Introducing Sunset Copperplate Rag Mould-made Paper

We’re excited to announce our first mould-made paper, LexJet Sunset Copperplate Rag 315gsm. This addition to our line of quality fine art papers is the a 100% cotton, soft-grain base that has the look and feel of a true art paper.

Mould-made papers are a favorite among fine art printers and photographers who want a high-quality look for their sophisticated artwork. Mould-made papers have interlocking fibers that add to the richness of the texture and increase strength and durability, as well. The manufacturing process is painstakingly meticulous to ensure the finish product pairs the consistency of a machine-made product with the characteristics of a handmade paper.

Unlike competing products on the market, Sunset Copperplate Rag is free of optical brighteners, acid and lignin.

“This is a high-end addition to the Sunset line that’s ideal for limited-edition print makers, as well as production printers, thanks to both the quality and the competitive price point,” says product specialist Jaimie Mask.

The natural white base and matte finish of LexJet Sunset Copperplate Rag 315gsm produces an excellent color gamut and unsurpassed Dmax. “It’s a great option for anyone wanting that ‘print-making’ feel with an artistic surface and texture,” Mask says.

Product Highlights:

  • Natural white, 100% cotton rag
  • Soft grain with matte finish
  • Excellent color gamut and Dmax
  • Archival quality
  • OBA-free, acid-free, lignin-free
  • Applications: Fine art and photographic reproduction and restoration, limited-edition prints, art portfolios, photo albums

Video Quick-Look:

Fine Art & Photo Repro Pros Prefer Sunset by Fredrix Matte Canvas

Printers who specialize in producing fine art and photo reproduction have their own set of requirements that canvas must deliver, such as high white levels, ease of use and excellent image and color quality. That’s why many providers who offer high-end gallery wraps, for example, rely on LexJet Sunset by Fredrix Matte Canvas.

“We’ve been using the Sunset by Fredrix canvas for about four months now,” says Chris Capel from The UPS Store, Aurora, OH, who uses the canvas on his new Epson SureColor P9000 printer. “The image quality is outstanding, and flesh tones are beautiful.”

The Satin-Finish Paper for the Long Run

When print production managers need a paper that delivers rich, consistent photo and image quality and can go the distance for high production runs, they turn to LexJet Sunset Production eSatin 250g.

With a high-end, traditional satin finish and an economical price point, Sunset Production eSatin is an ideal choice for print shops, fine art reproduction companies, professional photographers and other imaging specialists looking for a lightweight, high-volume alternative.

It’s comparable to other photo papers on the market, but at a much lower price. For mounting or framing, it’s an ideal lightweight alternate to the award-winning Sunset Photo eSatin Paper 300g, with the identical satin finish. Sunset Production eSatin gives you the same wet-lab look, making it the go-to choice for high-quality posters, photo albums and other photo output needs.

It’s available in rolls from 17- to 60-inches, making it an optimal option for long runs on any aqueous inkjet Canon, Epson or HP printers. Plus, the Production eSatin uses the same printer profiles as the 300g, so you can transition easily between media without any issues.

It dries instantly and resists scratches, making it perfect for schools, corporate displays, retail graphics, décor and other applications where image quality at an economical price is crucial.

To learn more about LexJet Sunset Production eSatin 250g, call a LexJet print specialist at 800-453-9538.

A Perspective on Matching Fine Art Paper to a Fine Art Original

Fostergraphs Fine Art Reproduction

There is no definitive rule for matching the right fine art paper (or canvas) to the original piece that’s being reproduced, whether that piece is oil on canvas, a charcoal sketch, a watercolor or any other medium.

Ultimately, it’s based on the artist’s preference and their interpretation of the piece for reproduction. However, certain media generally translate into certain types of fine art reproduction materials.

Obviously, oil on canvas will generally be reproduced on canvas. Of course, there is then the choice between a satin, gloss or matte finish, and any coating that may go over the canvas to both protect it and create its own finish (more on that in a future post, or you can download the free white paper, How to Make Canvas Printing Work for You).

For fine art papers, veteran print maker Kent Foster, owner of Fostergraphs Inc., Decorah, Iowa, has two “go-to” papers: Sunset Textured Fine Art Paper 310g for those who want a more textured surface and Sunset Cotton Etching Paper 285g for those who prefer a smoother finish.

