You ought to be in Pictures: Cinematic Printing on Maui

Printing hanging wall pieces

On the island of Maui, you never know who you’ll run into. In the case of PhotoGraphics Maui, its A-list clientele include a well-known singer/songwriter and a producer of classic comedies.

Printing decor and wall artIt’s a part of the producer’s cinematic collection shown here that illustrates how PhotoGraphics Maui combines the right inkjet media with unusual ways of presenting its prints to better differentiate its printing and mounting services.

“A lot of people are trying to do something different, so we’re always looking for something no one else has. With our mounting capabilities we have an advantage. Plus, being able to produce really large prints helps since shipping from the mainland can be prohibitive,” says Renee Zaima, owner of PhotoGraphics Maui.

In this case, the producer is creating a cinematically-themed room, so he came to PhotoGraphics Maui for the right treatment. This particular piece, which is actually a composite of two photos from a movie set that Zaima Photoshopped into one, was printed on LexJet Sunset Photo eSatin Paper.

Inkjet printing fine art and photographyThe 60” x 35” print was then applied to Sintra, the Sintra was shaped at a slight curve, and PhotoGraphics Maui added the backside framework, which was stained black, for hanging on the wall. Zaima designed the piece, which includes the filmstrip borders on the print, to be consistent with the overall theme of the décor.

As Zaima puts it: “We make sure to suit each piece we produce to what they want.” It’s a simple philosophy, but one derived from listening to the customer and then matching their needs to PhotoGraphics Maui’s capabilities and expertise.

Therefore, every piece in the process, from design to mounting materials and methods, is customized for each client. For instance, the sea turtle photo shown here by Franck Berthuot of Berthuot Visuals (www.berthuotvisuals.com) was printed on LexJet Sunset Photo Metallic Paper. The colors and composition simply cried out for the special treatment the luminescent paper offers.

Driving Booth Traffic with Full Wrap Surface Decoration

Trade show graphics wrap with adhesive-backed fabricIf the purpose of trade show graphics is to draw people to your booth, artist Lisa Rivas‘ display at the recent SURTEX 2012 exhibit was a resounding success. Of course the ultimate goal is to make sales, and lots of them, but you can’t make a sale if no one is intrigued enough to stop and look.

For exhibitors at SURTEX, the purpose of the show is to sell and license original art and designs for products like greeting cards, giftware, housewares, textiles, wrapping paper, wallpaper and just about any product that carries an image. Therefore, Rivas needed to display her artwork in the best light possible.

After consulting with a LexJet customer specialist, Courtney Borders in this case, Rivas settled on Photo Tex, a fabric with a removable adhesive that’s perfect for wall coverings. “Working with Courtney is like a dream, and everyone I work with at LexJet is very helpful,” says Rivas. “They seem to know what you need beforehand and tell you about it before something becomes an issue.”

As you can see in the accompanying photo, Rivas wrapped just about every possible surface in her booth with her designs, from the back wall provided by SURTEX to the front counter, and even the sample boxes.

Rivas plans to repurpose the prints made for the booth with follow-up direct mail pieces wrapped in Photo Tex, as well as offering Rivas designs for wallpaper applications.

“People came by and asked how I did it. A lot of people I talked to thought I used a lot of ink when I printed it, but the design was open and I used a very intricate pattern for the background that was on the pale side so it didn’t require a lot of ink,” explains Rivas. “I didn’t want it to be a cave; I wanted it to be a fresh garden you walk into. The counter was a similar surface and the application went very smoothly.”

This Month Only: Save $50 on a 54″ x 100′ Roll of Solvent Photo Tex

Printing wall murals on an adhesive backed fabricYou may remember Photo Tex from such LexJet Blog posts as: Solving a Maze with Inkjet Printing on a Ceiling, How to Apply Wall Graphics with Photo Tex, and Printing the Big Picture for Conferences and Trade Shows, among many others.

