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Posted on by Regan Dickinson Posted in Technology & Products
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Epson SureColor S30670 Printer Review

Wide format inkjet printer reviewLexJet’s director of technical support, Adam Hannig, has been putting Epson’s new SureColor S30670 low-solvent inkjet printer through its paces over the past few months.

“With great image quality, better print speeds and improvements in media loading and the take-up reel system, Epson has taken a big step forward with its second generation of solvent printers,” says Hannig.

The new SureColor printer includes a variety of new features to aid in faster, more efficient and higher fidelity production printing, such as a take-up reel system designed for unattended production of large print runs, a LiftAssist that allows one operator to handle heavy roll media, a high-capacity ink system and print speeds of up to 619 square feet per hour in draft mode, and more.

Though there are improvements on the GS6000 found in the SureColor S30670, Epson’s Reed Hecht says the printer is not designed as a replacement. Rather, the GS6000 is geared toward applications for print shops that require a wider color gamut and need to hit specific spot colors, while the SureColor is geared more toward high-quality production at an entry-level price point.

You can hear more from Adam about the S30670, and its new features, in the video embedded below. If you have any questions about Epson’s newest printer technology, contact a LexJet customer specialist at 800-453-9538.

Posted on by Regan Dickinson Posted in News & Trends, Technology & Products
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A Second Opinion: Sunset Fibre Rag Reviewed at Shutterbug

Inkjet photo paper reviewIf you’re looking for an in-depth review on LexJet’s latest fine art/photographic paper, Sunset Fibre Rag, and how it might fit into your workflow check out George Schaub’s post at Shutterbug. Schaub tested 17″ x 22″ sheets of Sunset Fibre Rag on an Epson 4900, putting the paper through its paces in both color and black-and-white images.

“I tested the paper on monochrome, color and low saturation images, and worked with Photoshop CS6 Beta software on a MacBook Pro V6.2. The monochrome images displayed a deep, rich black with fine repro of the mid-tone values. When an image had a range of bright highlights, the slightly warm base added to their reproduction while not muting their place in the image. This encouraged me to work with numerous images that often came out too contrasty on pure gloss or metallic base papers (and too flat on purely matte surfaces) and I found that they had newfound life on the LexJet surface,” wrote Schaub.

Schaub’s review covers the entire process, from print preparation to the characteristics the paper brought out of the images Schaub printed, and all the details in between. As an example, Schaub writes: “And when you rub your finger across the surface of the paper you get that satisfying sound that only a medium to heavyweight fine art paper delivers. That is what could count as a ‘feel the material’ type of qualification, but I often use that as part of how I judge a paper. The weight of the paper makes it easy to work with when matting and mounting, and the durability is a strong factor in paper choice.”

To read the entire review of Sunset Fibre Rag, click here. And, for more information about Sunset Fibre Rag, the Sunset line of fine art and photo papers, or anything else in the inkjet printing workflow, contact a LexJet customer specialist at 800-453-9538.