Maxwell Dickson’s Nontraditional Approach to Art and Art Reproduction

Gallery exhibition of urban, modern art

Only little more than a year old, Los Angeles-based Maxwell Dickson is making quite the name for itself. The brainchild of entrepreneurs James Freeman and Bart Cooper, Maxwell Dickson is much more than an art reproduction studio.

Owners and founders of Maxwell Dickson, James Freeman and Bart Cooper
Maxwell Dickson founders James Freeman (left) and Bart Cooper at the Art, Libations & Sound Los Angeles exhibition of their work on Feb. 9.

The fledgling company has effectively blurred the lines of how art reaches the public, from creation to exhibition and print sales. Cooper provides the genius behind the Maxwell Dickson art brand, creating modern, urban artwork that is the mainstay of Maxwell Dickson’s line. Freeman is the brains behind the business, with a natural flair for marketing and finding the right avenues for Maxwell Dickson’s distinct style.

Freeman also prints Cooper’s paintings, which are actually “painted” on a Wacom digital tablet. Though Cooper can paint a physical canvas, his creations emerge instead on a computer screen. Freeman explains, “Digital creation allows us to work a lot faster than the traditional process of painting, scanning and printing. Plus, digital painting allows more color control and yields a piece of art that can be much more colorful. This method has also allowed us to quickly build up a large base of artwork to sell.”

Nicole Murphy hosts gallery exhibition of Maxwell Dickson art
Bart Cooper and Nicole Murphy, who hosted the Art, Libations and Sound exhibition.

The end result is a collection that is both accessible and unique. For instance, Maxwell Dickson art is sold at Overstock.com and is quite popular with a younger demographic. Overstock was not having a lot of success with in its art line with this younger demographic before the addition of Maxwell Dickson to the fold.

Freeman prints all the reproductions with a Canon iPF8300, which he bought from LexJet when he and Cooper first started the company. The primary print medium is Sunset Select Matte Canvas coated with Sunset Satin Coating, which Freeman has also been using since Maxwell Dickson opened for business.

“We install the profiles from LexJet, and that’s all we really have to do. I was amazed that it was so simple because I was under the impression that you would have to do all this color correction and buy all this software to get what you wanted out of the print,” says Freeman.

Maxwell Dickson does a smattering of inkjet reproduction work for photographers and digital artists on canvas, Sunset Photo eSatin Paper, Sunset Velvet Rag and Sunset Textured Fine Art Paper. However, the mainstay is the Maxwell Dickson art collection. Freeman likens the concept to Hallmark: “Someone designed the card, not under their name, but under Hallmark. This is not for traditional galleries, and they’re right because people going to art galleries are looking for originals. The market for art reproductions is massive. If you like the art, you can get the size you want in your room and it’s very affordable.”

Maxwell Dickson exhibition at Art, Libations & SoundThe Maxwell Dickson line was recently represented at a gala exhibition in Los Angeles on Feb. 9 hosted by Nicole Murphy – model, mother, designer and soon-to-be reality star who’s also Eddie Murphy’s ex-wife. Called Art, Libations & Sound, the exhibition drew throngs of people to the doors. “Supporting Los Angeles’ young art community is a must,” said Murphy. “I’m excited to be hosting this exhibition with such an eclectic body of work.”

Maxwell Dickson and its creative entrepreneurial pair of Freeman and Cooper are certainly going places and bringing their art to both the celebrity set and the public at large, so keep an eye on them for years to come. To get a better sense of the exhibition, beyond the photos published here, check out the video below…

A Welcome Sight: Promoting Georgia and Photography at the Border

Photo art prints on canvas

Veteran professional photographer Lee Cathey, who owns Multi-Image Studio in La Grange, Ga., will be hanging his work at a Georgia welcome center near the Alabama border this week. The welcome center, located down the road in West Point, was looking for unique photography to bring added interest to all things Georgia.

Photo art inkjet printing on canvasWith a combination of scenic Georgia shots – including nighttime and aerial views – Cathey answered the call from the welcome center. Well known in the area for his 30-plus years of commercial work, Cathey was the logical choice to add visual punch to the center.

Cathey chose about ten images, which he calls “chamber of commerce type photos,” and printed them on LexJet Sunset Select Matte Canvas with his Canon iPF8100. “It’s kind of crafty with the half-inch wrap on float frames I made for this project,” he says. “And, it helps promote the welcome center and my own giclee printing services and photography. It’s all about networking and if I pick up a customer or two it’s a good thing.”

Reproducing fine art photos with inkjet printing on canvasThe prints were finished with LexJet Sunset Gloss Coating and Sunset Satin Coating. At times, he says, he mixes the two coatings – 70 percent Gloss and 30 percent Satin – to get just the right sheen he’s after. “You get a little bit of contrast that way and the prints look nicer to me,” he adds. “I had just been spraying with aerosols before and I wasn’t real happy with that. It’s more economical, it looks better and it’s more consistent with the Sunset coatings and the sprayer. I’ve been tickled with the Sunset products.”

