Get International Recognition for Your Best Work in SGIA’s Golden Image Competition

Graphics and imaging competitionThere’s a lot to be said for winning an award for your work, particularly in an international competition. It’s great for PR and lends additional credibility when you give a pitch to prospects.

Therefore, it would be wise to consider entering SGIA’s Golden Image Awards, especially if you used LexJet products to achieve your masterpiece (hint). There are lots of chances to be recognized with about 50 categories available in which to enter.

Many of the categories are specific to screen printing, but many of them include digital inkjet applications, like Transit Advertising, Vehicle Wraps, Wallpaper, Posters, Plastic Products, Fine Art, Carpets/Rugs, Banners, Back-lighted Signs/Displays, and even Greeting Cards.

The deadline for entries is Oct. 5, and all submissions will be displayed in the Golden Image Gallery at the SGIA Expo in Las Vegas, Oct. 18-20. According to SGIA, winners gain international acclaim and every entrant is considered for the Best of Show (digital and screen printing categories) and Best in Creativity (digital printing).

Judges, who were chosen based on their technical skills, experience and knowledge in the categories, will evaluate the contenders on specific criteria, including: image definition, job complexity, registration and overall impression.

“This is a great opportunity for companies to compete against the best in the specialty imaging community and display their work to thousands of Expo attendees,” says Johnny Shell, SGIA’s vice president of technical services.

The Golden Image Awards are open only to SGIA printer members, who get one free entry; each additional entry is $30.

For more information, to enter and manager your entries, click here.

For a list of categories, click here.

For competition entry rules, click here.

Excellence in Trade Show Exhibits: Exhibit Design Awards

Award winning trade show and exhibit designEXHIBITOR Magazine recently announced the winners of its 26th Annual Exhibit Design Awards, which was judged by a panel of professionals from the exhibit design market in Miami earlier this year. Entries came around the world – including Israel, Spain, Turkey and China – and were narrowed down to 17 winners.

This year’s winners came from a variety of industries, from real estate to aerospace, with designs that ranged from simple to eclectic. EXHIBITOR Magazine says that the winning exhibits averaged $125 per square foot, $35 per square foot below the Exhibit Designers & Producers Association’s 2011 average of $160 per square foot for single-tiered island exhibits.

Here are this year’s winners. Click on the link to see the story behind each exhibit and why each was recognized…

EDGE Award (for Exhibit Design and Graphics Excellence)
Brunner GmbH

Gold Awards
Burkhardt Leitner Constructiv GmbH & Co. KG
HTC Corp.
Holtmann GmbH & Co. KG
Formica Group
Blomus GmbH

Silver Awards
Sikorsky Aircraft Corp.
Wargaming.net LLP
Bugatti Automobiles S.A.S.
Kohlhaas Messebau GmbH & Co. KG
Stepevi Carpet

Bronze Awards
Atelier Damboeck Messebau GmgH
Nitto Tire U.S.A. Inc.
Gulfstream Aerospace Corp.
Sigg USA Inc.
Brookfield Properties Inc.
Comverse Ltd.

Prints that Win: Bridging the Realism Gap

Painting photographs with Corel and Photoshop

Ann Naugher, owner of Hopkins Fine Portraits in Tulsa, is sought after far and wide for her artistic portraits of children. They bridge the gap between the realism of photography and what can be the surrealism of painting.

“My clients’ issue with a painting of their child is that it’s their child, and they don’t want to lose the realism of who their child is,” Naugher explains. “This bridges both worlds nicely where it’s an artistic feel but it looks like their child.”

In other words, with a painting, like a box of chocolates, you never really know what you’ll get. The image pictured here, called Windswept, perfectly illustrates this delicate balance. It’s a beautiful and artistic rendering of one of her client’s children, but it retains the character and essence of the subject.

Windswept won a LexJet Sunset Award in the Electronic Imaging category at the PPA’s Southeast district competition, and for good reason. It’s a tasteful, colorful and rich image that takes an ordinary portrait (displayed at the bottom right of the accompanying picture, below the final “painting”) and takes it to the next level.

“I’m more artist than technician, so the end result is based on feel. I retouch the photo so that the portrait starts out as the best possible portrait it can be. In Photoshop I start by drawing what I want that’s lacking in the image into the image. Then, I take the image into Corel Painter and not only paint what’s there, but I’ll add to it in Painter with the different brushes until it feels right,” explains Naugher. “I think it’s important to repeat colors and I tend to like images that have depth to them, so I like to work with the point where light is entering the portrait. In this case, it’s behind her, and instead of a tunnel of light I created a more circular feel to the background.”

Naugher adds that she usually applies oil painting highlights to the canvases that are produced from the digital work, which was not done for this competition. And, most of her competition prints are from actual client work, as was Windswept.

