Qoro Fine Art Services Offers a Unique Guarantee

When the founder of Qoro Fine Art Services in New Castle, Delaware named his new business, he combined the letter “Q” for quality with the Spanish word for gold. But according to one satisfied client, the name Qoro could also be an acronym for “Quality of Reproduction-Outstanding!”  And while Qoro does have the equipment and skill  to make great reproductions of original oil paintings and other art, the firm offers much more than gold-quality printmaking.

Having been in the business for more than 10 years, they have interacted with galleries, museum curators, art publishers, and art schools and gained insights that can help artists with every facet of their careers. They freely share some of these insights online and through consultations with each artist they work with.

Advised Pigment Ink Developers:  One distinctive chapter of Qoro’s history is that staff members provided insights to some of the chemists and researchers who were developing some of the pigment ink technology that has enabled inkjet printing to gain widespread acceptance in fine-art publishing.

Qoro’s founder Bill Jensen was a frame-shop owner, whose friends included chemists who were working with inkjet printer manufacturers on pigment inksets that would provide both the wide color gamuts and long print life that art publishers, galleries, and collectors would expect.

So Jensen started Qoro as a printing business in the late 1990s and began exploring how inkjet printing could be used to reproduce paintings and fulfill orders for art sold online.

Although Jensen has since retired, Davis and Griffith have both been with Qoro since 2000. They recall talking at length with ink chemists and color scientists about how inkjet-printing technology could be improved to meet the expectations of potential producers and buyers of art prints. During these consulting sessions, Davis and Griffith gained extensive firsthand knowledge about some of the chemistry and color science behind print permanence and image quality.

Today, Griffith and Davis are so confident in the quality of the inks, substrates, and protective coatings that they use in printmaking, that they offer Qoro customers a full replacement guarantee. Because they know that most artists don’t really want to delve into the complexities of ink and coating chemistry and print-permanence testing, Griffith and Davis decided to make Qoro’s guarantee as simple and as straightforward as possible.

As stated on their website: “If you damage a Qoro Replica™ we will replace it at no charge. Simply return the damaged product to Qoro and we will send you a new one.”  The word “damage” in their replacement guarantee doesn’t just apply to fading or water damage. It includes damage of any kind.

According to Griffith, the purpose of this guarantee is to make buyers comfortable enough to hang their art anywhere they want with the confidence that it will always remain as beautiful as it was the day they purchased it. Because most artists and art buyers traditionally handle artwork with great care, Qoro has only had to replace a few prints. For example, they replaced one Qoro Replica that had been displayed outdoors for five years on the deck of yacht, where it was routinely exposed to bright sunlight and salty, humid air.  And, they have replaced a few prints that were damaged during stretching or accidentally gashed by an artist preparing for a show.

Qoro’s production manager Frank Davis is an artist himself. Clients are impressed to see how accurately his reproductions match his original paintings, such as this one entitled “Cursed Cauliflower.”

Personalized Marketing Advice: Davis and Griffith have worked with enough artists to understand that no two artists are alike, and each has different goals, aspirations, and levels of knowledge and experience. Qoro gladly provides personalized, high-quality of printmaking services to all artists—whether they are just starting out after graduation, pursuing an art career after retiring from another job, or are already selling originals for thousands of dollars each.

“I care about every piece of art that comes through our doors,” says Davis, who is an artist himself.

Qoro has made prints for hundreds of artists, including masters such as N.C. Wyeth. They also help institutions such as the Delaware Art Museum and Delaware Historical Society supplement their revenues by offering reproductions of selected works of painters such as Edward Hopper and illustrator Howard Pyle.  Qoro has also reproduced paintings so that each heir of an estate can have a high-quality replica of a treasured family heirloom art.

High-Quality Equipment and Materials: For image capture, Davis uses a PhaseOne large-format camera. It has enough resolution to give printed reproductions the illusion of a three-dimensional surface. For printing, he currently uses a Canon imagePROGRAF iPF 8100 printer with Onyx software.

