Prints That Win: Solitary Journey

Plano, Texas photographer Brooke Kasper jumped into photography in the most unusual way. With a background in painting, she was spending her days working as a graphic artist. That is until her mother died. “I quit cold turkey and picked up a camera. It will be 15 years on Dec. 4,” Kasper says. “To heal, I went out and shot everything I could with the camera. It was an inauspicious start to a photography career.”

Her work often conveys a heavy message through symbolism and the somber technique known as low-key photography. “I use ropes a lot in my imagery,” Kasper says. “They represent the ties that bind.”

Kasper’s photograph “Solitary Journey” won the Southwest PPA District and placed 3rd in the National competition held this summer. Her award-winning image is rife with symbolism. “We all have our own personal stories, and this one represents how I’m charting my course,” she says. “We may feel abandoned and alone at times, but we are surrounded by so many wonderful memories of people and things that have given us strength, even in solitude.”

Kasper adds personal and tangible items to her photoshoots. “If it’s not on the set, it doesn’t get added,” she says. “The lantern is in the center and represents God, who is an important light at the center of my life. My mother’s picture is also in it, as are other things that are important to me.”

Studying the image closely, the story begins to unfold of just how lonely the journey of life can be. “Above my mom’s photo is her old bible and a compass that is pointing to true north, which is what God represents to me,” Kasper says. “Then you have the ropes. I put in the mouse as an homage to my husband. There’s another lantern but the light is out. There’s only one light that guides me ever since my mom died.”

Many photographers may find it unnerving to enter such a personal piece into a competition. For Kasper, it was about healing and finding peace. “You can’t always verbalize your woes, but you can find an outlet, and that’s what I’ve done,” she says. “The greatest honor is when someone wants to know the story behind the image, and they are moved when they see it. If I’ve reached someone, what better compliment is there?”

Jumping into photography like she did, Kasper relies on the Dallas PPA and Professional Photographers of America (PPA), as well as her mentors for support and guidance. Her merits and degrees include Certified Professional Photographer (CPP), Master of Photography, and Photographic Craftsman.

Through it all, she’s been inspired by – and learned from – David Edmondson. “David is a good friend and one of the most phenomenal people, inside and out. He has taught me how to be an artist and keep those characteristics in my life. That’s the most important thing to me,” she says. “There were times when I wanted to quit, but David is the one who encouraged me to go on. We share a strong faith and it means so much to know he has my back.”

Kasper is adamant that all photos should be physical, not just an image on a computer screen. “I don’t think it’s really completed until you print it,” she says. For her low-key images, Kasper prefers a satin photo paper, like Sunset Photo eSatin 300g, to ensure the fine details are captured with every print.

The popularity of local, state and national PPA competitions isn’t slowing down and Kasper believes that is because photographers are pushed to be better. “You have to keep moving forward, keep reinventing yourself. If you’re not getting better, you’re stagnant.”

2018 International Print Competition Winners Announced

Congratulations to the 2018 International Print Competition winners. In August, 26 District PPA Sunset Print Award winners vied for the coveted top spot, when the judging was finished, the winners were announced:

1st Place: Leaving with Dignity – Kimberly J. Smith

2nd Place: From the Ashes – Dawn Muncy

3rd Place: Heaven’s Hands of Hope – Brian Castle

There’s always such creative diversity in the Sunset Print Award winners and 2018 was no exception. From a snowy landscape in Winter Pastel to a canine Gentle Giant to a train bringing families Home for the Holidays, the judges did not have an easy job selecting the top three images.

“From the Ashes” by Dawn Muncy – 2nd Place

For Smith, winning back-to-back titles is exciting and she’s incredibly happy that her work has such an impact on the judges, “Impact is so important. I put a lot of emotion behind the story in my images and the judges can tell,” she says. “It’s not just another pretty picture. When they see the title [of the image], I want them to brace for impact, I want them to feel something, and apparently, they did.”

Muncy describes the stages of her “competition journey” and how the third and final phase allows her to be expressive with her work: “When you get to be yourself and let your creativity flow, that’s when competition becomes powerful. I know the rules, now I want to show the world who I am.”

First-time Sunset Print Award-winner Castle also thrives on creating emotional impact through his visual storytelling.

