Businesses of All Sizes Can Afford Custom Wall Art

By Rob Finkel

At LexJet, we work hard to help customers find ways to do more with their wide-format inkjet printers. One of the coolest things that can be done with a wide-format inkjet printer is to make high-quality enlargements of good photographs. Prints can be made at all different sizes and on many different materials, depending on where and how the image will be displayed.

To add a focal point to the banquet room of Norton’s Restaurant in Red Wing, Becker created a five-panel panorama shot of the town. Each 40 x 40 in. panel is printed on LexJet Sunset Photo eSatin and mounted on hardboard with a reverse frame standoff. “The image on the far left was deliberately put on a set back wall to create visual interest,” explains Becker.
For Norton’s Restaurant in Red Wing, MN, John Becker created a five-panel panorama shot of the town. Each 40 x 40 in. panel is printed on LexJet Sunset Photo eSatin and mounted on hardboard with a reverse frame standoff. “The image on the far left was deliberately put on a set back wall to create visual interest,” explains Becker.

As result, many managers of hotels, restaurants, stores, theatres, and corporate offices now realize they no longer have to use mass-produced posters or paintings to decorate their facilities. Instead, they can afford to custom-decorate their buildings with images that have special meaning to their organizations, their communities, and their customers.

This growing demand for custom wall art is creating new opportunities for talented photographers, artists, and other creative imaging professionals to replace some of revenues that have been lost to declining demand for other types of imaging services.

In a previous post we showed you the 80 x 120-in. mural that photographer Norman Gilbert output onto a wallcovering material for the entranceway to the Tower Room Restaurant atop the tallest city in Memphis, TN.

In this post, I’d like to present an example that makes it clear that big-city businesses aren’t the only ones interested in buying custom art for their walls.

The owners of Red Wing Framing & Fine Art Printing Company recently sent us some images that they had produced for small, local restaurants in the quaint, Mississippi River town of Red Wing, MN.  Their story is a perfect example of how entrepreneurial, forward-thinking imaging businesses are adapting to the changing markets for images and framing services. 

Red Wing Framing & Fine Art Printing is one of three visually oriented businesses owned by photography-enthusiast John Becker and his wife Valerie, who has achieved Certified Picture Framing status from the Professional Picture Framers Association. Together, they also run Red Wing Portrait Studio and Red Wing Digital Studio.

While custom framing continues to represent a big share of their business, more and more of their work is now related to what the Beckers describe as “art project management.”   

“Customers have a certain objective in mind of what they want to accomplish with the images on their wall,” says John Becker. “We work with them to figure out what their pain points are and how we can relieve them.” Red Wing can help clients select the right images, then suggest different options for printing, mounting, and installing them.

For example, when the owner of the Bev’s Café restaurant first consulted Red Wing Framing, she knew the type of artistic look she wanted to create for her establishment. But she also wanted to make sure that the new look didn’t alienate her long-time, regular customers. So, Becker found 10 images from the 1930s that had been donated to the local history center, scanned and restored them and printed them out at 24 x36 in. on the HP Designjet Z6100 that Red Wing Framing & Fine Art uses for a wide variety  of art reproduction, retail graphics, and professional photo enlargement projects.

The images were printed in black and white on LexJet’s 11 mil Sunset Photo eSatin 300g paper and matted with 8 ply neutral white mats and displayed in simple black frames. The historic photographs have been a big hit, especially with older customers who can remember visiting some of the locales depicted in the image.

Compared to some of the multi-store art-management projects that Red Wing Framing now handles for corporate clients, that restaurant project was small. But John Becker talks about the project with great sense of pride and satisfaction because the client was so pleased with the results. He says, “It accomplished exactly what she wanted to do.”

Becker chose to print sepia-toned images to complement the brick walls of the restaurant Potter's on Main.
Becker printed sepia-toned images to complement the brick walls of the restaurant Potter's on Main.