Many of the canvases and art papers Qoro uses come from LexJet. “LexJet has been a godsend for us,” says Davis. “As a company they have the same idea that we have—that the customer comes first. When I call my salesperson Dustin Flowers, he treats me as if I’m the biggest account out there.

Along with the Sunset Select Matte Canvas, Davis uses either Sunset Gloss or Matte coatings, depending on which look a client prefers.

What to Look for When Hiring a Printmaker: Thanks to the advances in pigment-ink technology that Davis and Griffith saw being developed, almost anyone can afford to buy a wide-format inkjet printer and promote themselves as being capable of being in the “fine-art reproduction business.”

Davis  says artists should spend more time investigating how the services and capabilities of one printmaker differ from others.  According to Davis, artists should pay attention to these three things:

  1. the quality of the equipment used in the image capture;
  2. what services are included in the price and which services cost extra; and
  3. any clauses in the contract that may grant the printmaker permission to use your art in ways you didn’t intend.

Davis advises artists to “Learn as much as you can before you commit and always protect your work by reading the fine print in a contract.”

To learn more about Qoro, you can follow them on Twitter, become a fan on Facebook, or read Frank Davis’ blog (“Frank Discussions”). You can also visit their online gallery, through which they sell prints and originals from clients, artists and museums directly to interested customers. (www.qoro.com and www.qoroart.com)

Through Qoro’s online art shop (www.qoroart.com), customers can purchase reproductions of works by individual artists or art included the archives of the Delaware Art Museum and Delaware Historical Society. This painting,“The Pirate” by N.C. Wyeth, is available in three different sizes of limited-edition canvas prints or as an open edition of 24 x 12-in. prints on art paper.

Using a Foam Roller to Apply Sunset Coatings to Inkjet Prints on Canvas

A previous post on this blog talked about Clearcoating Inkjet Photo and Art Prints and LexJet’s Sunset Gloss and Sunset Satin Coatings.  It was noted that LexJet Sunset Coatings can be applied with either a spray gun or foam roller. Below are a few tips for using a foam roller to apply a smooth, even coating. 

Photo: BWO Print Studio and Photo Lab, Oklahoma City

Note that the effectiveness of these techniques may vary depending on the humidity and temperature of your working environment.  It may take a little practice and experimentation to find the touch and technique that works best for your studio.

1. Start with a high-density, white foam roller and a tray that is typically used for holding paints. You can buy these products in the paint department of any home-improvement store. The high-density foam will help reduce bubbles.  Use a larger-width roller if you plan to coat larger canvases. 

2. Pour the coating into the tray and dip the roller in the coating until it is thoroughly wet, but not too wet.

3. Lay your print on a clean, dust-free board that is bigger than your print.  The extra space on the surface around the print can be used to roll off excess liquid if you happen to oversaturate the roller.

4. Consider using two or three thinner coats, instead of one thicker coat.

5. Don’t try to coat the whole print at once. Start with one or two passes at the edge of the print, and go over each pass enough times for the bubbles to dissipate, but not so many times that the coating becomes tacky or bumpy.

6. If large bubbles appear, try blowing on the coating.

7. Make overlapping passes so you can maintain a wet edge and avoid lines and streaks.

8. Find the rolling pattern that works best for you.  Some users prefer rolling in one direction only.  They go up the print in one pass, and down the print in the second pass (like mowing a lawn).  Others will apply enough coating at once to roll it out in a few different directions until the excess rolls of the side. They then roll smooth passes, alternating horizontal and vertical passes.  While the coating is still wet, they use the side of the roller or a brush to smooth the coating on the edges of the stretched canvas print.

9. Don’t press down on the roller. Maintain a light, even pressure.

10. If you are applying a second coat, allow the first coat to dry before applying the second coat. A thin coat should take about five minutes to dry. But it will take longer if you’re working in an environment with high humidity.

11. Allow the coated print to dry thoroughly before you pack it for shipping. Don’t try to speed up the drying process with a fan; allow the print to dry on its own.

12. Clean the rollers immediately after each use. Run cool water of the rollers immediately after use, and squeeze them until they run clear. Allow 10 to 15 minutes.  If you keep the rollers clean, you can use them for about six months before you need to replace them.