Prints that Win: Something Old, Something New

Award winning photographyIt’s rare to find someone from the next generation of photographers who prefers to shoot film over digital. This year’s LexJet Sunset Award winner for Best Quality Print and Presentation at the Plymouth Center for the Arts competition and exhibition, The Fine Art of Photography, is more than just a throwback to traditional photography.

Elizabeth Ellenwood enjoys the interaction of the historical and the modern in both her photography process and in the subjects of her photography. Her winning print of Boston architecture exemplifies this seeming contradiction.

“The image is from a series I started for my senior thesis at the New Hampshire Institute of Art. I started photographing Boston architecture because I enjoy the combination of historical and modern architecture that overlays each other,” says Ellenwood. “I photograph with a Tachihara Field Camera, which renders everything in the viewfinder upside down and in reverse. It’s great to work with architecture from an almost abstract point of view. I’m a film person at heart; it’s what interested me in photography in the first place and it still holds true for me.”

Ellenwood scanned the color negative, printed it on the school’s Epson 9800 on Epson Premium Luster Photo Paper, then matted and framed it herself. Like the image itself, it was a unique blend of history and modernity using analog and digital tools.

Photographing Boston architectureEllenwood was introduced to the Plymouth Center for the Arts exhibition by another Sunset Award winner, Neal Rantoul. A year after Rantoul won the award, Ellenwood took one home.

“When I moved to Boston I started to get involved in the local photography community and met Neal, who became a mentor to me and was very inspiring. He sent me an email about the Plymouth show and encouraged me to enter. It was exciting for me because this photographer I really admire won the same award the year before,” says Ellenwood.

Prints that Win: Old West Shootout in the Southeast

Award winning photography and printing

Ghost Town in the Sky, located above Maggie Valley, N.C., is a themed amusement park that’s preparing to re-open to the public. As part of that, the “ghost town” needed some publicity shots and turned to veteran photographer Jeff Gulle.

Gulle used the opportunity to educate some of the students from the photography class he teaches at North Georgia Technical College in Clarksville, Ga., and to produce a competition-worthy image. Gulle accomplished both, garnering a LexJet Sunset Award for his image entitled Showdown at the Georgia PPA print competition held in conjunction with the PPA Southeast District convention.

“It was a beautiful day and it worked out really well. I photographed various characters they feature at Ghost Town in the Sky, and my favorite was the Preacher,” says Gulle.

Gulle perfectly posed the Preacher with the ghost town as a backdrop. Since he shot the scene with a wider angle the buildings skewed a bit so he straightened them out in the editing process and added a Topaz Photoshop plug-in filter to make the scene “grittier” in keeping with the ghost town theme.

Gulle says he’s been printing more of his own work over the past few years since he acquired an Epson Stylus Pro 3880, and uses it in the classroom as part of the instruction. He plans to use the gift certificate that came with the LexJet Sunset Award to buy his favorite Sunset paper, LexJet Sunset Photo Metallic Paper.

Prints that Win: Bridge over Water

Award winning photography and printing

Award-winning photography is often a fortuitous combination of skill and luck as was the first-place winner of the Commercial division and LexJet Sunset Award winner at the 2012 Professional Photographers of North Carolina print completion, Gregory Georges.

Georges co-owns Jonathan Penney Inc., a New York-based fine art print making business, with the company’s founder, Jonathan Penney. The skill is obvious in the presentation of the image, Bridge Over Water. The luck was in finding the scene at the right time.

Georges captured the image at the Conde B. McCullough Memorial Bridge over Coos Bay on US 101 in North Bend, Oregon, with a Canon EOS-1Ds Mark III using an EF70-200 at 148mm set to 1/320 @f/8.0 and ISO 100.

“I was fascinated by this beautiful old bridge. It was near sunset with lots of clouds and not much color, so it was very monochromatic to begin with. I got very compulsive about locking-down my tripod, and using mirror lock-up to minimize vibrations to get the clearest image I could,” explains Georges.

Equally important, says Georges, was the combination of Adobe Camera RAW 7 RAW file conversion and black-and-white conversion done in Nik Software’s Silver Efex Pro 2.0. “Silver Efex has absolutely amazing features that really bring out the best in a black and white image,” says Georges. “My vision was to make the print look like a mechanical pencil sketch without pure black tone and yet still show extremely fine detail.”

He printed on a fine art watercolor paper at competition size – 16″ x 20″ – on an Epson Stylus Pro 3880. Georges says that those who saw the print at competition were amazed by the amount of detail in the image, especially the individual cars crossing the bridge and fine line detail of the wires on the bridge.

“Monitors, color calibration tools, media, ink technologies and printers are so awesome now that if you edit it well on your computer you will get an amazing print. I also use ColorByte Software’s ImagePrint RIP, because it’s giving me extraordinary paper profiles,” adds Georges.

For more information about Jonathan Penney Inc., go to www.jonathanpenney.com.