“For the most part, we use Sunset Cotton Etching for pencil, charcoal and sketch work that’s more flat. We use Textured Fine Art predominately for watercolor reproductions, as well as oil paintings when they’re going to paper and not canvas because these artists tend to like a textured paper. And, they tend to work in textured medium to begin with,” says Foster.

In the example pictured above, Foster reproduced a piece entitled Where Eagles Soar by award-winning water color artist Mary Ann Gloe. It’s one of four watercolors Foster reproduced for the Luther College bookstore to replenish their stock of Gloe’s work.

“She’s a very talented artist has won a lot of state awards. I’ve been doing work for her since 2005, and that’s about how long we’ve been using Textured Fine Art as our primary textured fine art paper,” says Foster. “Artists want a nice product at an economical price. It’s a nice paper, it has a good weight, it presents very well and it’s priced reasonably. In this case, the watercolor looks especially good on a textured surface. The original surface she works on is typically somewhat textured, and this paper accurately represents the original.”

Sunset Photo Matte Paper: Durable, High-Quality, Archival and Economical

sunset matte srSunset Photo Matte Paper 280g is now available exclusively at LexJet. Ideal for fine-art reproduction, high-quality fine photo prints, photo albums and high-end poster décor, the smooth archival paper produces superior color saturation and a high Dmax for high-impact image reproduction.

Sunset Photo Matte Paper is the thickest, heaviest and most durable (280g, 12-mil) inkjet paper in its class, and is also priced lower than most comparable papers, providing both value and quality.

“It’s a great paper with a slightly warmer tone, which is perfect for fine-art printing. It makes a beautiful print and it’s thick and easy to handle, but has a lower price point,” says Chip Wright of Mastercolor Professional Labs, Greensboro, N.C.

Sunset Photo Matte Paper 280g is available in 17″, 24″, 36″, 44″ and 60″ widths and 100′ roll lengths from LexJet’s North American Distribution Network. Call a LexJet print specialist at 800-453-9538 for more information and to try this new paper for your next project.

Next-Generation Sunset Coatings for Canvas Now Available

Fine Art Print by Color Simulation Service with Sunset Gloss Coating
Randy Orgeron of Color Simulation Service found that Sunset Gloss Coating was easy to work with – it doesn’t set up too fast or too slow and self-levels – even on a large canvas piece, like this 18″ x 54″ fine art reproduction on Sunset Select Matte Canvas.

The next-generation Sunset Gloss Coating and Sunset Satin Coating are now in stock and shipping from LexJet’s Nationwide Delivery Network. The popular coatings have been reformulated to improve canvas coating performance with consistent results that can be applied with a brush, roller or spray.

Sunset Gloss Coating and Sunset Satin Coating are non-yellowing, pH-neutral water-based acrylic coatings that are self-leveling and ready-to-use straight from the easy-to-pour, easy-to-store containers.

Randy Orgeron of Color Simulation Service, Thibodaux, La., provided detailed feedback when he tested the updated formulation of Sunset Gloss Coating on Sunset Select Matte Canvas. Among his findings, Orgeron noted:

  • It rolls on easily with a foam roller
  • There do not seem to be any issues with it gunking up and it lays flat from the offset
  • Initially, the coating turns hazy, like car wax prior to buffing, but becomes crisp and clear
  • There were some bubbles that formed during application; however, once completely dry that concern proved to be unwarranted
  • The finish is gorgeous and really articulates the print, and there were no issues with the coating lifting the ink off the canvas

“The piece I tried this on at first was only an 11×14 canvas. Since the coating tends to set up rather quickly I was interested to see how fast I would have to work to cover a large canvas, and if could go back over missed spots on the first application,” adds Orgeron. “I’ve used other brands that dry so quickly you can only use them on smaller prints. With the Sunset Coating I found that you can keep working it after you apply it, so it’s going to be very effective for all of our prints, large or small.”

Other improvements to Sunset Coatings include:

  • Greater UV protection
  • Increase solid content so you get more coverage out of one container
  • NMP-free to comply with state and local safety and health regulations

Call a LexJet print specialist today at 800-453-9538 to find out more and to order the new Sunset Coatings.