The Go-To Matte Canvas for High-End Art Prints

Over the years, customers have turned, time and again, to LexJet Sunset Reserve Matte Canvas, to produce vibrant, fine-art and photo-realistic graphics on a smooth matte canvas finish that offers a high-quality, lasting image.

The poly-cotton blend and neutral-white finish deliver consistent imaging for a variety of commercial graphics, as well as fine-art and photographic reproductions. LexJet Sunset Reserve Matte Canvas was developed to produce great colors without optical brighteners.

“I loved the texture of that for art prints; I like the tooth it has on it,” Andy Wredberg of AW Artworks said in this post.

It’s also been a long-time favorite for Hawaii-based Chromaco, thanks to its wide color gamut and Dmax that deliver bright and bold art reproductions. Adding Sunset Gloss Coating protects the canvas for gallery wraps that have become increasingly popular, Chromaco says. Check out their work here.

Customer favorite LexJet Sunset Reserve Matte Canvas also has a new lower price. Watch the video above for details, or go here to learn more.

 

Shop the LexJet Memorial Day Sale

Today through Monday, May 29, take 30% off MSRP select LexJet products. During our Memorial Day Sale, you can save on a variety of our best-selling products for canvas, outdoor signage, photo reproduction, coating and more!

Click the product links below to learn more about these products and start saving now:

Aqueous

Solvent/Latex

Coating

You can shop all weekend and into the Memorial Day holiday, or call your LexJet rep today to learn more at 800-453-9538.

VIDEO: Insider Tips for Rolling Coatings on Canvas

If you’re in the business of printing canvas, you likely understand the importance of adding a coating to aqueous-printed canvas media. A coating stops the canvas from cracking and provides consistent results when stretching the finished piece.

Even if you’re using solvent or latex ink, a coating is not necessary, but it can be helpful to create a certain look, like a satin or glossy finish that can intensify colors in the finished print.

A favorite application process is with a simple roller, which works great with Sunset Gloss and Sunset Satin Coatings.

Sunset Coatings Featured in Sign & Digital Graphics Magazine

blog-sunset-coatings-news

In the February edition of Sign & Digital Graphics magazine, LexJet’s Sunset Gloss Coating and Sunset Satin Coating were highlighted in the publication’s “Product Reviews,” under “Coatings for Canvas.”

In November, we released the next generation of the two coatings to offer easier application, a clear, crisp finish, greater UV protection and a formula that is NMP-free and complies with safety and health regulations.

We’re thrilled to receive the press coverage, and we’d love to hear from our customers, too. Have you tried the new Sunset Gloss Coating and/or Sunset Satin Coating? Please tell us about your experience in the comments below.

Next-Generation Sunset Coatings for Canvas Now Available

Fine Art Print by Color Simulation Service with Sunset Gloss Coating
Randy Orgeron of Color Simulation Service found that Sunset Gloss Coating was easy to work with – it doesn’t set up too fast or too slow and self-levels – even on a large canvas piece, like this 18″ x 54″ fine art reproduction on Sunset Select Matte Canvas.

The next-generation Sunset Gloss Coating and Sunset Satin Coating are now in stock and shipping from LexJet’s Nationwide Delivery Network. The popular coatings have been reformulated to improve canvas coating performance with consistent results that can be applied with a brush, roller or spray.

Sunset Gloss Coating and Sunset Satin Coating are non-yellowing, pH-neutral water-based acrylic coatings that are self-leveling and ready-to-use straight from the easy-to-pour, easy-to-store containers.

Randy Orgeron of Color Simulation Service, Thibodaux, La., provided detailed feedback when he tested the updated formulation of Sunset Gloss Coating on Sunset Select Matte Canvas. Among his findings, Orgeron noted:

  • It rolls on easily with a foam roller
  • There do not seem to be any issues with it gunking up and it lays flat from the offset
  • Initially, the coating turns hazy, like car wax prior to buffing, but becomes crisp and clear
  • There were some bubbles that formed during application; however, once completely dry that concern proved to be unwarranted
  • The finish is gorgeous and really articulates the print, and there were no issues with the coating lifting the ink off the canvas

“The piece I tried this on at first was only an 11×14 canvas. Since the coating tends to set up rather quickly I was interested to see how fast I would have to work to cover a large canvas, and if could go back over missed spots on the first application,” adds Orgeron. “I’ve used other brands that dry so quickly you can only use them on smaller prints. With the Sunset Coating I found that you can keep working it after you apply it, so it’s going to be very effective for all of our prints, large or small.”

Other improvements to Sunset Coatings include:

  • Greater UV protection
  • Increase solid content so you get more coverage out of one container
  • NMP-free to comply with state and local safety and health regulations

Call a LexJet print specialist today at 800-453-9538 to find out more and to order the new Sunset Coatings.

How to Make Canvas Printing Work for You, Part 4: Coating Canvas

Dan Johnson Spray Booth
Dan Johnson’s DIY spray booth for canvas and fine-art prints.