For a different restaurant project at Potter’s on Main, Becker produced two series of wall prints. For the first series, he hired a model wearing a vintage dress to pose at various sites around town. For the second series on an adjacent wall (shown below), he shot photos at the annual Flood Run® motorcycle ride/run that raises money for a children’s hospital.  He printed all of the images at 40 x 40 in. and 26 x 40 in. onto LexJet Sunset Photo eSatin 300g paper and mounted them on hardboard with a reverse frame standoff on the backside. 

You can read more about some of the other projects of Red Wing Framing & Fine Art Printing in an upcoming issue of LexJet’s In Focus newsletter or visit their website (www.RedWingFraming.com)

If you’d like to learn more about how to use a wide-format inkjet printer to convert art and photographs into custom décor, give us a call at 800-453-9538. If you don’t reach me directly, any one of the account specialists on LexJet’s staff would be happy to help you.

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Best Color Portrait in Print Competition Can Win Sunset Award

By Tom Gruss

PPANE logo119LexJet will be presenting its first Sunset Award at the Professional Photographers Association of New England Convention Sept. 12-15 at The Radisson Hotel in Nashua, NH. The award will be given for the Best Color Portrait entered in PPANE’s Annual Print Competition. Deadline for entering the print competition is Sept. 8.

In addition to a Sunset Award trophy, the winner will receive a $100 gift certificate that can be used to purchase any of the exceptional photo papers, art papers, and canvases included in LexJet’s Sunset portfolio of inkjet materials for professional photographic printing and fine-art reproduction.

Sunset_logo_119An additional $500 gift certificate will be presented if the winning photographer purchased materials from LexJet in 2009 or used LexJet Sunset media to print the award-winning image. The winner will be chosen by the print-competition judging panel.

To qualify, the entries must meet the submission requirements and deadlines established by the PPANE and score at least 80 out of a possible 100 points in the PPANE print competition.

LexJet is establishing the Sunset Award because so many photographers at all stages of their careers have told us how much they have benefitted from entering print competitions. Entering print competitions not only gives you a chance to earn recognition and publicity, but also forces you to think more critically and creatively as you shoot and edit images throughout the year. Having your work judged by experts can be a great way to learn how to improve your photography.

In an previous post on this blog, we published the 12 criteria judges use to evaluate print quality. That post includes a link to an article about the benefits of entering print competitions that photographers Tina and Michael Timmons wrote for Great Output magazine earlier this year.

Stop by Our Booth: If you plan to attend the PPANE show, stop by Booth 7 and see us!  Dustin Flowers will be happy to show you the full line of Sunset Photo and Art Papers and Canvases or demonstrate the Canon imagePROGRAF iPF5100 printer that we will have in the booth.

If you have any questions or suggestions regarding the Sunset Award, please give me a call at 800-453-9538. If I’m not around, any of the helpful account specialists in LexJet’s digital photography group would be happy to help you.

Why Portrait Photographer Steven Kops Prints His Own Work

By Michael Clementi

When Steven Kops opened Main Street EFX Photography 13 years ago in Laurel, Montana, he didn’t think twice about sending all of his print work to a lab. That was simply standard business practice.

But three years ago, Kops decided to do most of his printing in his studio, taking advantage of some of the big advances that had been made in pro-model inkjet printers, software, and color management.

Steven Kops prints all of the images for his clients' wedding albums.
Steven Kops prints all of the images for his clients' wedding albums.

Today, he prints nearly everything in his studio, including a wide range of senior and family portraits, dance-team and sports posters, and photos for his client’s wedding albums. He even creates his clients’ wedding albums in-house, using the self-mount albums from General Products.  He backs up the quality of his work with the type of replacement guarantees that the large, consumer retail labs simply can’t match.

“I know that many owners of small studios are scared to think about jumping in and doing their own printing,” says Kops. “I was one of those people. I love taking photographs, but I’m not enthralled with color management. Like other small studio owners, I worried about who would be there to help me when something went wrong.” 

But he decided to take the plunge. Some of his customers had started grumbling about the quality of the prints they were getting from the professional lab that Main Street EFX was using.  So, when Jamie Walters at CJ Creative and Consulting called and promised she could set up a “drag-and-drop” inkjet-printing system for Main Street EFX Photography, Kops decided to listen to what she had to say.

