Prints That Win: Coming Home for the Holidays

Photographic craftsman Robert Howard has been taking pictures since he was 7 years old. The Lebanon, Pa., photographer grew up in a household where his dad avidly captured family moments on Super 8 film and his mom had a Polaroid, eventually transitioning to a Kodak camera. Even his grandfather taught him to use an old Kodak Brownie. For this Sunset Print Award-winning photographer, telling a story with pictures is in his DNA.

His first camera was a Polaroid, and at that time (during the 1970s), each image was about $.50 and there were only 10 images per pack of film. Howard says that his parents didn’t want him wasting money. “50 cents a sheet was expensive back then, so my parents taught me the value of knowing and preparing my shot, understanding the exposure,” he says. “Essentially, they taught me the value of getting the shot right the first time.”

Prints That Win: From the Ashes

The portrayal of a Phoenix rising from the ashes is not only a Sunset Print Award winner for Enid, Okla., photographer Dawn Muncy, it’s also an indication of the state of her career: on fire. A member of the high school yearbook staff, Muncy says that’s where the decision was made to work in photography. “I got to see life differently, looking through the lens. Not to mention, the darkroom was an escape for me,” she says.

Out of high school, Muncy attended the Colorado Institute of Art for a year, but she didn’t feel at home. “Initially I wanted to be a commercial photographer, and they did allow me to focus on that,” she says. “However, after I photographed the same cereal box for weeks, I realized I needed people. I needed conversation. Commercial photography wasn’t for me.”

After leaving the art institute, Muncy decided she was going to take it upon herself to learn about photographing people, so she started doing photography on the side. She says it was her marriage that really moved things forward. “When I first started, it was before digital cameras, then my husband and I got married,” she says. “He knew I had the bug and it wasn’t going away. I finally got my first digital camera in 2001.”

As she delved deeper into her craft, Muncy says she found inspiration everywhere, especially from local photographers. She remembers walking by one studio with a picture of a beautiful brunette in a red sweater and the photographer used a red gel for lighting. “It was very striking and all I could think about is one day, I want to create something as striking as that.”

With the support of photographers like Karen Moore, Jackie Patterson, and Dwaine Horton, who helped her with technique, she became involved with the Professional Photographers of Oklahoma and then PPA where she then found inspiration in photographers like Tony Corbell and Kristi Elias. “Once the floodgates open and you meet that kind of talent, you realize there’s so much more out there that you need to learn,” Muncy says.

Prints That Win: Leaving with Dignity

For Muskogee, Okla. Photographer Kimberly Smith, 2017 was a brilliant year. Not only did she win the PPA SW Sunset Print Award, but she also won First Place in the 2017 National Sunset Print Awards for “The Beauty of Innocence.” For this Master Artist, 2018 looks to be just as strong: Her 2018 submission “Leaving with Dignity” won the Sunset Print Award for Portraiture in the PPA SW District competition.

Reflecting on her back-to-back wins, Smith says she’s very excited that her work speaks to the judges. “Impact is so important. I put a lot of emotion behind the story in my images and the judges can tell,” she says. “It’s not just another pretty picture. When they see the title [of the image], I want them to brace for impact, I want them to feel something, and apparently, they did.”

The inspiration for “Leaving with Dignity” struck when Smith saw a black and white image of an older woman with a disheveled crown.  She initially envisioned a queen leaving her throne for the last time. However, as she started working in postproduction, Smith says, “I noticed she had a peaceful look on her face, and I added a cloudy feel with rays of light. I felt like she was making her way into Heaven, with God saying, ‘well done, my good and faithful servant.’  I felt like she was leaving this world with dignity rather than leaving the throne. I chose to name “Leaving with Dignity” so people could form their own story.”

During the time between her “innocent” 2017 and her “dignified” 2018 PPA SW wins, Smith decided to step out of her comfort zone and teach an intermediate/advanced level course at the Texas School, which maxed out at 30 students – a rare feat for a first-time teacher. “I wanted to show the students how I create an image from start to finish,” she says.

For Smith, it isn’t just capturing an image that’s important, it’s telling the story. To pass along the techniques and methods to future generations is exciting. “One of my favorite projects for the class was when I printed about 30 copies of one of my photos to teach the students some of the ways I finish a print: enhancing the image with colored pencils, hand tearing the edges, matting, etc.”

Smith chose LexJet Sunset Bright Velvet Rag to use as a teaching tool because “I love the way it tears and the way it feels. It prints really nice.”

Prints That Win: Winter Pastel and Dressed to Impress

For Dorr, Mich. photographer – and recent double Sunset Print Award winner –  Kari Douma, photography has always been a part of her life. From darkroom classes in middle school and yearbook photographer in high school to recently completing the judging class to become an affiliated juror, photography is no longer just a part of her life, it’s intertwined in everything she does.

She initially started taking pictures to capture her children in special moments, but soon, family and friends were asking her to photograph them. “Eventually, I had to do a mental check. I wondered if I could really do this and make it a business, or continue as a hobby, where I might eventually have to turn people down,” Douma says of her decision to go pro. “I decided to go the business route and joined professional organizations so that I could learn more about the business.”

The first professional association Douma joined was Professional Photographers of West Michigan. It was the members of that local group who encouraged Douma to start competing. Before jumping straight in, she observed. “The first competition I attended, I just watched and hung on every word spoken. I had a notebook and wrote down everything the judges were saying. Every critique, every compliment. It’s all feedback.”