As noted in the previous installments about printer selection for canvas printing, it’s recommended that you coat all aqueous-inkjet canvas output. Coating also helps ensure a crack-free, consistent stretch for gallery wrap applications, and it’s important to coat before stretching.

If it’s a short-term application – like a temporary decorative piece – or when using a solvent or latex printer, coating is not necessary unless the customer wants the look of a coated canvas.

Typically, coatings come in either gloss or satin (luster) finishes. Gloss coatings are often used to not only provide additional protection, but to bring out the density of blacks and the vibrancy of the colors in the print.

For a more subdued look and particularly to cut down the glare from high-powered lighting, a satin or luster coating may be preferred. Some will choose not to coat the canvas at all to retain the unique texture and characteristics of the material.

Coatings are available in both spray (aerosol or industrial sprayer) and liquid (can). Sprays from Hahnemuhle and Clearstar Corp., for instance, provide excellent results, though there are other brands available from other companies that specialize in fine-art and photo printing.

Stick with sprays and coatings that are specially formulated for this application, rather than those that are not tested specifically for inkjet prints (Krylon, for example), because the long-term effects of these off-the-shelf sprays on inkjet paper surfaces are unknown.

There are also liquid coating machines available in various widths from companies like Neschen and Marabu. While these machines automate the process and provide an excellent finished product, they require a controlled environment with consistent temperature and humidity, free from dust and dirt.

Coating Canvas
Click on the image to see a video on roller-coating canvas.

Liquid coatings that come in a can, such as Sunset Gloss and Sunset Satin Coatings, can be either rolled on or sprayed using an HVLP (high volume, low pressure) spray gun, which requires a well-ventilated dust-free area.

An HVLP spray gun wastes less coating in overspray than other types of sprayers. It also provides more control over the application process. Some print shops and studios simply don’t have space for spraying, or can’t justify buying specialized coating systems, which is why Sunset Coatings have been formulated to work equally well when applied with a spray gun, brush, or foam roller.

If you’re looking for way to spray on a budget and in limited space, click here to see how Dan Johnson built a space- and money-saving spray booth for his studio.

When rolling coatings on canvas, follow these basic steps:

1. Start with a high-density, white foam roller and a tray that is typically used for holding paints. You can buy these products in the paint department of any home-improvement store. The high-density foam will help reduce bubbles. Use a larger-width roller if you plan to coat larger canvases.

2. Pour the coating into the tray and dip the roller in the coating until it is thoroughly wet, but not too wet.

3. Lay your print on a clean, dust-free board that is bigger than your print. The extra space on the surface around the print can be used to roll off excess liquid if you happen to oversaturate the roller.

4. Consider using two or three thinner coats, instead of one thicker coat.

5. Don’t try to coat the whole print at once. Start with one or two passes at the edge of the print, and go over each pass enough times for the bubbles to dissipate, but not so many times that the coating becomes tacky or bumpy.

6. If large bubbles appear, try blowing on the coating.

7. Make overlapping passes so you can maintain a wet edge and avoid lines and streaks.

8. Find the rolling pattern that works best for you. Some users prefer rolling in one direction only. They go up the print in one pass, and down the print in the second pass (like mowing a lawn).

9. Don’t press down on the roller. Maintain a light, even pressure.

10. If you are applying a second coat, allow the first coat to dry before applying the second coat. A thin coat should take between 10 and 30 minutes to dry. But it will take longer if you’re working in an environment with high humidity.

11. Allow the coated print to dry thoroughly before you pack it for shipping. Don’t try to speed up the drying process with a fan; allow the print to dry on its own.

12. Clean the rollers immediately after each use. Run cool water of the rollers immediately after use, and squeeze them until they run clear. Allow 10 to 15 minutes.  If you keep the rollers clean, you can use them for about six months before you need to replace them.

A couple of important notes about coating canvas:

  • Make sure the ink is dry before applying any coatings. A good rule of thumb is 24 hours. To test whether a print is ready for coating, some printmakers suggest this technique: Lay each print on a flat surface, then cover the print with inexpensive butcher paper. The evaporating glycols will cause ripples to appear in the butcher paper. Periodically replace the wavy butcher paper with a fresh sheet of paper. If no waves appear in the fresh sheet of paper after a few hours, the print will be dry enough to coat.
  • Coat the print before stretching the canvas and wait at least six hours after applying the coating to stretch.
  • As more inks and media types are introduced, it is impossible to predict the compatibility of every combination of media, ink and clear coat. Therefore, it is strongly recommend that you test before use. A test will immediately show any incompatibilities, including water sensitivity, inkjet receptive layer mud cracks, and ink bleeds. Generally, let the tested material dry for at least 24 hours. Evaluate the adhesion, flexibility, and visual appearance. Be realistic in your expectations and simulate the conditions the material will be exposed to. Generally speaking, coatings formulated for wide format printing will work well with both aqueous and solvent prints.

Click here for a video demonstration of coating canvas with a roller.

For the rest of this series, click on the following links:

Part 1: Materials, Finishes and Textures

Part 2: Printer Technologies for Canvas

Part 3: Latex, Solvent and UV-Curable Printing

Part 5: Canvas Wrap Options