Prints That Win: Alabaster Aster

For Dover, Ohio classic portrait artist Christine Walsh-Newton, working with people is one of the most rewarding aspects of being a photographer, so it would seem rather curious that her Sunset Award-winning print, “Alabaster Aster,” is something as simple – yet geometrically stunning – as a flower. “Working with people is great, I get to interact with them, but as a photographer, you don’t always have 100% control,” Walsh-Newton says. “Sometimes I just want to chill. Photographing flowers is sort of a means of meditation for me.”

Adding more meaning to her choice is the history of the Fuji Mum (in the Aster family) that is the subject of her winning piece. It was part of a bouquet given to her by her husband for their 19th wedding anniversary. “I rarely shoot flowers, unless it’s for my own entertainment, but I thought this would make for a great image, especially in black and white,” she says of “Alabaster Aster.” “I like to use alliteration for the titles of my flower pieces, and alabaster is a much more descriptive word than ‘white’, it was perfect for this selection.”

Prints That Win: The Beauty of Innocence

For photographic craftsman Kimberly Smith of Muskogee, Okla., a hobby that started as a way to document the growth of her family through scrapbooking turned into a full-blown career. “I really was looking for a better camera to take better pictures of my kids. It turns out, not only did I find a better camera, I also found my passion,” she says.

Once Smith decided to pursue photography, she began looking for classes or other educational opportunities. A friend of hers suggested she reach out to Shannon Ledford of Broken Arrow, so that’s just what she did. “When I showed her my work, she said she could tell that I had a good eye,” Smith says. “She was so encouraging to me and my craft.” The two women bonded over photography and became fast friends, with Ledford inviting her to conventions, to her studio and into the lab for experience and training.

Prints That Win: Prepare There’s Trouble

Award-winning master photographer Terry Blain was not always telling her story from behind the camera. She spent the past two decades traveling all over the country looking for interesting people to capture; however, in her early days as a model, she was the one who was captured on film. One day, after a particularly uninspired photo shoot, she realized that she would have set up the shots differently, had she been the one taking the pictures.

Utilizing her experiences on both sides of the camera, she has a self-awareness that helps her envision the best way to optimize the lighting, the setting and the model to strike the right tone and properly tell her story. “Putting the models at ease and making them comfortable is the best way for me to get the most flattering shot,” Blain says. “Often, I want to accentuate and flatter the highlights of the scene while downplaying the low-lights. I’m lucky enough to have experiences on both sides of the lens to help me clearly communicate this to my clients.”