The point is, this extremely versatile, easy-to-work-with-apply-and-remove inkjet printable fabric has become one of the most popular inkjet materials in the market over the past few years for applications as wide ranging as die-cut wall graphics, full wall murals, window graphics and even temporary vehicle graphics.

And now, the solvent/low-solvent version of Photo Tex is on sale this month only, today through June 30. So, when you buy a 54″ x 100′ roll of Solvent Photo Tex you’ll get $50 off the regular price. If you buy online, use Promo Code PTSFR. We suggest you stock up with one order (the promotion is limited to one order only) as your savings will obviously increase with each roll purchased.

As a reminder, Photo Tex is an adhesive-backed fabric with a special adhesive that makes a cinch to apply and remove and leaves no residue behind. One of the lesser-known qualities is the ability to take it down and repeatedly re-use it. Photo Tex works well for life-size photographic cut-outs, wall murals, windows, doors, sign boards, backlits and other flat, non-porous surfaces.

For more information about Photo Tex, both Solvent and Aqueous versions, and this $50 off promotion, contact a LexJet customer specialist at 800-453-9538. And, see how easy Photo Tex is to work with and install in the video below…

Excellence in Trade Show Exhibits: Exhibit Design Awards

Award winning trade show and exhibit designEXHIBITOR Magazine recently announced the winners of its 26th Annual Exhibit Design Awards, which was judged by a panel of professionals from the exhibit design market in Miami earlier this year. Entries came around the world – including Israel, Spain, Turkey and China – and were narrowed down to 17 winners.

This year’s winners came from a variety of industries, from real estate to aerospace, with designs that ranged from simple to eclectic. EXHIBITOR Magazine says that the winning exhibits averaged $125 per square foot, $35 per square foot below the Exhibit Designers & Producers Association’s 2011 average of $160 per square foot for single-tiered island exhibits.

Here are this year’s winners. Click on the link to see the story behind each exhibit and why each was recognized…

EDGE Award (for Exhibit Design and Graphics Excellence)
Brunner GmbH

Gold Awards
Burkhardt Leitner Constructiv GmbH & Co. KG
HTC Corp.
Holtmann GmbH & Co. KG
Formica Group
Blomus GmbH

Silver Awards
Sikorsky Aircraft Corp.
Wargaming.net LLP
Bugatti Automobiles S.A.S.
Kohlhaas Messebau GmbH & Co. KG
Stepevi Carpet

Bronze Awards
Atelier Damboeck Messebau GmgH
Nitto Tire U.S.A. Inc.
Gulfstream Aerospace Corp.
Sigg USA Inc.
Brookfield Properties Inc.
Comverse Ltd.

Behind the Scenes with the Undercover Boss, FASTSIGNS’ CEO Catherine Monson

CBS reality show Undercover Boss covers Fastsigns
FASTSIGNS CEO Catherine Monson as "Louise Steely," and Gary, a Culver City FASTSIGNS employee, apply graphics during the filming of Undercover Boss, which aired on CBS last Friday. Photo courtesy Studio Lambert.

Reality is not always as it seems, especially reality television. Just ask FASTSIGNS CEO Catherine Monson, who was recently immersed in the unreal world of reality television. Monson and several FASTSIGNS locations were featured on Undercover Boss, which aired this past Friday, May 4, on CBS.

When hours of raw footage are condensed into about 45 minutes of air time, distortion is inevitable. Surprisingly, however, this particular episode of Undercover Boss was relatively accurate, according to Monson.

“I was disappointed by some of the things they left out, and I felt they overemphasized the emotional aspects, but that’s what makes for compelling television,” says Monson. “When they first approached us about being involved with the show, we weighed the pros and cons and how it could possibly affect the brand. We decided the pros outweighed the cons, and that was certainly the case.”

In case you didn’t catch the show Friday night, Monson disguised herself and went to work in the trenches at four FASTSIGNS locations: St. Louis, Austin, Culver City (Calif.), and Phoenix. Each contact at the location was told that they were filming a reality show called Second Chances, and Monson’s “character” was the subject, so it was kind of a show within a show.