The notes and observing paid off. As a first-time competitor, she scored somewhere around 77-79, which is considered “above average.” As her experience and talent has grown, so have her scores. Competitions, by definition, are tough, but one of the biggest lessons that Douma has learned is that a score is simply the opinion of five judges on any given day. “It’s fun to create an image and match up to the Twelve Elements of Merit, but you can’t get caught up thinking about what five people are going to think about it.” She realizes the judges are there to help, “they are giving you feedback – good and bad – because they are there to help you grow as a photographer.” For Douma, the PPA – Northeast competition was successful, with wins in Landscape with “Winter Pastel” (pictured above) and Portrait with “Dressed to Impress” (pictured below).

In “Winter Pastel,” Douma was able to capture the beautiful pink sky, just as the sun was rising over an early-season Michigan snowfall. For the print competition, she used LexJet Premium Archival Matte with a torn edge and a traditional mat, which helped extend the texture of the clouds and snow beyond the edges of the image.

Douma’s second winning image, “Dressed to Impress,” was a photo that happened because of her husband’s morning trip to a local McDonald’s. While waiting in line, her husband spotted this gentleman saunter into the restaurant dressed to the nines: fire-engine red 3-piece suit, wing-tipped shoes, hat, pocket square, the works. She said, “he just walked right up to the man and said ‘my wife would love to photograph you.’ So, we set up a session, and the rest is history.”

When it was time to print “Dressed” for competition, Douma chose LexJet Sunset Photo eSatin Paper 300g to add an authentic photographic feel to the black and white image.

For Douma, what started off as a hobby to take beautiful images of her children has led to an opportunity to provide feedback and guidance, enabling photographers to grow. One day, there will be a photographer observing her first competition, and with notebook in hand, she will be hanging on every word Kari Douma says.

Prints That Win: The Gentle Giant

When it comes to capturing the personality of pets, Wyoming photographer Jen Hargrove has it down to a science. In fact, fellow photographer Dan McClanahan calls her the “Dog Whisperer” and has told her she should embrace this rare talent. That’s just what she did for her Sunset Print Award-winning photo “The Gentle Giant.”

For Fynn, a big, lovable English Mastiff – which Hargrove calls her “non-human muse” – the young chick was almost too much to handle. He’s so big in comparison, but the chick had him on edge. “Next year, I think we’ll try baby ducks. They aren’t quite as small and don’t seem to intimidate him as much,” she said of her very patient muse. “In fact, I would like to do an entire series with Fynn and other farm animals: cows, ducks, turkeys.”

When it’s photo shoot time, Hargrove doesn’t scold or discipline the dogs and she doesn’t want the owners doing so either. She gives them about 15 minutes to get acclimated to the set and then she starts shooting.

Good, Better, Best: High-Volume Canvas

For print service providers expanding their operations into high-volume wall décor printing, we offer a wide variety of canvas options for any price point. Today, we’ve gathered three latex/solvent options for our latest installment of Good, Better, Best.

When choosing a canvas for large runs, look for media that delivers consistency not only in color reproduction, but in how it performs when stretched and folded for gallery wraps. These three options, Sunset Production Satin Canvas SUV, priced at $0.45/sq ft; Fredrix Tempo 575SMJ Semi-Matte Canvas, priced at $0.75/sq ft; and Sunset by Fredrix Satin Canvas SUV, priced at $0.99/sq ft, will get the job done quickly. Because they’re built for latex and solvent ink technology, they don’t require a protective layer of coating, so you can print, wrap and deliver all in the same day.

GOOD: Sunset Production Satin Canvas SUV. For a cost-effective option that looks and feels like a higher-end canvases, this 100% polyester material is ideal for high-volume runs that still deliver outstanding print production. With a 2-over-1 poly-cotton weave and no optical brighteners, this U.S.-made canvas became a fast favorite among customers as soon as it hit the market, giving them a high-performing option for price-competitive jobs. “Customers come in and ask for museum quality final product, and this canvas gets pretty close,” says Aaron Friedman, owner and CEO of Signarama in Santa Rosa, Calif. “Plus, it’s half the cost of an archival canvas.”

BETTER: Fredrix Tempo 575SMJ Semi-Matte Canvas. This poly-cotton blend is a lightweight option with a 1-over-1 weave that also performs consistently for high-volume jobs. Because it is topped with a thick coating layer, it has more bulk and texture, but keeps the cost point low. The semi-matte finish is optimal for photo reproduction, making Tempo 575 a great choice for modern-looking décor applications.

BEST: Sunset by Fredrix Satin Canvas SUV. For large runs, printers can agree that print consistency is key. That’s what you get with this bright-white poly-cotton blend that delivers truer colors on a heavily textured base. The bright-white canvas with 2-over-1 weave and a pH-neutral base stretches and finishes easily.

“The consistency that comes out of the box never changes with this canvas. Plus, it’s very durable while stretching, which is a very big problem we’ve run into with other products, where the ink will rub or crack on the creases,” says Rachael Zaudke Wilkins of A-R-T & Associates in Atlanta. “It holds a really great line and has fantastic print quality. I’ve tried other products, but this really met our price point for our clients.”