When is it Time to Upgrade Your Printer? One Print Shop’s Experience

Canon iPF8400S Inkjet Printer at Bill Reed Distributing
The new Canon iPF8400S from LexJet is up and running at Bill Reed Distributing and the output on LexJet 8 Mil PolyGloss Banner looks fantastic.

 

It’s the age-old dilemma: should I repair my old printer or just buy a new one? For Michael Thornton, administrative marketing manager at Bill Reed Distributing, Abilene, Texas, this particular dilemma presented itself when his old printer went down.

“As I was getting ready for the technician I picked up the phone and called Chris Piersoll, my LexJet rep. He said to hold up on the repair and first compare the cost difference between repair and replace, and the long-term productivity benefits of a new printer. We discovered that when you factor in the amount of down time we were experiencing, and the wear and tear it was a no-brainer to upgrade and pay the few hundred dollars difference for a new machine,” says Thornton. “The thing that concerned me most about repairing the one I have is the simple fact that it has a lot of miles on it. What’s the guarantee that something’s not going to happen a month from now? You know how this goes: you’re always in the middle of a big print project when it goes down. It was a much wiser investment to purchase a new machine because it is such a vital part of what we do; we can’t function without it. Marketing and sales pieces are critically important to supplement our sales. We love the reliability of the Canon printers, and at the price point LexJet is offering, why wouldn’t we buy a new one?”

Thornton upgraded to the Canon iPF8400S, which will provide the print shop with more speed and new color management and cost-tracking features. Moreover, with Piersoll’s help, Thornton was able to exchange the old ink cartridges he had in inventory.

“Chris was able to help us out with the ink we had for our old machine. I had a backup for every color sitting there, and that’s $1,700 that potentially I’d have to add to the cost of a new printer. That was one of the determining factors, and a lot of companies won’t work with you on swapping out ink cartridges,” explains Thornton. “So again, why wouldn’t you buy a new printer and guarantee yourself that you’ll have a great product and a new warranty. And with the Canon printer, minus changing out the printheads about once a year, there’s not much to do to keep them running.”

Ultimately, says Thornton, it’s all about consistency, productivity and efficiency. Thornton ran the old printer for 1,392 days after installation, printing about 180,000 square feet and more than 30,000 linear feet.

“While the old printer allowed me to go through sub-menus and look at how much ink was used per print, it’s very easy to factor your square footage cost with your media, but ink cost is not always the same because of color and saturation. What I’m really looking forward to with the new printer is the ability to be more detailed about tracking ink usage and actual costs; that’s invaluable, especially when you’re not having to dig for the information. It’s all about making things easier and working smarter,” says Thornton. “When you’re working with a number of convenience stores, and they all want their point of sale at the same time, you need to make sure the printer is running and it’s efficient. If it’s down, you’ve got a big problem. That’s what the big factor was for me. Look at how much we’re paying to fix the three-year-old machine, versus the cost for a new one. For all of us here, from the owner to the GM, the logical thing was to replace it; it’s been a great machine and let’s move on. Productivity is key.”

Though Bill Reed Distributing uses a wide variety of materials, from vinyl and Photo Tex to banner materials, Thornton adds that their standard print material is LexJet 8 Mil PolyGloss Banner. “The Canon prints such a beautiful graphic and when you put it on the glossy media it gives it a very classy look,” says Thornton.

Filling in a Beverage Barn’s Nooks and Crannies with Banner Branding

Wrapping a Cooler with Banner Graphics

Rather than apply a patchwork quilt of adhesive-backed inkjet media to the cooler and ceiling beams at an area beverage barn, DeCrescente Distributing’s Monty Pyle decided to use JetFlex FL Matte (13 oz.) from LexJet.

Cooler Wrap by DeCrescente Distributing“On a concrete wall hiding conduit and other obstacles it’s easier to wrap it with vinyl banner, rather than applying one strip here and one strip there. There were so many nooks and crannies in this place, it was unbelievable. They raised their ceiling and it made for one big obstacle after another. Then they put cameras in, so we had to take out the cameras, re-install and re-orient them. This was the most feasible way to do it, and it definitely changed the look of the building to where they were happy with it,” says DeCrescente’s Monty Pyle. “The owner originally wanted it printed on satin flag, but I told him he wouldn’t be able to clean it like you can a vinyl banner. The last thing you want is a filthy graphic after just a few weeks that you can’t clean.”