The canvas wraps range from about 35 inches wide to 16” x 20”. Most of the prints are in the 20” x 24” range. “I’ve got about ten prints and I’m debating whether or not I have space for that many,” says Cathey. He’ll find out on Thursday when he hangs the prints at the welcome center. His exhibition is expected to run through Dec. 31.

Printing a Wall of Faces to Promote Local Education

Creating wall murals with an inkjet printer and Tyvek

Traditionally a commercial printer, Clear Lake Press moved into wide-format printing earlier this year with the purchase of a Canon iPF8300 printer. The diversification into wide format, as well as apparel, has helped the printing company grow and better serve its expanding client base.

“You have to change with the times; you can’t be a one-dimensional printer anymore,” says Eric Erickson, prepress systems administrator for Clear Lake Press, which is based in Waseca, Minn. “We’ve had the Canon since February and in addition to variety of wide format work, we’ve also produced canvas reproductions using LexJet’s Sunset Select Matte Canvas, mounted using the Sunset HD Pro Stretcher Kits and finished with either Sunset Gloss Coating or Sunset Satin Coating. They’re all phenomenal products and the stretcher kits are easy to assemble and mount.”

A recent project for the nearby Austin (Minnesota) Public Schools to produce a large-scale wall mural requiring multiple large panels output precisely and quickly was a great testament to Clear Lake Press’ new capabilities. The wall is a linear collage of student and teacher portraits for a campaign called Austin Public Schools Inside Out (click here to read more about the project and the photographers behind it).

The job of Clear Lake Press was to reproduce the images on a media that would resist Minnesota’s changing and sometimes brutal weather over the next six months or so. After consulting with Rob Finkel, the company’s LexJet customer specialist, Erickson and Clear Lake Press president Dan Nitz decided to use LexJet TOUGHcoat 3R DuPont Tyvek.

“The combination of the inkjet material and the water-resistant, pigmented UV inks has worked out well so far. If anything, the first thing that will give out is the glue and tape they used to apply the panels because the mural is on a porous brick surface,” says Erickson.

The school installed the panels using double-stick tape and a water-soluble wheat paste so that removal will be fairly simple with minimal residue left behind. Clear Lake Press printed each student panel at about 3 1/2′ x 4′. Each teacher panel is about four times as large and printed in two panels, seamed together with double-stick tape.

“The printing went great. They were all monochrome images, so we utilized the black inks. The student photos printed in six minutes, which is extremely fast. I used actions tools in Photoshop so that it would produce the same image size and other characteristics, like lighting, consistently and automatically. That way it only took a minute or two to process each one, put a white frame around it and export to the Canon,” explains Erickson.

The mural was installed last month and should be up for the next few months at the high school.

From Blueprints to Fine Art at West Side Reprographics

Adding fine art reproduction to inkjet printing operationIt was a natural expansion for West Side Reprographics in Vero Beach, Fla. Already well-versed in graphics reproduction for its core corporate and architectural market, producing CAD, presentation and technical prints, West Side Reprographics added fine art and photographic reproduction to its product mix about six months ago.

With the purchase of a Canon iPF8300 44” wide inkjet printer from LexJet, West Side Reprographics created a sister company out of its offices called Vero Beach Fine Art Reproductions. With its already well-honed expertise in full-color wide-format printing, the addition of fine-art reproduction services was a cinch.

David Lovett, West Side Reprographics manager, worked with his LexJet customer specialist, Josh Abel, to get the new system up and running. Though the latest Canon inkjet printers are virtually plug-and-play, Abel was able to help with the details and finding the print materials that would make West Side’s customers happy.

Fine art printing in Vero Beach“The printer was really easy to set up; the learning curve was hardly a curve. With Josh’s help, we were able to install all the proper media profiles into the printer and my computer. That was really the only thing I needed help with on the printer, and Josh helped me through the process. Now I just pretty much tell it to go,” says Lovett. “Josh also helped me out with the materials in the beginning. The main client I was trying to please was looking for something different and Josh found a canvas that made him happy, and everyone else likes it as well.”

Lovett says that West Side Reprographics is primarily printing its fine art and photo reproductions on LexJet Sunset Reserve Bright Matte Canvas and Sunset Select Matte Canvas, finished with LexJet Sunset Satin Coating and Sunset Gloss Coating. Coating the canvas was another one of the very few learning curves facing Lovett with its new inkjet capabilities.

Vero Beach fine art printing“When I first started with the canvas I was rolling it on, but I wasn’t really happy with that. I’m not a good painter, so I’m sure it was me, and not the coating. I was pressing down too hard and then too lightly in spots. I know rolling works great for other people, but I just didn’t have a knack for it,” explains Lovett. “Josh did some research for me and recommended a sprayer, so I went to Home Depot, got a sprayer and I’ve been using it ever since. The product is easy to use and you don’t have to mix it with anything. I dump it in the container, screw it onto the sprayer and off I go.”

