major photography competitions and advice for contacting all of the editors at the top bridal magazines. To order the guide, e-mail: guide@catherinehall.net

Click here to read the Great Output article that summarizes Catherine’s excellent advice for aspiring professional photographers who want to jump-start their careers. This two-page article  is a part of a larger story that examines how professional photographers are refining their marketing strategies to reach new generations of customers.

A Good Deal on Mall Advertising for Photographers

At LexJet, we believe out-of-home advertising is a cost-effective way for wedding and portrait photography studios to make themselves more visible to potential customers. The term out-of-home advertising is what used to be called outdoor advertising.

But now it refers to all of those ads you see as you walk down the street, commute to work, or attend special events. One reason out-of-home advertising works is because you can present your message to tens of thousands of people of all ages who may be hard to reach through fragmented channels such as the Internet, newspapers, magazines, and TV.   

Mall Advertising

A particularly good out-of-home advertising venue for portrait photographers is the local mall. Most malls have a mix of clothing stores frequented by mothers of young children and high schoolers or jewelry stores visited by newly engaged couples. These are just the sorts of people who tend to buy the most portraits. 

Some entrepreneurial photo-studio owners have developed their own connections for getting some of their images displayed in local malls. But if you haven’t had much luck with this approach (or prefer spending your time on other pursuits), the Professional Photographers of America (PPA) can help.