Printed on an Epson Stylus Pro GS6000 low-solvent printer, Pyle installed the huge cooler banner by himself, attaching it with screws to a wood backing above the cooler. Since the drop ceiling was taken out, exposing the beams, Pyle wrapped the beams as well.

Cooler Wrap for the Beverage BarnOn the cooler, Pyle found that the width of the material didn’t quite match the height of the higher ceilings, so he added a strip of Photo Tex PSA Fabric – Solvent Printers to border the top of the main wrap. “Since it was a matte banner material with a matte adhesive fabric it was pretty seamless and creates the illusion that it’s all one piece,” says Pyle.

“The media from LexJet we’ve been using has really been good and our image quality has increased using it with the Epson GS6000, which has also been very reliable,” adds Pyle. “He gave us a lot of opportunity in the store, and it happened so quickly; they wanted it up pretty darn fast.”

Graphics Transform a Garage where it all Started

Spectra Imaging Garage Graphics

Spectra Imaging, Louisville, Ky., is a true American success story. Owners Brian and Leslie Rogers started the powerhouse print shop in their garage about seven years ago.

What once housed print production as the couple beat the pavement to sell their services is now home to something garages were originally intended to house… a vehicle. In this case, it’s a fine driving machine manufactured by Bavarian Motor Works.

Garage Graphics by Spectra ImagingThe Rogers have moved their business from the garage to a large print production facility in Louisville. The growing and dynamic company has realized the fruits of their hard labor in the early years and has become a fixture in the Louisville area.

The garage, meanwhile, has been transformed into something completely different with the use of a variety of inkjet media from LexJet.

Rogers went all out, wrapping the walls in faux brick with Photo Tex from LexJet, printing BMW photos on LexJet 8 Mil Production Gloss Photo Paper, laminated with D&K 6 Mil UV Textured Vinyl PSA and applied to 1″ Gator Board with LexJet GraphicMount White Adhesive. There are 1″ cleats on the back of the panels that attach to the wall.

Floor Graphic by Spectra ImagingThe floor graphic was printed on LexJet Simple Adhesive Vinyl SUV – Gloss (5 Mil) and laminated with the D&K Textured material. Rogers says he went with a more permanent vinyl, rather than a more temporary floor graphic material that can be easily removed, since he expects it to be there for years to come.

The brick graphics essentially frame garage, complementing and contrasting for a blend that is rugged, classic and classy.

Rogers created one large image, cropped each panel at about 50 inches wide, printed them individually and applied them in order so they lined up. Rogers says it took about three hours to apply the wall graphics, with some more to come soon. Check back here for updated photos in the next week or so…

Window Shopping with Inkjet Printed Graphics at Unlimited Exposures

Wall Murals and Window Graphics
Brett Feldman of Unlimited Exposures uses large format inkjet printing to help drive photography sales from the street and in his studio with window and wall graphics.

 

Brett Feldman, owner of Unlimited Exposures, Manalapan, N.J., knows the value of taking his business to the streets and driving traffic to his studio with large-format versions of his stellar photography.

Window Graphics
Brett Feldman’s latest window displays, printed on LexJet Water-Resistant Satin Cloth, look great from the outside and the inside of his studio, Unlimited Exposures.

Brett utilizes a variety of inkjet media from LexJet to make this happen and has had great success with this approach. As noted in an earlier post here at the LexJet Blog, he finds unique applications for his Canon iPF8300 inkjet printer, not only for self-promotion, but as value-added printing for the events he photographs.

At his streetside studio in Manalapan, Brett decorates both his windows and the interior of the studio with samples of his work. For about six months he featured his wedding and communion photography on the outside of his window with LexJet Aqueous Perforated Window Vinyl (70/30).

Perforated Window Vinyl Graphics
This window display, printed on LexJet Aqueous Perforated Window Vinyl, was up for about six months before Brett Feldman switched it up in favor of banners that hang inside the studio windows.

“Some kids were picking at it and dismantling it, but it was up for quite awhile before they vandalized it. My studio has an overhang, so there was no rain but a lot of sun on the images, and they weathered well. It definitely brought people to our doors and the material printed well and applied with ease,” Brett says.