After Kops bought an Epson Stylus Pro 4800 printer and ImagePrint RIP software from LexJet, Walters spent two days setting everything up for him. She not only set up the printer and installed the RIP, but also loaded all the profiles and layout templates for the print packages that Main Street EFX sells. Kops says it truly is a drag-and-drop system.

Kops hasn’t regretted the decision to print in-house for a minute: “The customer service at LexJet is awesome,” he says. “I’ve only had a couple of crashes over the past three years, but LexJet’s technical support staff quickly told me how fix the problem.”

Plus, Jamie Walters continues to be available when he needs help. “If I don’t want to color correct my own stuff, I let her do it,” says Kops. Because he uses the ImagePrint profiles supplied for LexJet materials he rarely has to reprint a job because of color issues. Kops particularly likes printing on LexJet’s Sunset Photo eSatin Paper 300g because its heavier weight and thickness provide a quality difference that customers can feel.

In-house printing not only gives Kops greater control over print quality and turnaround times, but it also allows him to be more creative in how he markets his work. He makes photo enlargements and canvas prints that he can either sell after a presentation or use as an incentive for customers to order higher-value print packages.

The ability to design and print custom posters helps Main St. EFX Photography attract new clients.
The ability to design and print custom posters helps Main St. EFX Photography attract new clients.

Recently, Kops bought a small, compact display system from LexJet. When he sets up a table to sell prints at sports events, he uses the display to show the other types of photography services he offers. So, parents who buy prints of their young athletes can immediately see that Kops shoots senior portraits and dance-team pictures as well.

When Kops first got into the business, there were far fewer photography studios in the Billings/Laurel area than there are today. But he says that the new competition has only “energized us to be more creative. We’re exploring all the time, to figure out what else we can do to make our clients excited about our work.” This challenge is made easier with in-house printing, a partnership with a great graphic designer, and a steady flow of marketing and new-product ideas from the account specialists at LexJet.

You can read more about Kops and Main Street EFX Photography in Vol. 4, No. 7 issue of LexJet’s In Focus newsletter, which is scheduled to mail July 9.  Click here to subscribe to In Focus.

In the meantime, if you’re interested in learning more about how to print more of your photos in your studio, call me or any of the other account specialists at LexJet at 888-873-7553. We’d be happy to help!

Portrait Project Looks at Homelessness, Hope, and Gratitude

By Rob Finkel

At LexJet, many  customers tell us about how they are using their photography and printing skills to support worthy causes in their communities.  Jim Spelman of Jim Spelman Studios recently told me about the Hope in Focus  project that he is working on to support Carpenter’s Place, an agency that serves the chronically homeless in his hometown of Rockford, IL. 

SpelmanIMG_7950 emailBetween now and November, Spelman will capture at least 1,000 portraits and stories from individuals from throughout the Rockford community. One of the goals is to “shatter stereotypes about the homeless” and inspire us all to feel more grateful for the things we have, instead of worrying about what we don’t have.  The portraits and stories are being gathered along with videotaped interviews to produce a traveling exhibition that will help raise funds to support Carpenter’s Place.  

The mission of Carpenter’s Place is to provide tools for rebuilding lives. It is a safe daytime, drop-in center that aids chronically homeless people, many of whom suffer from mental illness, substance abuse, or learning and emotional disabilities. Instead of simply providing a meal or a bed for the night then sending the person back to the streets, Carpenter’s Place helps each “guest” develop and implement a comprehensive Life Recovery Plan.  Homeless visitors to  Carpenter’s Place can store their personal belongings, shower, make phone calls, receive, and wash their clothes. When they are ready to move into more stable housing, donated furniture is made available to them.  