“Heaven’s Hands of Hope” by Brian Castle – 3rd Place

“When I can give my clients an image that creates emotion and causes them to tear up, I know I’ve done my job,” he says. “I would never have learned that unless I started competing.”

Along with an engraved crystal trophy, the winners will also receive cash prizes: $2,000 for First Place, $1,000 for Second Place and $500 for Third Place. We want to thank all the participants in the 2018 Sunset Print Awards and will have information regarding the 2019 awards coming soon.

 

Prints That Win: The Beauty of Innocence

For photographic craftsman Kimberly Smith of Muskogee, Okla., a hobby that started as a way to document the growth of her family through scrapbooking turned into a full-blown career. “I really was looking for a better camera to take better pictures of my kids. It turns out, not only did I find a better camera, I also found my passion,” she says.

Once Smith decided to pursue photography, she began looking for classes or other educational opportunities. A friend of hers suggested she reach out to Shannon Ledford of Broken Arrow, so that’s just what she did. “When I showed her my work, she said she could tell that I had a good eye,” Smith says. “She was so encouraging to me and my craft.” The two women bonded over photography and became fast friends, with Ledford inviting her to conventions, to her studio and into the lab for experience and training.

Prints That Win: Misty Morning

Last November, photographers Kathryn and Gary Meek were vacationing in China, when one misty morning, they spied a junk boat moored to just a little wisp of a dock on the Yangtze River. Even though it was at rest, Kathryn Meek said she was struck by the serenity of the scene. She pulled out her camera and started shooting. One of the images she captured would later become “Misty Morning,” winner of the Sunset Print Award – Illustrative category in the PPA Southwest District.

“It is one of my favorite shots. The trip was a cool experience and I was able to get a really cool shot,” she says.

To properly convey the ethereal feeling of the scene for the print, she used LexJet Sunset Photo Metallic Paper. “It really made the image pop,” she said of the award-winning paper.

Prints That Win: Urban Assault

For a professional photographer who has made a career of portraits featuring Santa Claus, the PPA Southwest District winner in the artist category, titled “Urban Assault,” was a huge departure for Chris Smith, M.Photog.

Smith captured the Sunset Print Award-winning image during a SWAT team training session in Midlothian, Texas, when he was requested to shoot the training. It turned out to be an ideal opportunity to get creative for print competition.

“Competition work is something that I do for myself because it is so detailed,” Smith says. “It is very therapeutic digging into that level of detail.”

Prints that Win: Something Old, Something New

Portrait photography

Lightning does strike twice, or at least the LexJet Sunset Award for outstanding photography did. Ann Naugher was honored earlier this year with a LexJet Sunset Award at PPA’s Southeast District competition for her portrait entitled Windswept, and most recently added another to her collection with another portrait entitled Monet’s Garden at the PPA’s Southwest District competition.

Naugher’s specialty is children’s portrait photography enhanced with Corel Painter, printed on fine-art canvas, embellished with oil paints and then finished with a lacquer. What results are classic yet timeless pieces of art that have gained a nationwide following of enthusiastic and appreciative customers.

Though Naugher has carved a popular and award-winning niche with her style of portrait photography, she likes to share credit with the artist who paints her backgrounds – David Maheu of Backgrounds by Maheu – and the subjects of the photos.

For the Monet’s Garden portrait, Maheu painted a rendition of Monet’s Rose Garden at Giverny, which Naugher then used as a background and the key element from which everything else in the photograph flowed.

“My business is primarily based on high-end, classic children’s work. When I do ‘classic’ I never want it to be stodgy, boring or monochromatic; I want to incorporate contemporary with classic,” explains Naugher. “The old master’s work at the time was very contemporary and the colors used are very much in vogue today. I wanted to give my client something new and vibrant, but born of something old and timeless.”

When Naugher visited with the judges following the PPA Southwest District competition, her goals were corroborated by their comments, such as that it’s a classic portrait that incorporates good lighting, balance and composition. “That’s what I was hoping to accomplish,” she says.

Monet’s Garden garnered a 99 out of 100 at the competition. Previously, at the Oklahoma competition (Naugher is based in Tulsa), it scored a 100.