Since then, he decided to bring the images indoors and inside the four fronting windows of his studio. Now, all four windows feature images printed on LexJet Water-Resistant Satin Cloth.

For these displays, Brett uses LexJet Heavy Duty Banner Tape to create pole pockets on the top and bottom of each banner, which are then hung from curtain rods that go through the pockets and are tied off with fishing line that attaches to the ceiling.

Brett also uses Photo Tex from LexJet for a wall mural inside the studio. His large-format inkjet printing serves a dual purpose: to bring people inside and make sales, and to test inkjet media for various applications.

“Most of it gets tried out at the studio and then we take it out to sell it to our clients. I end up printing a lot of banners and other specialty graphics for people who see them in our studio and at the events,” he adds.

Building Business with In-House Inkjet Printing and Samples at Arc Studios

Printing Promotional Graphics with an Inkjet PrinterAaron Thomason, owner of Arc Studios Photography in Dalton, Ga., knows the value of a print. It’s what helps showcase and sell his artistic portrait photography.

With a variety of inkjet-printable media from which to choose through LexJet, Thomason is able to present his work in a variety of formats, each with its own unique look.

“I don’t have to do any advertising other than the promotional printing I do for my studio and storefront. I can place a banner stand next to the street so people driving by can see it, so I get a lot of people stopping in who saw it when they drove or walked by the studio,” says Thomason. “I typically use a big image with just a few simple words so that my studio is in the back of their mind when they need something I can provide.”

For banner stands, Thomason uses a LexJet Blizzard Outdoor Stand with LexJet TOUGHcoat Water-Resistant Polypropylene, and on his storefront windows he uses Photo Tex Repositionable Fabric. “I change those images up regularly and they work great. They see some rain and other weather, but the images have held up fine,” says Thomason.

Printing Promotional Graphics Inkjet PrinterOn the inside of the studio, Thomason showcases canvas gallery wraps printed on either LexJet Sunset Reserve Bright Matte Canvas or LexJet Sunset Production Matte Canvas, and Photo Tex for wall murals.

He also uses LexJet Sunset Photo Metallic Paper for images that lend themselves to the pearlescent pop of the paper.

“Before I started doing my own printing I was lucky if I sold one canvas print per session. Now I’m able to sell three or four canvases per portrait client since I was able to bring the price down by doing it in-house,” explains Thomason. “We stretch the canvas here on a 1 1/2″ frame and add the UV coating, so I’m able to produce canvas less expensively for my customers, deliver it on time and ultimately sell more canvas.”

Making a Multi-Media, Multi-Textural Art Installation a Snap

Inkjet Printed Art Installation

Lee Emma Running, an associate professor of art at Grinnell College, Grinnell, Iowa, was recently featured in the exhibition, Paper Architecture, at the Martin Art Gallery, Muhlenberg College, Allentown, Pa. Her installation is titled Pare.

The wallpaper was printed on Photo Tex from LexJet on an Epson Stylus Pro 9600. The inkjet-printed wall mural perfectly contrasts and combines with the hand-cut red satin for a piece that’s all about patterns and how they play on the eye.

Inkjet Printed Art Exhibit“I work a lot from the natural world, looking at things that are similar at a microscopic and macroscopic scale. I’m interested in similarities between veins in a leaf, veins in our body, and river systems seen from space,” explains Running. “The drawing for the wallpaper background came from a microscope scan of a leaf veins that I traced, painted, and digitally tiled to make the pattern. I printed the wallpaper pattern onto Photo Tex and then backed it with red satin. Using a hot knife I hand cut out a lacy network of traced sheep wool from both materials. In the gallery I covered the wall with red satin and then mounted the negative spaces from the cut-outs onto the satin field to increase the illusion that the wallpaper is peeling away from a red ground.”

Since Pare was one of Running’s largest installations, she was looking for something that would make paneling the prints across 47 feet and 14 feet tall simple and removal easy.

“I was interested in Photo Tex because it can come off the wall multiple times and be repositioned. The pattern is very small and had to match up seamlessly, so the ability to reposition it a lot is helpful,” says Running. “It performed really well and I was told it came down easily. Pare was sized specifically for this exhibit, but because I can re-use the material I think I will be able to re-purpose the elements for another installation. I’m always looking for ways to re-use material so that it doesn’t end up in a landfill.”