During the episode we learned about the struggles and triumphs of not only Monson, but the people at the four locations at which she worked. Monson says the four locations were chosen after the production company scouted and scoured the FASTSIGNS franchise network for the most interesting stories.

I won’t spoil those stories for you here, in case you didn’t catch it when it aired, since you can see the full episode at http://www.cbs.com/shows/undercover_boss/video/. The show will no longer be available at the CBS website after May 21.

“It is unnerving to have two HD cameras on you ten hours a day. Yes, I was nervous, and people got to see that I can’t make a sign, and I made a bit of a fool of myself at times, but that’s okay, because I think it’s not only a great thing for our company, but also the industry as a whole. Not a lot of people know that a sign shop can do vehicle graphics and all kinds of different signs, all the way up to big outdoor installations,” says Monson. “When we were first allowed to let our franchises know about it, they were very excited. We advertise on FOX, CNN and MSNBC, but we can’t afford advertising time on CBS in prime time on Friday night, so the extra exposure was great for everyone. Our franchise partners did an amazing job putting up all kinds of graphics to promote the show. And because it’s such a unique show, some of our franchisees got a lot of coverage from local media. There were 125 viewing parties around the country where they invited customers to watch the show and do some of the things I did on the show, like weeding vinyl.”

Beyond the personal stories at the locations she visited undercover, Monson was able to identify three areas of improvement for FASTSIGNS corporate: E-mail marketing, training and eCommerce. Monson took the suggestions to heart and FASTSIGNS corporate has begun to implement them.

“We’ve made some good progress. Not only do we have an on-your-behalf email marketing program, we have a do-it-yourself marketing where the individual franchise can completely customize the template,” says Monson. “I really learned that we need to ensure that all of our information about marketing initiatives, programs and training reaches everyone at each franchise. Also, we are almost finished with our training curriculum on big outdoor installations, and we have eight locations using our eCommerce website, and plan to start rolling that out to more locations in the weeks ahead.”

FASTSIGNS CEO Goes Undercover Friday Night on CBS

Undercover Boss on CBS
FASTSIGNS CEO Catherine Monson weeding vinyl at a FASTSIGNS franchise shop during the filming of Undercover Boss, which airs Friday at 8 p.m. ET.

FASTSIGNS and its CEO, Catherine Monson, will be featured on the CBS reality television show, Undercover Boss, this Friday at 8 p.m. ET.

In case you’re not familiar with the concept of the show, a company’s owner/CEO is disguised and goes to work as a regular employee. Their experience is captured, edited and condensed to one hour of dramatic and comedic highlights.

According to FASTSIGNS, when Monson became CEO of the 25-year-old company in 2009, one of the biggest issues the company was facing was a lack of communication between the corporate office and its franchise partners, as well as sales declines coinciding with the recession.

Monson embarked on a tour around the country to visit franchise partners and put a plan in place to turn the company around, including creating a sales incentive program. She initiated monthly conference calls with the franchise system to provide updates and answer questions and concerns.

To further develop and motivate the corporate staff, she began holding monthly company meetings to share financial updates and other company news, and to publicly praise team members on their projects and efforts.   

Reality show Undercover Boss on CBS
FASTSIGNS CEO Catherine Monson before being disguised for the CBS reality show Undercover Boss.

Through her Undercover Boss experience, FASTSIGNS says, Monson gained valuable insight into key areas of the business that she will continue to fine-tune and improve in the coming months.

“This was an eye opening experience that not only impacted my professional life, but my personal life as well,” said Monson. “I have realized that I need to take more time for myself and get back to the things that I really love in order to become a better leader and CEO.”

Check back here at the LexJet Blog for a follow-up post with more inside information about how reality television really works based on Monson’s experience on Undercover Boss. Here’s a preview of Friday’s show…