Spelman has already shot some images of the people who come to Carpenter’s Place for help. But he is also shooting portraits of any Rockford-area resident who will answer four basic questions:

1.            What does Home mean to you?

2.            What are you grateful for?

3.            What brings you hope?

4.            Have you ever been homeless? If so, how long?

SpelmanIMG_7989 emailUltimately, the exhibition will be designed to make people think. It will not only convey some of the hardships of homelessness, but also the deep sense of gratitude people express when they receive everyday items that most of us take for granted (such as a pair of pants or basic toiletries). Executive Director Kay Larrick has observed that “The people who have the least seem to have the most gratitude.”

The Hope in Focus project just got underway a few weeks ago. But Spelman is already finding that people who don’t think they’ve been homeless, actually have been homeless at some point in their lives, even if only for a few days. 

In his photography business, Spelman specializes in shooting highly stylized beauty and fashion images for magazines. He also shoots fantasy/glamour sessions for high-school seniors.

For the Hope in Focus project, Spelman isn’t doing any cosmetic retouching. The portraits are each very detailed and very real. “I think there is such beauty in everyone’s individuality,” says Spelman.  

Although some people are initially startled to see unretouched photos these days, most are intrigued and amazed.

In addition to the shots taken at the Carpenter’s Place facility, Spelman will be shooting portraits in his studio, at the Rock River Valley YMCA, and at various art festivals and events throughout the summer.

 He isn’t the only creative professional working on the project. Brian Anderson of Cain & Company is developing a logo and PR materials. Videographer Andrew Reynolds of uchoosetv.com is shooting videos of several of the interviews and architect Joseph Zimmer is building a special walk-through house in which many of the portraits will be displayed. The Carpenter’s Place also has graphic designs and public-relations people involved.

The exhibition will open with a special event planned Nov. 4 in Jim’s spacious new studios. Representatives of the local news media will be invited, as well as the people featured in the portraits and the extensive network of volunteers and community leaders who support Carpenter’s Place.

SpelmanIMG_7954 emailSpelman plans to print all of the portraits himself using LexJet Sunset Photo papers and Water-Resistant Satin Cloth on his Epson Stylus Pro 9800. He has only been printing in-house for about six months but feels confident he can handle it.  

“I used to send everything to a lab,” says Spelman. “Labs are great, and they definitely have their place, but I love being able to print my work myself. In addition to having ultimate control over the image quality, the printer gives me the capacity to be more creative.”

Everyone who sits for a portrait and contributes comments to the project will receive a digital copy of the photo. Or, they can order large framed or unframed prints of their portraits, with 25% of the proceeds being donated to Carpenter’s Place.

“Right now there’s a lot of energy behind the Hope in Focus project,” says Spelman. He’s not entirely sure what direction the project will take by the time the exhibition opens in November.  He also plans to use some of the portraits in a book project he’s been working on for several years.

But one thing he does know is that many beneficiaries of the agency’s services are grateful to be participating. As Spelman observes, “They want their voices heard, because for many of them  Carpenter’s Place has helped save their lives.”

Choose the Right Inkjet Paper for Competition Prints

®2009 Jeff Bowman
The Soloist by Jeff Bowman was honored as Best High School Senior Portrait in the VPPA Print Competition.

By Kelly Price

Entering prints in competitions sponsored by organizations such as the PPA and WPPI can be a great way to learn how to improve your photography and market your work. To ensure that your images will look their very best when viewed under competition lighting, it’s important to choose the right photo paper.

One person who has mastered the art of making competition prints is Jeff Bowman, CPP, Master Photographer of Commonwealth Photography in Chester, VA.  In an album on Commonwealth’s Facebook fan page, you can see some of the 27 blue-ribbon-winning prints that Jeff created for himself and five other photographers who entered the statewide competition of the Virginia Professional Photographers Association earlier this year.

Jeff took home the Grand Photographic Award for having the print case with the most credits earned in total this year. His prints won awards for Best High School Senior portrait, Best Group portrait, and Illustrative Court of Honor.  Bowman also produced six blue-ribbon-award-winning prints for Pete Wright, five blue ribbon-award-winning prints for James Cook, four for Julie Bowman, and one for Liliana Wright. Jessica Robertson was named Best Newcomer for having the highest-scoring print for a first-time entrant.