If you have any questions about how to apply Sunset Coatings, please contact a LexJet account specialist at 800-453-9538.

Learn How to Get More From Your Wide-Format Inkjet Printer

By Eileen Fritsch

Décor Photography: Because photographing food is one of Humphreys’ specialties as a commercial photographer, he offers many artistic images of fresh fruits and vegetables in The Carlysle Collection, his online site for décor photography. Many of his images are ideal for the walls of restaurants, kitchens, or food stores. Humphreys will make prints of any of the images in the collection in sizes ranging from 8 x 10 in. up to 30 x 40 in. Typically, he uses either LexJet’s Sunset Select Canvas or Sunset Photo eSatin Paper. To see more of Humphreys’ décor photography, visit www.thecarlyslecollection.com
Décor Photography: Because food is one of Humphreys’ specialties as a commercial photographer, he offers artistic images of fresh fruits and vegetables in The Carlysle Collection, his online site for décor photography. Humphreys will make prints of any image in the collection in sizes ranging from 8 x 10 in. up to 30 x 40 in. Photo ©David Humphreys

At PhotoPlus Expo, which opens Oct. 22 in New York, many sessions will help photography professionals adapt to the changing economics of the photography business. Some sessions will explain how to branch out into new fields such as weddings, portraiture, cinematography, or fine-art photography. Other sessions will talk about different marketing channels and techniques, including websites, social networks, personal branding, photo books, and selling stock direct.  It will be a very timely conference, and I expect to return with many new ideas and sources of helpful information.

Many of the business diversification and marketing themes at PhotoPlus Expo dovetail nicely with the content I’m developing for future issues of LexJet’s In Focus newsletter. If you’re not familiar with In Focus, check out the current issue and explore the archives.

One of the main editorial goals of In Focus is to help photography professionals find ways to generate new revenues, especially by doing more with the pro-model Canon, Epson, and HP printers they purchase from LexJet.

For example, for the most recent issue of In Focus, I profiled David Humphreys an accomplished, Addy-award-winning commercial photographer who runs the Fabphotos studio in Baton Rouge, LA.  He owns both an HP Designjet Z3100 and an Epson Stylus Pro 9900 and uses a variety of materials from LexJet, including LexJet Sunset Select Canvas, Sunset Coatings, and Sunset Photo eSatin Paper.

His primary business is high-end product photography for corporate clients, publications, and organizations. But he also markets décor prints online through The Carlysle Collection and creates one-of-a-kind, photo-collage prints that he sells through fine-art galleries.  And with connections he made through the gallery, he has started making prints and limited-edition reproductions for artists and other photographers.

Although this diversification has helped his photography business, Humphreys says it does require almost constant attention to marketing, including learning more about new markets for your work, finding ways to differentiate yourself, and producing and promoting high-quality work that people will gravitate to.

During the transition from film to digital photography, Humphreys says he invested a lot of time and money in researching and buying new equipment. Now he is focusing on generating more revenues with the equipment he already owns—including his printers.

“I used to send all my work to a lab,” says Humphreys. “But now I not only print 95% of my own work, but I also do high-end printing for other photographers and artists.” When he shoots products for commercial clients, he will sometimes print banners and displays for them as well.

Humphreys uses different signature photos in his e-mails, depending on whether he is corresponding with clients for his editorial, fine-art, or decor photography.
Humphreys uses different signature photos in his e-mails, depending on whether he is corresponding with clients for his editorial, fine-art, or decor photography.

As printing has become a more important part of his business, Humphreys relies on LexJet for continuing advice and support (which is partly why we publish In Focus).

 “I feel like I can call my rep Darren Vena any time, ask him questions, and have him research different types of materials for me,” says Humphreys. “The information LexJet shares with its customers is a wonderful thing.”

If you’d like to learn more about how to get more from your printer, call a LexJet account specialist for more details at 800-453-9538 or subscribe to LexJet’s In Focus newsletter.

In addition to the In Focus article, Finding New Markets for Photography Talents, you may also be interested in the article that describes Fantastic Deals on New Printers Through Oct. 31.