With a smooth and efficient system in place, West Side Reprographics was able to get the word-of-mouth ball rolling as satisfied clients recommended the company’s work to others in the area. Lovett also made a point of visiting local frame shops to let them know about their capabilities. As with the individual clients, once the frame shops saw the quality West Side Reprographics was able to produce they helped get the word out as well.

The next step, says Lovett, is to get the Vero Beach Fine Art Reproductions website up and running to drive more business to that division of West Side Reprographics. Launching new endeavors is nothing new for Lovett, who opened the Vero Beach location about seven years ago. It’s an extension of the main location, which is about 75 miles down the coast in Riviera Beach, Fla. The Riviera Beach location has been in business for more than 40 years.

Printing a Legacy on Canvas

Printing wall murals on inkjet canvasPhotographer and entrepreneur Brian Hampton approaches everything he does conceptually. A photograph is not just a photograph and a print is not just a print. When Hampton’s friend and Chicago-area fine artist Tom Heflin was commissioned to paint a collage celebrating the 100th anniversary of a local hospital, Hampton saw an opportunity to help create a lasting legacy.

“Tom does a lot of work with a Midwest flavor and I’d like to print the original artwork he’s created over the past 40 years or so in tribute to him as an icon of the Midwest. It would be neat to see other people from around the country who reproduce fine art do this for the artists who have made an impact in their communities,” says Hampton.

The mural Hampton reproduced from Heflin’s original artwork is a great first step in that direction. The 4-ft. x 6 ft. original was taken to a high-end lab that specializes in digitizing fine art. Hampton made sure the artwork was digitized in the Adobe RGB 98 color space since that’s the space he works in throughout his workflow, from Photoshop and the ImagePrint RIP to his Epson Stylus Pro 9900 printer.

The mural would take up a 10-ft. x 15-ft. space of prominence in the hospital, so Hampton decided to print in six strips 31 inches wide with an inch of overlap on either side to make it as simple as possible for the professional wallpaper hanger who would install it. Each strip was centered in the ImagePrint RIP instead of printing full bleed, again to ensure ease of installation.

Hampton used LexJet Sunset Reserve Bright Matte Canvas with the extra protection of Sunset Satin Coating. After the mural was installed, Heflin embellished it with acrylics so the coating provided a surface to work on and extra durability.

“I called my customer specialist at LexJet, Michael Clementi, and let him know that I was looking for the best possible canvas for this project. Michael suggested the Sunset Reserve Bright Matte Canvas with the Sunset Coating and sent me the profile for the canvas,” explains Hampton. “The combination was perfect. The colors were right on, and if they weren’t I can guarantee you that Tom would have said something to me. Every artist is extremely particular about each color in their artwork and this turned out exactly as he painted it.”

Hampton adds that the installation went seamlessly (pun intended). The professional wallpaper hanger chose to apply the paste to the wall instead of directly to the back of the canvas to make sure none of the paste would bleed through.

“The wallpaper guy did an excellent job of making sure the registration was right on, but that’s what they do; they’re matching patterns all the time when they put up wallpaper,” says Hampton. “The overall result was spectacular. I went over to the hospital last weekend to take pictures of it and almost everyone who came through stopped, looked and talked about it.”

Making Your Own Spray Booth for Coating Prints, with Dan Johnson

How to make your own studio sized spray boothYou may remember Dan Johnson from such LexJet Blog posts as, Night and Day: Flowing City Panorama Printed on Satin Cloth, and the ArtPrize competition in Grand Rapids, Mich., Dan’s hometown. Dan recently called in and told me he had been searching for a way to spray coat his canvas prints, but lack of space at his studio, Dan Johnson Photography, was his nemesis. So, Dan went searching for a way to build his own space-saving spray booth. Here’s what Dan, in his own words, found…

“So we have always wanted to be able to spray our Sunset Select Matte Canvas prints with LexJet’s Sunset Satin Coating instead of rolling it on, but did not think we had the room for an actual spray booth in our small studio. After some thought, we took a small space and made it happen.

We had some storage shelves in the studio that were not all full. After moving some of the shelves up and down we were able to create a large enough space to build a booth large enough for us to spray a 40″ x 40″ print (see the photos). Here are the details of the booth:
2 clamp lights, $12.32
40×46 pegboard, $7.52
4×8 sheet of 1/2″ OSB, $7.97
36″ dowel, $2.44
Surge protector, $8.97
Wood glue, $1.98
2 clamps we already had, $0.00
Wagner professional spray gun $23.60 (on clearance)
Total price, $68.69 (without ventilation unit)

The great employees at Lowe’s gladly cut my plywood down to size for me at no charge. I took the parts home and with some glue and a brad nailer we had it put together in about half an hour.

The most expensive part of the booth was a ventilation unit that we purchased afterwards from eBay.  This unit – an Artograph 1530 spray booth system for about $340 – vacuums in most of the overspray. We did not install the top part of the unit. Instead, we flipped it over and it rests on a shelf above our booth facing down into the booth. We probably could have done it without this, but it does help contain the spray.

Now we coat prints in about half the time with less mess and better results. Nice!”